MARNIE:Nico Muhly
Original Air Date: 11/10/2018
Broadcast Date: 1/10
Spano; Leonard, Kelly, Graves, Davies, Maltman
SID.19040640
INTERMISSION
-Marnie composer Nico Muhly with Elena Park
-Director Michael Mayer, mezzo Isabel Leonard and baritone Christopher Maltman discuss the making of Marnie
-Mary Jo Heath interviews Gerald Finley about Bluebeard’s Castle
Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts. Music by Nico Muhly, libretto by Nicholas Wright, based on the novel by Winston Graham Production: Michael Mayer; Set/Projection Designers: Julian Crouch, 59 Productions; Costume Designer: Arianne Phillips; Lighting Designer: Kevin Adams, Choreographer: Lynne Page Commissioned by the Metropolitan Opera A co-production of the Metropolitan Opera and English National Opera By special arrangement with Universal Pictures
CARMEN : Bizet
Original Air Date: 02/02/2019
Langrée; Phillips, Margaine, Alagna, Simpson
Live in HD SID.19050640
INTERMISSION FEATURES
-Backstage Pass: HD Host Ailyn Pérez interviews Clémentine Margaine
-Backstage Pass: HD Host Ailyn Pérez interviews Children’s Chorus Master Anthony Piccolo and Members of the Children’s Chorus
-Commentator William Berger interviews Luca Pisaroni about Don Giovanni
-Backstage Pass: HD Host Ailyn Pérez interviews Alexander Vinogradov
-Backstage Pass: HD Host Ailyn Pérez interviews Aleksandra Kurzak and Roberto Alagna
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.
Production a gift of Mrs. Paul Desmarais Sr.
IOLANTA / BLUEBEARD’S CASTLE:Tchaikovsky/Bartók
Original Air Date: 02/09/2019
Nanasi; Yoncheva, Polenzani, Markov, Azizov, Kowaljow, Denoke, Finley
SID.19060639
Program 020919-iolanta-bluebeard
Intermission Features
Backstage Pass: Loren Toolajian interviews Sonya Yoncheva and Matthew Polenzani
Backstage Pass: Loren Toolajian interviews Angela Denoke and Gerald Finley
Mary Jo Heath interviews Nadine Sierra about Rigoletto
Mariusz Treliński’s haunting production of the pairing of Tchaikovsky’s and Bartók’s one-act operas makes its first return to the stage since its Met premiere in the 2014–15 season. Soprano Sonya Yoncheva—following her triumphant 2017–18 performances as Tosca—is the blind princess, Iolanta, who discovers love for the first time, opposite tenor Matthew Polenzani as the dashing knight Vaudémont. In Bartók’s chilling Bluebeard’s Castle, baritone Gerald Finley is the menacing Bluebeard, and soprano Angela Denoke is his initially unsuspecting new wife. Henrik Nánási conducts. Co-production of the Metropolitan Opera and Teatr Wielki-Polish National Opera Production a gift of Ambassador and Mrs. Nicholas F. Taubman; Additional funding from Mrs. Veronica Atkins; Dr. Magdalena Berenyi, in memory of Dr. Kalman Berenyi; and the National Endowment for the Arts
DON GIOVANNI:Mozart
Original Air Date: 02/16/2019
Meister; Willis-Sørensen, Lombardi, Garifullina, de Barbeyrac, Pisaroni, Taylor, Cedel, Kocán
SID.19070640
DON GIOVANNI{570}
Wolfgang Amadeus Mozart–Lorenzo Da Ponte
Don Giovanni…………Luca Pisaroni
Donna Anna…………..Rachel Willis-Sorensen
Don Ottavio………….Stanislas de Barbeyrac
Donna Elvira…………Federica Lombardi
Leporello……………Ildar Abdrazakov
Zerlina……………..Aida Garifullina
Masetto……………..Brandon Cedel
Commendatore…………Stefan Kocán
Cello Continuo……….David Heiss
Harpsichord Continuo….Howard Watkins
Mandolin Solo………..Joyce Rasmussen Balint
Conductor……………Cornelius Meister
Production…………..Michael Grandage
Designer…………….Christopher Oram
Lighting Designer…….Paule Constable
Choreographer………..Ben Wright
Stage Director……….Louisa Muller
Intermission
-Backstage Pass – Loren Toolajian interviews Rachel Willis-Sørensen, Federica Lombardi, and Aida Garifullina
