PORGY AND BESS
George Gershwin Dubose and Dorothy Heyward, Ira Gershwin
Robertson; Blue, Schultz, Moore, Graves, Ballentine, Owens, Walker, Speedo Green
OAD 9/23/2019 – Season Premiere, 2019-2020 Opening Night
One of America’s favorite operas returns to the Met for the first time in nearly 30 years. James Robinson’s stylish production transports audiences to Catfish Row on the Charleston waterfront, vibrant with the music, dancing, emotion, and heartbreak of its inhabitants. “If you’re going to stage Gershwin’s opera, this is how,” raved the Guardian when the new production premiered in London in 2018. David Robertson conducts a dynamic cast, featuring the sympathetic duo of Eric Owens and Angel Blue in the title roles
The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund and Douglas Dockery Thomas
Benini: Oropesa, Fabiano, Bosi, Rucinski, Polegato, Youn
OAD 9/24/2019 Season Premiere SID.19390212
Exhilarating soprano Lisette Oropesa stars as the irresistible title character, the tragic beauty who yearns for the finer things in life, in Laurent Pelly’s revealing production. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves their undoing. Maurizio Benini conducts Massenet’s sensual score.
A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. Harrington Endowment Fund
VICTORY LAP Interview with Lisette Oropesa from metopera.org
Armiliato; Netrebko, Pirozzi, Polenzani, Lucic, Abdrazakov
OAD 9/25/2019 Season Premiere
Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014. Tonight, she returns to Verdi’s gripping Shakespeare adaptation. Baritone Željko Lučić, who starred in the 2007 premiere of Adrian Noble’s evocative production, sings the title role. Marco Armiliato conducts a cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo.
Production a gift of Mr. and Mrs. Paul M. Montrone Additional funding from Mr. and Mrs. William R. Miller; Hermione Foundation, Laura Sloate, Trustee; and The Gilbert S. Kahn & John J. Noffo Kahn Endowment Fund Revival a gift of Rolex
[Note: Placido Domingo was scheduled to sing MacBeth but withdrew from his appearances in this opera and at the MET on 9-24-19]
Photos: MET OPERA
Nézet-Séguin; Goerke, Buratto, Aronica, Morris
Original Air Date: 10/03/2019
Two of opera’s most thrilling dramatic sopranos, Christine Goerke and Nina Stemme, reprise their fierce portrayals of the title princess. Yannick Nézet-Séguin takes the podium to conduct Franco Zeffirelli’s dazzling production of Puccini’s final masterpiece, which also features tenors Yusif Eyvazov and Riccardo Massi as Calàf, sopranos Eleonora Buratto and Hibla Gerzmava as Liù, and bass-baritone James Morris as Timur.
Morandi; He, DeShong, Pretti, Szot
Original Air Date: 10/11/2019
Original Air Date: 11/16/2019
Manacorda; Phillips, Sierra, Arquez, Bishop, Plachetka, Pisaroni, Sherratt
Two outstanding casts—including sopranos Nadine Sierra, Anita Hartig, Susanna Phillips, and Hanna-Elisabeth Müller; mezzo-sopranos Gaëlle Arquez and Marianne Crebassa; baritone Mariusz Kwiecien; and bass-baritones Luca Pisaroni and Adam Plachetka—come together for Mozart’s scintillating class comedy. Antonello Manacorda and Cornelius Meister conduct Sir Richard Eyre’s fast-paced production.
Original Air Date: 12/05/2019
Petrenko; Davidsen, Maximova, Diadkova, Antonenko, Golovatenko, Markov
Tchaikovsky’s eerie thriller of imperial Russia has its first performances at the Met since 2011. Tenor Aleksandrs Antonenko is Hermann, the fanatical gambler whose obsession with a powerful secret drives him to madness. Soprano Lise Davidsen makes her highly anticipated Met debut as his long-suffering lover, Lisa, with mezzo-soprano Larissa Diadkova as the otherworldly Countess. Baritone Igor Golovatenko is Yeletsky, baritone Alexey Markov is Tomsky, and Vasily Petrenko conducts.
Original Air Date: 12/13/2019
Rattle; Nylund, Kožená, Schultz, Goeldner, Polenzani, Ebenstein, Eiche, Groissböck
Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie.
Original Air Date: 12/19/2019
Koenigs; Harvey, Lewek, Portillo, Rosel, Hopkins, Carfizzi, Robinson
A beloved holiday tradition continues as Mozart’s delightful fairy tale returns in the Met’s abridged, English-language version for families, perfect for younger audiences, with no intermission and a running time of less than two hours. Lothar Koenigs conducts a dynamic cast of standout Mozarteans in Julie Taymor’s magical production, an enduring Met classic with its eye-popping puppetry and stunning visuals.
Original Air Date: 12/27/2019
Nézet-Séguin; van den Heever, Mumford, Ventris, Siegel, Staples, Mattei, Van Horn
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary visual imagination on Berg’s other operatic masterpiece, set in an apocalyptic pre–World War I environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, with baritone Peter Mattei making his highly anticipated role debut as the title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
Original Air Date: 12/31/2019
Nézet-Séguin; Netrebko, Polenzani, Kelsey, Luciano, Van Horn, Woodley, Netrebko, Eyvazov, Nikitin, Carfizzi, Netrebko, Eyvazov
In an unprecedented program to celebrate the new year, Anna Netrebko pulls out all the Puccini stops, starring as Mimì, Tosca, and Turandot in one gala evening. The star soprano will sing Act I of La Bohème, opposite tenor Matthew Polenzani, and Act I of Tosca and Act II of Turandot, opposite tenor Yusif Eyvazov. Conducted by Met Music Director Yannick Nézet-Séguin and featuring an outstanding cast that also includes baritones Quinn Kelsey and Davide Luciano, and bass-baritones Evgeny Nikitin and Christian Van Horn, this will be an evening not to be missed. Each of the acts will be fully staged and costumed in the respective (and spectacular) Zeffirelli and McVicar productions.
