HAMLET:Thomas
Langrée; Keenlyside, Petersen, Larmore, Morris, Spence
Original Air Date: 03/27/2010
MOD Video
SID.19390637
This is the only Met broadcast of the Thomas work. Keenlyside has a commercial DVD in the same production with Dessay from Barcelona 2004. Petersen was a late substitute for Dessay for the whole run. Larmoreis especially vivid as Gertrude, part of her movement into dramatic mezzo/soprano parts.
HAMLET:Thomas
Langrée; Keenlyside, Petersen, Larmore, Morris, Spence
Original Air Date: 03/27/2010
MOD Video
SID.19390642
This is the only Met broadcast of the Thomas work. Keenlyside has a commercial DVD in the same production with Dessay from Barcelona 2004. Petersen was a late substitute for Dessay for the whole run. Larmoreis especially vivid as Gertrude, part of her movement into dramatic mezzo/soprano parts.
ELEKTRA:Strauss
Nezet-Seguin; Goerke, van den heever, Schuster, Morris, Petrenlo
Original Air Date: 03/18/2018
SID.19400106
Christine Goerke sings her first Elektra at the Met in Patrice Chéreau’s landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss’s shattering score, a tour de force for the singers and the orchestra alike. Opening night (3-1-2018) is dedicated to the memory of Patrice Chéreau.
ELEKTRA:Strauss
Nezet-Seguin; Goerke, van den heever, Schuster, Morris, Petrenlo
Original Air Date: 03/18/2018
SID.19400317
Christine Goerke sings her first Elektra at the Met in Patrice Chéreau’s landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss’s shattering score, a tour de force for the singers and the orchestra alike. Opening night (3-1-2018) is dedicated to the memory of Patrice Chéreau.
TURANDOT:Puccini
Nézet-Séguin; Goerke, Buratto, Aronica, Morris
Original Air Date: 10/03/2019
SID.19400426
Two of opera’s most thrilling dramatic sopranos, Christine Goerke and Nina Stemme, reprise their fierce portrayals of the title princess. Yannick Nézet-Séguin takes the podium to conduct Franco Zeffirelli’s dazzling production of Puccini’s final masterpiece, which also features tenors Yusif Eyvazov and Riccardo Massi as Calàf, sopranos Eleonora Buratto and Hibla Gerzmava as Liù, and bass-baritone James Morris as Timur.
MACBETH:Verdi
Armiliato; Netrebko, Polenzani, Lucic, Abdrazakov
Original Air Date: 10/04/2019
SID.19400533
Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014 opposite baritone Željko Lučić in the title role. Now, the two stars reunite to reprise their acclaimed portrayals in Verdi’s gripping Shakespeare adaptation. Marco Armiliato conducts a cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo. Production a gift of Mr. and Mrs. Paul M. Montrone Additional funding from Mr. and Mrs. William R. Miller; Hermione Foundation, Laura Sloate, Trustee; and The Gilbert S. Kahn & John J. Noffo Kahn Endowment Fund Revival a gift of Rolex
ELEKTRA:Strauss
Nezet-Seguin; Goerke, van den heever, Schuster, Morris, Petrenlo
Original Air Date: 03/18/2018
SID.19400535
Christine Goerke sings her first Elektra at the Met in Patrice Chéreau’s landmark production, a sensation at its Met premiere last spring, which the Wall Street Journal called “revolutionary … a triumph on all fronts.” Yannick Nézet-Séguin conducts Strauss’s shattering score, a tour de force for the singers and the orchestra alike. Opening night (3-1-2018) is dedicated to the memory of Patrice Chéreau.
ARIADNE AUF NAXOS:Strauss
Levine; Norman, King, Battle, Troyanos, Nentwig, Dickson
Original Air Date: 03/12/1988
MOD AudioMOD Video
SID.19410211
This is the audio for the performance issued on DVD, NOT available on MOoD, as are many of the R. Strauss offerings. Battle’s performance is enhanced by the visual. Norman, King, and Troyanos are among the major exponents of their parts in late 20th century.