-Backstage Pass – Loren Toolajian interviews Luca Pisaroni, Ildar Abdrazakov, and Stanislas de Barbeyrac
-Mary Jo Heath interviews Pretty Yende and Javier Camarena about La Fille du Régiment
Baritone Peter Mattei and bass-baritone Luca Pisaroni star as opera’s most notorious seducer in Mozart’s masterpiece of dark comedy. Cornelius Meister makes his Met debut conducting performances that also include sopranos Rachel Willis-Sørensen and Guanqun Yu as Donna Anna, sopranos Federica Lombardi and Susanna Phillips as Donna Elvira, and basses Ildar Abdrazakov and Adam Plachetka as Leporello. Production a gift of the Richard and Susan Braddock Family Foundation, and Sarah and Howard Solomon Additional funding from Jane and Jerry del Missier, and Mr. and Mrs. Ezra K. Zilkha Revival a gift of the Metropolitan Opera Club
RIGOLETTO:Verdi
Original Air Date: 02/23/2019
Luisotti; Sierra, Zaharia, Grigolo, Frontali, Kocán
SID.19080640
Verdi’s tragic jester returns in Michael Mayer’s neon-bedecked, Las Vegas–themed production. Baritones Roberto Frontali and George Gagnidze share the title role, and soprano Nadine Sierra reprises her portrayal of Gilda, the role that helped launch her now-blossoming Met career. Tenors Vittorio Grigolo, Francesco Demuro, Matthew Polenzani, and Stephen Costello share the role of the lascivious Duke, and Nicola Luisotti conducts.
First Intermission
-Backstage Pass: Loren Toolajian interviews Nadine Sierra and Roberto Frontali
-TOLL BROTHERS – METROPOLITAN OPERA QUIZ
Guest Artist: Jamie Barton; Host: Brian Zeger
Panelists: Cori Ellison, Jeff McMillan, and Rich Miller
Second Intermission
-Backstage Pass: Loren Toolajian interviews Vittorio Grigolo
-Mary Jo Heath interviews General Manager Peter Gelb
LA FILLE DU RÉGIMENT:Donizetti
Original Air Date: 03/02/2019
Mazzola; Yende, Blythe, Camarena, Corbelli, Muraro
Live in HD SID.19090640
Intermission
-Backstage Pass – HD Host Nadine Sierra interviews Pretty Yende
-William Berger interviews Ailyn Pérez, Marie-Nicole Lemieux, and Golda Schultz about Falstaff
-Backstage Pass – HD Host Nadine Sierra interviews Stephanie Blythe and Maurizio Muraro
-Backstage Pass – HD Host Nadine Sierra interviews Javier Camarena
Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis … Pour mon âme,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. And in an exciting piece of casting, stage and screen icon Kathleen Turner makes her Met debut in the speaking role of the Duchess of Krakenthorp. Enrique Mazzola conducts. A co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden, London; and the Wiener Staatsoper, Vienna
DAS RHEINGOLD:Wagner
Original Air Date: 03/09/2019
Jordan; Harmer, Barton, Cargill, Ernst, Siegel, Grimsley, Konieczny, Groissböck, Belosselskiy
SID.19100640
Freia……………….Wendy Bryn Harmer
Fricka……………..Jamie Barton*
Erda………………..Karen Cargill
Loge……………….Norbert Ernst (MET Debut)
Mime………………Gerhard Siegel
Donner……………Michael Todd Simpson
Wotan……………..Greer Grimsley
Alberich…………..Tomasz Konieczny (MET Debut)
Fasolt………………Gunter Groissbock
Fafner……………..Dmitry Belosselskiy
Woglinde………..Amanda Woodbury
Wellgunde……..Samantha Hankey
Flosshilde………Tamara Mumford
Conductor……….Philippe Jordan
Production …………………Robert Lepage
Associate Director ………Neilson Vignola
Set Designer ………………Carl Fillion
Costume Designer ….. …Francois St-Aubin
Lighting Designer ……….Etienne Boucher
Video Image Artist ……..Boris Firquet
Revival Stage Director ..J. Knighten Smit
*(Met Role Debut)
Wagner’s visionary initial installment of the Ring Cycle depicts the original sin of the theft of the sacred golden treasure, the vanity of the gods, the greed of the Nibelungen, the fratricide of the giants, and the building of Valhalla. Bass-baritone Greer Grimsley and baritone Michael Volle share the role of Wotan, the conflicted lord of the gods. Mezzo-soprano Jamie Barton sings her first Wagner role at the Met as Wotan’s embattled wife, Fricka. In collaboration with Ex Machina