Original Air Date: 01/10/2020
Chichon; Kurzak, Popov, Kelsey
Michael Mayer’s sumptuous staging, a highlight of the 2018–19 season, returns with two casts of bright stars. Sopranos Aleksandra Kurzak and Lisette Oropesa share the role of Violetta, the opera’s tragic heroine, opposite tenor Dmytro Popov as her ardent lover, Alfredo, and baritones Quinn Kelsey and Luca Salsi as Alfredo’s stern father, Germont. Karel Mark Chichon and Bertrand de Billy conduct one of opera’s greatest scores.
Original Air Date: 02/06/2020
Bicket; Rae, DiDonato, Lindsey, Davies, Rock, Rose
Handel’s tale of intrigue and impropriety in ancient Rome receives its first Met performances, with star mezzo-soprano Joyce DiDonato as the controlling, power-hungry Agrippina and Harry Bicket conducting. Sir David McVicar’s production ingeniously reframes the action of this black comedy about the abuse of power to “the present,” where it should loudly resonate. The all-star cast features mezzo-soprano Kate Lindsey as Agrippina’s son and future emperor Nerone, soprano Brenda Rae as the seductive Poppea, countertenor Iestyn Davies as the ambitious officer Ottone, and bass Matthew Rose as the weary emperor Claudius.
Original Air Date: 03/02/2020
Gergiev; Kampe, Fujimura, Skorokhodov, Portillo, Terfel, Selig
The great bass-baritone Sir Bryn Terfel returns to the company for the first time since 2012, in the title role of the cursed sea captain doomed to sail the open ocean for eternity. Valery Gergiev conducts a new production by François Girard, whose visionary 2013 take on Parsifal set the recent Met standard for Wagner stagings. With sweeping sets by John Macfarlane, Girard’s new production turns the Met stage into a rich, layered tableau reminiscent of a vast oil painting. The gifted German soprano Anja Kampe, in her Met debut, is the devoted Senta, whose selfless love is what the Dutchman seeks, with bass Franz-Josef Selig as her father, Daland, and tenor Sergey Skorokhodov as her deserted former lover, Erik.
Original Air Date: 03/12/2020
Gaffigan; Erraught, Camarena, Luciano, Muraro, Van Horn
Rossini’s effervescent take on the Cinderella story returns, with rising star mezzo-soprano Tara Erraught in the title role and tenor sensation Javier Camarena as her Prince Charming. James Gaffigan conducts the lively action, which also features bass-baritone Maurizio Muraro as the bumbling Don Magnifico, bass-baritone Christian Van Horn as the benevolent Alidoro, and baritone Davide Luciano as the wily servant Dandini.
Original Air Date: 03/16/2020
Nézet-Séguin; Fang, DiDonato, Beczala, Dupuis, Opie
Music Director Yannick Nézet-Séguin conducts Massenet’s tragedy, a perfect vehicle for outstanding tenors, starring Piotr Beczała, who certainly fits the bill. The magnificent mezzo-soprano Joyce DiDonato is Charlotte, the object of Werther’s misguided affections, alongside sopranos Erin Morley and Ying Fang as Sophie and baritone Etienne Dupuis as Albert, in Sir Richard Eyre’s arresting production.
Original Air Date: 03/26/2020
de Billy; Netrebko, Mavlyanov, Gagnidze, Carfizzi
Soprano Anna Netrebko, whom the New York Times hailed as “magnificent” when she made her role debut as Tosca in 2018, returns as Puccini’s explosive diva, back by popular demand. Tenors Najmiddin Mavlyanov and Brian Jagde alternate as the idealistic painter Cavaradossi, and baritones George Gagnidze and Michael Volle complete the opera’s fatal love triangle as the sinister Scarpia. Bertrand de Billy conducts Sir David McVicar’s stunning production.
Original Air Date: 04/10/2020
Rizzi; Pérez, Calleja, Álvarez, Azizov, Belosselskiy
Audience favorite Ailyn Pérez takes on the touching role of Amelia Grimaldi, with legendary baritone Carlos Álvarez returning to the Met for the first time in more than a decade in the title role. Elegant tenor Joseph Calleja is her lover, Gabriele Adorno, and magisterial bass Dmitry Belosselskiy completes the principal cast as Amelia’s grandfather, Jacopo Fiesco. Carlo Rizzi takes the podium for Verdi’s timeless tale of political and family intrigue.
Original Air Date: 04/28/2020
Farnes; Yoncheva, Álvarez, Wang, Azizov, Sherratt
Powerful soprano Sonya Yoncheva takes on Puccini’s fiery and defiant heroine in Sir Richard Eyre’s grand production. Leading tenor Marcelo Álvarez is Chevalier des Grieux, who pursues Manon beyond the point of no return, and Richard Farnes conducts.
Original Air Date: 05/02/2020
Koenigs; Phillips, Mack, Zajick, Cernoch, Margita, Appleby, Tomlinson
Janáček’s gripping domestic drama makes a rare appearance on the Met stage, its first since 2005. The soaring soprano Susanna Phillips sings the title role, a young woman forced by fate to choose between true love and family honor, with beloved mezzo-soprano Dolora Zajick as her unyielding mother-in-law. Tenor Pavel Černoch is the young object of Káťa’s love, and legendary bass Sir John Tomlinson is his rich but cruel uncle. Lothar Koenigs conducts one of the defining operatic scores of the 20th century.