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TURANDOT:Puccini
Nézet-Séguin; Goerke, Buratto, Aronica, Morris
Original Air Date: 10/09/2019
SID.19410317
NYTIMES (Tommasini): Mr. Nézet-Séguin led an exciting and insightful account of Puccini’s “Turandot,” a revival of Franco Zeffirelli’s glittering, over-the-top and popular 1987 production. The strong cast was headed by the blazing soprano Christine Goerke as Puccini’s icy Princess Turandot, the ardent tenor Yusif Eyvazov as Calaf, and the plush-voiced soprano Eleonora Buratto as Liù. The chorus, during the crowd scenes, sounded superb. What stood out, though, was the textured, tart and lushly beautiful playing Mr. Nézet-Séguin drew from the orchestra. He seemed intent on making a case for Puccini’s final opera, first performed in 1926, nearly two years after the composer’s death, as a musically daring score — as contemporary, in its way, as any other opera of the 1920s.
ARIADNE AUF NAXOS:Strauss
Levine; Norman, King, Battle, Troyanos, Nentwig, Dickson
Original Air Date: 03/12/1988
MOD AudioMOD Video
SID.19410424
This is the audio for the performance issued on DVD, NOT available on MOoD, as are many of the R. Strauss offerings. Battle’s performance is enhanced by the visual. Norman, King, and Troyanos are among the major exponents of their parts in late 20th century.
ARIADNE AUF NAXOS:Strauss
Levine; Norman, King, Battle, Troyanos, Nentwig, Dickson
Original Air Date: 03/12/1988
MOD AudioMOD Video
SID.19410427
This is the audio for the performance issued on DVD, NOT available on MOoD, as are many of the R. Strauss offerings. Battle’s performance is enhanced by the visual. Norman, King, and Troyanos are among the major exponents of their parts in late 20th century.
MADAMA BUTTERFLY:Puccini
Morandi; He, DeShong, Pretti, Szot
Original Air Date: 10/11/2019
SID.19410530
TURANDOT:Puccini
Original Air Date: 10/12/2019
Yannick Nézet-Séguin: Christine Goerke, Roberto Aronica, Eleonora Buratto, James Morris
Live in HD SID.19410000
ARIADNE AUF NAXOS:Strauss
Levine; Norman, King, Battle, Troyanos, Nentwig, Dickson
Original Air Date: 03/12/1988
MOD AudioMOD Video
SID.19410640
This is the audio for the performance issued on DVD, NOT available on MOoD, as are many of the R. Strauss offerings. Battle’s performance is enhanced by the visual. Norman, King, and Troyanos are among the major exponents of their parts in late 20th century.
PORGY AND BESS:Gershwins
Robertson; Blue, Brugger, Moore, Graves, Ballentine, Owens, Walker, Green
Original Air Date: 10/16/2019
SID.19420319
One of America’s favorite operas returns to the Met for the first time in nearly 30 years. James Robinson’s stylish production transports audiences to Catfish Row on the Charleston waterfront, vibrant with the music, dancing, emotion, and heartbreak of its inhabitants. “If you’re going to stage Gershwin’s opera, this is how,” raved the Guardian when the new production premiered in London in 2018. David Robertson conducts a dynamic cast, featuring the sympathetic duo of Eric Owens and Angel Blue in the title roles The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. A co-production of the Metropolitan Opera; Dutch National Opera, Amsterdam; and English National Opera Production a gift of The Sybil B. Harrington Endowment Fund and Douglas Dockery Thomas
MADAMA BUTTERFLY:Puccini
Morandi; He, DeShong, Pretti, Szot
Original Air Date: 10/18/2019
SID.19420533
Leading sopranos Hui He and Ana María Martínez share the heartbreaking title role of the doomed geisha, with tenors Piero Pretti and Andrea Carè as the American naval officer who abandons her. Paulo Szot and Markus Brück share the role of Sharpless, and Elizabeth DeShong is Suzuki, alternating with Maria Zifchak. Pier Giorgio Morandi is on the podium for Anthony Minghella’s sweeping production, a perennial audience favorite.
DIE WALKÜRE:Wagner
Levine; Behrens, Morris, Norman, Lakes, Ludwig, Moll
Original Air Date: 04/08/1989
MOD AudioMOD Video
SID.19430105
This performance is in the MOoD as a video. Lakes is operating in a league that is at least a half step beyond him. Behrens, who is certainly well schooled, is not the right voice for me. Norman is very much her own stylist. Still this is a strong cast overall, and finds the Met orchestra and Levine in their first cycle together in extremely committed form.