Original Air Date: 03/16/2019
Farnes; Schultz, Pérez, Lemieux, Johnson Cano, Demuro, Maestri, Rodríguez
SID.19110640
FALSTAFF {192} Giuseppe Verdi–Arrigo Boito
Sir John Falstaff…….Ambrogio Maestri
Alice Ford…………..Ailyn Pérez
Ford………………..Juan-Jesús Rodriguez
Dame Quickly…………Marie-Nicole Lemieux
Nannetta…………….Golda Schultz
Fenton………………Francesco Demuro
Meg Page…………….Jennifer Johnson Cano
Dr. Cajus……………Tony Stevenson
Bardolfo…………….Keith Jameson
Pistola……………..Richard Bernstein
Conductor……………Richard Farnes
Production…………..Robert Carsen
Set Designer…………Paul Steinberg
Costume Designer……..Brigitte Reiffenstuel
Lighting designer…….Robert Carsen
Lighting Designer…….Peter Van Praet
Stage Director……….Gina Lapinski
Intermission
-Backstage Pass – Loren Toolajian interviews Ailyn Pérez, Marie-Nicole Lemieux, and Golda Schultz
-William Berger interviews Ambrogio Maestri, our Falstaff
-Mary Jo Heath interviews Christine Goerke, Brunhilde, about Die Walküre
The revival a gift of Edwin C. Holmer III
A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden; Teatro alla Scala, Milan; the Canadian Opera Company, Toronto; and De Nederlandse Opera, Amsterdam
Baritone Ambrogio Maestri brings his larger-than-life portrayal of the title role back for the first time since his Met role debut in the 2013–14 season. Robert Carsen’s insightful production—which moves the action to postwar England in the 1950s—features an exceptional cast that includes soprano Ailyn Pérez as Alice Ford and soprano Golda Schultz as Nannetta.
SAMSON ET DALILA:Saint-Saens
Original Air Date: 03/23/2019
Elder; Rachvelishvili, Antonenko, Naouri, Konieczny, Groissböck
SID.19120640
Following triumphant performances in Aida and Adriana Lecouvreur earlier this season, mezzo-soprano Anita Rachvelishvili gives a commanding … exhilarating (New York Times) performance as the seductive Dalila, opposite tenor Gregory Kunde, who sings Samson with strong, focused tone and … genuine nobility (New York Times). Darko Tresnjak, who won a Tony Award for Best Direction of a Musical in 2014 for A Gentleman’s Guide to Love & Murder, makes his Met debut directing a vivid staging of Saint-Saëns’s biblical epic, featuring a monumental setting for the last-act Temple of Dagon, where the hero crushes his Philistine enemies. Sir Mark Elder conducts the first new Met production of the work in 20 years.
Conductor Sir Mark Elder
Samson Gregory Kunde
Abimélech Tomasz Konieczny
The high priest of dagon Laurent Naouri
First philistine Eduardo Valdes
Second philistine Jeongcheol Cha
A philistine messenger Scott Scully
An old hebrew Günther Groissböck
Dalila Anita Rachvelishvili
First Intermission
-Backstage Pass: Loren Toolajian interviews Anita Rachvelishvilil
-Backstage Pass: Loren Toolajian interviews Gregory Kunde and Laurent Naouri
-Backstage Pass: Loren Toolajian interviews Tomasz Konieczny and Günther Groissböck
-Mary Jo Heath interviews maestro Carlo Rizzi
Second Intermission
-Mary Jo Heath interviews chorus master Donald Palumbo
-TOLL BROTHERS – METROPOLITAN OPERA QUIZ
Guest Artist: Erin Morley; Host: Gerald Martin Moorel Panelists: Ken Benson, Brad Cresswell and Peter Kazaras
Pianist: Howard Watson
DIE WALKÜRE:Wagner
Original Air Date: 03/30/2019
Jordan; Goerke, Westbroek, Barton, Skelton, Grimsley, Groissböck
Live in HD SID.19130638
In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke, in her MET role debut, plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. Philippe Jordan conducts.
TOSCA : Puccini
Original Air Date: 04/06/2019
Rizzi; Rowley, Calleja, Koch, Cokorinos
SIEGFRIED:Wagner
Original Air Date: 04/13/2019
Jordan; Goerke, Morley, Cargill, Vinke, Siegel, Volle, Konieczny, Belosselskiy
SID.19150639
SEASON PREMIERE
Program 041319-Siegfried
Opera News Broadcast Page
LA CLEMENZA DI TITO:Mozart
OAD: 04/20/2019 SID.19160640
Koenigs; Fang, van den Heever, DiDonato, Murrihy, Polenzani, Van Horn
Program
GÖTTERDÄMMERUNG:Wagner
SEASON PREMIERE
Jordan; Goerke, Haller, Schuster, Schager, Nikitin, Konieczny, Owens
SID.19170638
Program 042719-gotterdammerung
Broadcast page from OPERA NEWS
All Photos @MET OPERA
AIDA : Verdi
OAD: 10/06/2018 Rebroadcast 5/04/2019
Luisotti; Netrebko, Rachvelishvili, Antonenko, Kelsey, Belosselskiy, Speedo Green
Program: 100618-aida
NYT Review (Tommassini) Last spring at the Metropolitan Opera, the soprano Anna Netrebko took on the title role of Puccini’s “Tosca” for the first time. She claimed that touchstone part for her own, and put her mark on the whole season. On Wednesday at the Met, Ms. Netrebko did it again, this time in the title role of Verdi’s “Aida.” She is still fairly new to this challenging part, which she introduced at the Salzburg Festival a year ago. There was something fresh and exploratory about her performance on Wednesday. Yet it also felt fully formed, dramatically deep. And she sang magnificently.
Observer (Jorden) “Ritorna vincitor!” cries the Egyptian throng in the first scene of Aida as they send their hero off to war: “Return in triumph!” And that’s what the Met’s undisputed prima donna Anna Netrebko did last night in her first local performance of the protean title role of this opera: she came, she sang and she conquered.
DIALOGUES DES CARMÉLITES : Poulenc
OAD: 05/11/2019 SID.19190638
Nézet-Séguin; Leonard, Pieczonka, Morley, Cargill, Mattila, Portillo, LaPointe
AKHNATEN:Glass
Kamensek; Larusdottir, Bridges, Costanzo, Blake, Liverman, Bernstein, James
Original Air Date: 12/07/2019
SID.19490639
First Intermission
Mary Jo Heath interviews General Manager Peter Gelb about the 2019-20120 season.
Philip Glass Feature
Mary Jo Heath interviews Maestro Karen Kamensek
Second Intermission
Backstage Pass #1 – Loren Toolajian interviews Anthony Roth Costanzo
Backstage Pass #2 – Loren Toolajian interviews Dísella Lárusdóttir, J’Nai Bridges, and Zachery James
Lise Davidsen Feature
THE QUEEN OF SPADES:Tchaikovsky
Petrenko; Davidsen, Maximova, Diadkova, Antonenko, Golovatenko, Markov
Original Air Date: 12/14/2019
SID.19500639
Tchaikovsky’s eerie thriller of imperial Russia has its first performances at the Met since 2011. Tenor Yusif Eyvazovis Hermann, the fanatical gambler whose obsession with a powerful secret drives him to madness. Soprano Lise Davidsen makes her highly anticipated Met debut as his long-suffering lover, Lisa, with mezzo-soprano Larissa Diadkova as the otherworldly Countess. Baritone Igor Golovatenko is Yeletsky, baritone Alexey Markov is Tomsky, and Vasily Petrenko conducts.
The Sunday matinee performance on December 8 will feature a post-performance discussion with Lise Davidsen and Yusif Eyvazov, hosted by Met General Manager Peter Gelb.
Single Intermission
Backstage Pass #1 – Mary Jo Heath interviews Yusif Eyvazov
Backstage Pass #2 – Mary Jo Heath interviews Lise Davidsen
The Magic Flute Promotion – Mary Jo Heath interviews David Portillo, our Tamino
Verdi
Armiliato; Netrebko, Polenzani, Domingo, Abdrazakov
Original Air Date: 12/21/2019
SID.19510639
Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014, opposite baritone Željko Lučić in the title role. Now, the two stars reunite to reprise their acclaimed portrayals in Verdi’s gripping Shakespeare adaptation. Marco Armiliato conducts a standout cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo, in Adrian Noble’s evocative production.