DIE WALKÜRE:Wagner
Levine; Behrens, Morris, Norman, Lakes, Ludwig, Moll
Original Air Date: 04/08/1989
MOD AudioMOD Video
SID.19430106
This performance is in the MOoD as a video. Lakes is operating in a league that is at least a half step beyond him. Behrens, who is certainly well schooled, is not the right voice for me. Norman is very much her own stylist. Still this is a strong cast overall, and finds the Met orchestra and Levine in their first cycle together in extremely committed form.
FEDORA:Giordano
Abbado; Freni, Domingo, Croft, Arteta
Original Air Date: 04/26/1997
MOD Video
SID.19430316
This is the Met’s only broadcast of this verismo work, and is available on DVD also. This is a solid performance even if it catches Freni in the extreme twilight of a very long career. This is Freni’s penultimate opera performance at the Met, with another Fedora 5 days later. She appears 5 years later in an opening night gala doing Act 2 of Fedora, and she returns 3 years later for an end of season concert that marks her last vocal appearance on any stage.
DIE WALKÜRE:Wagner
Levine; Behrens, Morris, Norman, Lakes, Ludwig, Moll
Original Air Date: 04/08/1989
MOD AudioMOD Video
SID.19430317
This performance is in the MOoD as a video. Lakes is operating in a league that is at least a half step beyond him. Behrens, who is certainly well schooled, is not the right voice for me. Norman is very much her own stylist. Still this is a strong cast overall, and finds the Met orchestra and Levine in their first cycle together in extremely committed form.
DIE WALKÜRE:Wagner
Levine; Behrens, Morris, Norman, Lakes, Ludwig, Moll
Original Air Date: 04/08/1989
MOD AudioMOD Video
SID.19430318
This performance is in the MOoD as a video. Lakes is operating in a league that is at least a half step beyond him. Behrens, who is certainly well schooled, is not the right voice for me. Norman is very much her own stylist. Still this is a strong cast overall, and finds the Met orchestra and Levine in their first cycle together in extremely committed form.
ORFEO ED EURIDICE:Gluck
Wigglesworth; Hong, Park, Barton
Original Air Date: 10/24/2019
SID.19430428
Mark Morris’s spirited take on the ancient Orpheus myth stars mezzo-soprano Jamie Barton as Orfeo, the grieving lover on a quest through the underworld. Soprano Hei-Kyung Hong sings the plaintive Euridice. Mark Wigglesworth conducts Gluck’s elegant score, a pinnacle of the Baroque repertoire. Production a gift of Mr. and Mrs. Wilmer J. Thomas, Jr.
LA BOHÈME:Puccini
Armiliato; Pérez, Kulchynska, Polenzani, Bizic, Zhilikhovsky, Park, Woodley
Original Air Date: 10/25/2019
SID.19430535
Three casts of captivating artists bring Puccini’s classic tragedy of bohemian friends and lovers to life in Franco Zeffirelli’s immortal staging. Tenors Matthew Polenzani, Roberto Alagna, and Joseph Calleja trade off as the exuberant Rodolfo, alongside sopranos Ailyn Pérez, Hei-Kyung Hong, and Maria Agresta as the fragile Mimì. Marco Armiliato and Emmanuel Villaume share conducting duties.
FEDORA:Giordano
Abbado; Freni, Domingo, Croft, Arteta
Original Air Date: 04/26/1997
MOD Video
SID.19430636
This is the Met’s only broadcast of this verismo work, and is available on DVD also. This is a solid performance even if it catches Freni in the extreme twilight of a very long career. This is Freni’s penultimate opera performance at the Met, with another Fedora 5 days later. She appears 5 years later in an opening night gala doing Act 2 of Fedora, and she returns 3 years later for an end of season concert that marks her last vocal appearance on any stage.