Single Intermission
Mary Jo Heath interviews Anna Netrebko
Mary Jo Heath interviews Željko Lučić
Mary Jo Heath interviews Sir Simon Rattle
Mozart
Koenigs; Fang, Lewek, Portillo, Rosel, Hopkins, Carfizzi, Howard
Original Air Date: 12/28/2019
SID.19520640
“A beloved holiday tradition continues as Mozart’s delightful fairy tale returns in the Met’s abridged, English-language version for families, perfect for younger audiences, with no intermission and a running time of less than two hours. Lothar Koenigs conducts a dynamic cast of standout Mozarteans in Julie Taymor’s magical production, an enduring Met classic with its eye-popping puppetry and stunning visuals.
On Saturday, December 28, all ticket holders for the 1 PM matinee of The Magic Flute are invited to a free pre-performance open house beginning at 11 AM. Met artists and craftspeople lead a variety of hands-on activities and demonstrations for the whole family.”
DER ROSENKAVALIER:Strauss
Rattle; Nylund, Kožená, Schultz, Goeldner, Polenzani, Ebenstein, Eiche, Groissböck
Original Air Date: 01/04/2020
SID.20010639
Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie. A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro Colón, Buenos Aires; and Teatro Regio di Torino
WOZZECK:Berg
Yannick Nézet-Séguin: Peter Mattei, Elza van den Heever, Gerhard Siegel, Christian Van Horn
Original Air Date: 01/11/2020
Live in HD
SID.20020640
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary visual imagination on Berg’s other operatic masterpiece, set in an apocalyptic pre–World War I environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, with baritone Peter Mattei making his highly anticipated role debut as the title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.
A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia
Production a gift of Robert L. Turner
LA TRAVIATA:Verdi
Chichon; Kurzak, Popov, Kelsey
Original Air Date: 01/18/2020
SID.20030639
Michael Mayer’s sumptuous staging, a highlight of the 2018–19 season, returns with two casts of bright stars. Sopranos Aleksandra Kurzak and Lisette Oropesa share the role of Violetta, the opera’s tragic heroine, opposite tenors Dmytro Popov and Piero Pretti as her ardent lover, Alfredo, and baritones Quinn Kelsey and Luca Salsi as Alfredo’s stern father, Germont. Karel Mark Chichon and Bertrand de Billy conduct one of opera’s greatest scores.
FIRST INTERMISSION
Toll Brothers-Metropolitan Opera Quiz
Host: Brian Zeger
Guest: Elīna Garanča
Panelists: Ken Benson, George Preston, and
Melanie Spector
Pianist: Bénédicte Jourdois
SECOND INTERMISSION
Backstage Pass – Loren Toolajian interviews Aleksandra Kurzak
Porgy and Bess Feature
LA BOHÈME:Puccini
Armiliato; Pérez, Kulchynska, Polenzani, Bizic, Zhilikhovsky, Park, Woodley
Original Air Date: 01/25/2020
SID.20040640
Three casts of captivating artists bring Puccini’s classic tragedy of bohemian friends and lovers to life in Franco Zeffirelli’s immortal staging. Tenors Matthew Polenzani, Roberto Alagna, and Joseph Calleja trade off as the exuberant Rodolfo, alongside sopranos Ailyn Pérez, Hei-Kyung Hong, and Maria Agresta as the fragile Mimì. Marco Armiliato and Emmanuel Villaume share conducting duties.