FEDORA:Giordano
Abbado; Freni, Domingo, Croft, Arteta
Original Air Date: 04/26/1997
MOD Video
SID.19430638
This is the Met’s only broadcast of this verismo work, and is available on DVD also. This is a solid performance even if it catches Freni in the extreme twilight of a very long career. This is Freni’s penultimate opera performance at the Met, with another Fedora 5 days later. She appears 5 years later in an opening night gala doing Act 2 of Fedora, and she returns 3 years later for an end of season concert that marks her last vocal appearance on any stage.
MANON:Massenet
Maurizio Benini: Lisette Oropesa, Michael Fabiano, Artur Ruciński, Carlo Bosi
Original Air Date: 10/26/2019
Live in HD
SID.19430640
Exhilarating soprano Lisette Oropesa stars as the irresistible title character, the tragic beauty who yearns for the finer things in life, in Laurent Pelly’s revealing production. Tenor Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves their undoing. Maurizio Benini conducts Massenet’s sensual score. A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro alla Scala, Milan; and Théâtre du Capitole de Toulouse Production a gift of The Sybil B. Harrington Endowment Fund
VICTORY LAP Interview with Lisette Oropesa from metopera.org
DIE WALKÜRE:Wagner
Levine; Behrens, Morris, Norman, Lakes, Ludwig, Moll
Original Air Date: 04/08/1989
MOD AudioMOD Video
SID.19430750
This performance is in the MOoD as a video. Lakes is operating in a league that is at least a half step beyond him. Behrens, who is certainly well schooled, is not the right voice for me. Norman is very much her own stylist. Still this is a strong cast overall, and finds the Met orchestra and Levine in their first cycle together in extremely committed form.
DIE WALKÜRE:Wagner
Levine; Behrens, Morris, Norman, Lakes, Ludwig, Moll
Original Air Date: 04/08/1989
MOD AudioMOD Video
SID.19440101
This performance is in the MOoD as a video. Lakes is operating in a league that is at least a half step beyond him. Behrens, who is certainly well schooled, is not the right voice for me. Norman is very much her own stylist. Still this is a strong cast overall, and finds the Met orchestra and Levine in their first cycle together in extremely committed form.
ORFEO ED EURIDICE:Gluck
Wigglesworth; Hong, Park, Barton
Original Air Date: 11/01/2019
SID.19440535
NYT Tommasini [10/21/2019] … The excellent British conductor Mark Wigglesworth, best known for his work with the English National Opera in London, drew out the warmth and refinement of Gluck’s score. But the Met Orchestra’s playing lacked precision and crispness, especially during the bustling overture, which sounded somewhat wan and limp. …. The veteran soprano Hei-Kyung Hong, who made her Met debut in 1984, was a winning Euridice. Though there were moments of patchy tone and shaky pitch in her singing, the radiance of her voice came through. She sang with a vigor and clarity that brought out the best from Ms. Barton. …During the final celebration of the reunion of Orfeo and Euridice, the Mark Morris ensemble took over the show with a suite of joyous dances. The orchestra responded with its most crisp and animated playing.once the god of love, Amore, here the bright-voiced soprano Hera Hyesang Park, arrived: Winged and wearing a peach-colored shirt, floppy pants and sneakers, she descended (on wires) from the heavens. In her vibrant singing and sassy manner, Ms. Park brought a touch of jaded exuberance to the proceedings: This Amore admits to being baffled by the romantic entanglements of mortals…..The veteran soprano Hei-Kyung Hong, who made her Met debut in 1984, was a winning Euridice. Though there were moments of patchy tone and shaky pitch in her singing, the radiance of her voice came through. She sang with a vigor and clarity that brought out the best from Ms. Barton. During the final celebration of the reunion of Orfeo and Euridice, the Mark Morris ensemble took over the show with a suite of joyous dances. The orchestra responded with its most crisp and animated playing.
EUGENE ONEGIN:Tchaikovsky
Gergiev; Hvorostovsky, Fleming, Vargas, Zaremba, Aleksashkin
Original Air Date: 02/24/2007
Live in HDMOD AudioMOD Video
SID.19450212
This performance is well known as one of the first season hits from the Met Live in HD. It is available on video in Blu-Ray (not so many of the Met performances are), as well as in MOoD. Gergiev, Hvorostovsky and Fleming deliver on their superstar standing both in audio and video.