First Intermission
Backstage Pass #1 – Loren Toolajian interviews Ailyn Pérez and Matthew Polenzani
Mary Jo Heath interviews Maestro Edward Gardner about La Damnation de Faust
Second Intermission
Backstage Pass #2 – Loren Toolajian interviews Olga Kulchynska and David Bizic
PORGY AND BESS : Gershwins
Original Air Date: 02/01/2020
Robertson; Blue, Schultz, Moore, Graves, Ballentine, Owens, Walker, Singletary
SID.20050000
Single Intermission
Backstage Pass – HD Host Audra McDonald interviews Angel Blue and
Eric Owens
Mary Jo Hearth interviews Joyce DiDonato about Agrippina
Mary Jo Hearth interviews Anita Hartig about Le Nozze di Figaro
Backstage Pass – HD Host Audra McDonald interviews Latonia Moore,
Golda Schultz, and Denyce Graves
Backstage Pass – HD Host Audra McDonald interviews
Frederick Ballentine and Alfred Walker
PORGY AND BESS: Gershwins
Original Air Date: 02/01/2020
David Robertson: Eric Owens, Angel Blue, Denyce Graves, Latonia Moore, Frederick Ballentine, Alfred Walker, Golda Schultz
Live in HD SID.20050600
Single Intermission
Backstage Pass – HD Host Audra McDonald interviews Angel Blue and
Eric Owens
Mary Jo Hearth interviews Joyce DiDonato about Agrippina
Mary Jo Hearth interviews Anita Hartig about Le Nozze di Figaro
Backstage Pass – HD Host Audra McDonald interviews Latonia Moore,
Golda Schultz, and Denyce Graves
Backstage Pass – HD Host Audra McDonald interviews
Frederick Ballentine and Alfred Walker
LA DAMNATION DE FAUST:Berlioz
Gardner; Garanca, Spyres, Abdrazakov
Original Air Date: 02/08/2020
SID.20060640
Single Intermission
Backstage Pass – Loren Toolajian interviews Michael Spyres
Backstage Pass – Loren Toolajian interviews Elīna Garanča and
Ildar Abrazakov (TBC)
Mary Jo Hearth interviews Brenda Rae about Agrippina
MANON Massenet
Benini: Oropesa, Fabiano, Bosi, Rucinski, Polegato, Youn
OAD 9/24/2019 SID.19390212
Program
Exhilarating soprano Lisette Oropesa stars as the irresistible title character, the tragic beauty who yearns for the finer things in life, in Laurent Pelly’s revealing production. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves their undoing. Maurizio Benini conducts Massenet’s sensual score.
A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. Harrington Endowment Fund
VICTORY LAP Interview with Lisette Oropesa from metopera.org
First Intermission
Backstage Pass #1 – Mary Jo Heath interviews Lisette Oropesa
Agrippina Feature with Maestro Harry Bicket
Second Intermission
Backstage Pass #2 – Mary Jo Heath interviews Michael Fabiano
LE NOZZE DI FIGARO:Mozart
Meister; Woodbury, Müller, Crebassa, McCormick, Dupuis, Plachetka, Muraro
Original Air Date: 02/22/2020
SID.20080640
Two outstanding casts—including sopranos Nadine Sierra, Anita Hartig, Susanna Phillips, and Hanna-Elisabeth Müller; mezzo-sopranos Gaëlle Arquez and Marianne Crebassa; baritone Mariusz Kwiecien; and bass-baritones Luca Pisaroni and Adam Plachetka—come together for Mozart’s scintillating class comedy. Antonello Manacorda and Cornelius Meister conduct Sir Richard Eyre’s fast-paced production. Production a gift of Mercedes T. Bass, and Jerry and Jane del Missier Revival a gift of the Metropolitan Opera Club
Intermission
Backstage Pass – Loren Toolajian interviews Amanda Woodbury, Hanna-Elisabeth Müller, Etienne Dupuis, Adam Plachetka
Mary Jo Hearth interviews General Manager Peter Gelb about the 2020-2021 Season
AGRIPPINA:Handel
Harry Bicket: Joyce DiDonato, Brenda Rae, Kate Lindsey, Iestyn Davies, Matthew Rose
Original Air Date: 02/29/2020
Live in HD
SID.20090640
Handel’s tale of intrigue and impropriety in ancient Rome receives its first Met performances, with star mezzo-soprano Joyce DiDonato as the controlling, power-hungry Agrippina and Harry Bicket conducting. Sir David McVicar’s production ingeniously reframes the action of this black comedy about the abuse of power to “the present,” where it should loudly resonate. The all-star cast features mezzo-soprano Kate Lindsey as Agrippina’s son and future emperor Nerone, soprano Brenda Rae as the seductive Poppea, countertenor Iestyn Davies as the ambitious officer Ottone, and bass Matthew Rose as the weary emperor Claudius. This production was originally created by the Théâtre Royal de la Monnaie / De Munt Brussels and adapted by the Metropolitan Opera
Intermission
Backstage Pass 1 – HD Host Deborah Voigt interviews Joyce DiDonato
Backstage Pass 2 – HD Host Deborah Voigt interviews Brenda Rae and Iestyn Davies
Mary Jo Hearth interviews Evgeny Nikitin about Der Fliegende Hollände
Backstage Pass 3 – HD Host Deborah Voigt interviews Kate Lindsey and Matthew Rose