“BILLY BUDD : Britten
Original Air Date: 03/08/1997
Cast: Bedford; Croft, Langridge, Morris, Braun, Courtney
Media: MOD AudioMOD Video SID.18020425 Tags: Archive; 2018
This broadcast precedes the telecast performance from 3 days later. The video was recently added to MOoD, and it’s an outstanding performance, starting with Dwayne Croft, and ably partnered by Philip Langridge as Vere and James Morris as Claggart.”
“BILLY BUDD : Britten
Original Air Date: 03/08/1997
Cast: Bedford; Croft, Langridge, Morris, Braun, Courtney
Media: MOD AudioMOD Video SID.18020637 Tags: Archive; 2018
This broadcast precedes the telecast performance from 3 days later. The video was recently added to MOoD, and it’s an outstanding performance, starting with Dwayne Croft, and ably partnered by Philip Langridge as Vere and James Morris as Claggart.”
“CAVALLERIA RUSTICANA / PAGLIACCI : Mascagni / Leoncavallo
Original Air Date: 01/13/2018
Cast: Luisotti; Semenchuk, Alagna, Gagnidze, Kurzak, Arduini
Media: Live Broadcast SID.18020640 Tags: LIVE; 2018
Roberto Alagna takes on the leading tenor roles in both parts of opera’s most popular double bill. In Cavalleria Rusticana, Ekaterina Semenchuk is the woebegone Santuzza, with Aleksandra Kurzak as the hot-blooded Nedda in Pagliacci. Baritone George Gagnidze sings Tonio in Pagliacci and shares the role of Alfio in Cavalleria Rusticana with Željko Lučić. Nicola Luisotti conducts Sir David McVicar’s production, which heightens the melodramatic action of this timeless verismo pairing.
Production a gift of M. Beverly and Robert G. Bartner, Mr. and Mrs. Paul M. Montrone, and the Estate of Anne Tallman
Major funding from Rolex Additional funding from John J. Noffo Kahn and Mark Addison, and Paul Underwood”
“THAÏS : Massenet
Original Air Date: 01/20/2018
Cast: Villaume; Pérez, Finley, Borras
Media: Live Broadcast SID.18030640 Tags: LIVE; 2018
Ailyn Pérez is the alluring courtesan and Gerald Finley is the holy man who tries to resist her powers of seduction in Massenet’s tale of sensuality versus spirituality. Emmanuel Villaume conducts. (metopera.org)”
“TOSCA : Puccini
Original Air Date: 01/27/2018
Cast: Villaume; Yoncheva, Grigolo, Lucic
Media: Live Broadcast SID.18040640 Tags: LIVE; 2018, Puccini
Sir David McVicar’s “smashing new production” is “a grand triumph” (Huffington Post), featuring an exciting cast led by soprano Sonya Yoncheva in the title role of the fiery diva and Vittorio Grigolo as her passionate lover, Cavaradossi. The pair are “youthful, ardent, and innocent … their duets electric, their kisses hot and numerous” (Wall Street Journal). Yoncheva’s sound is “richly textured and shimmering,” and “Grigolo’s Mario is a true hothead … complete with thrilling top notes” (New York Times). Željko Lučić is “an imposing figure with a voice to match” (Wall Street Journal) as the villainous police chief, Scarpia, and Emmanuel Villaume conducts.
Production a gift of Jacqueline Desmarais, in memory of Paul G. Desmarais Sr; The Paiko Foundation; and Dr. Elena Prokupets, in memory of her late husband, Rudy Prokupets
Major funding from Rolex
-metopera.org”
“IL TROVATORE : Verdi
Original Air Date: 02/03/2018
Cast: Armiliato; Agresta, Rachvelishvili, Lee, Kelsey, Kocán
Media: Live Broadcast SID.18050640 Tags: LIVE; 2018, Verdi
Verdi’s blazing depiction of life on the edge returns in Sir David McVicar’s compelling production, featuring Jennifer Rowley as the noble heroine, Leonora, Yonghoon Lee as the troubadour who loves her, Quinn Kelsey and Luca Salsi as his rival, and Anita Rachvelishvili as the gypsy Azucena, whose bloodthirsty curse propels the story. Marco Armiliato conducts.
Production a gift of The Annenberg Foundation
Co-production of the Metropolitan Opera, Lyric Opera of Chicago, and San Francisco Opera Association
World premiere: Teatro Apollo, Rome, 1853.
Met premiere: October 26, 1883.”
“IL BARBIERE DI SIVIGLIA : Rossini
Original Air Date: 12/21/1957
Cast: Rudolf; Guarrera, Peters, Valletti, Corena, Hines
Media: MOD Audio SID.18060104 Tags: Archive; 2018
Guarrera is an alert if not so suave Figaro. Rudolf leads an experienced ensemble. One should listen to Corena here to hear why he’s remains so missed. The Met should release the Berganza 1968 video if for no other reason to preserve his Bartolo.”
“FEDORA : Giordano
Original Air Date: 04/26/1997
Cast: Abbado; Freni, Domingo, Croft, Arteta
Media: MOD Video SID.18060209 Tags: Archive; 2018, Domingo
This is the Met’s only broadcast of this verismo work, and is available on DVD also. This is a solid performance even if it catches Freni in the extreme twilight of a very long career. This is Freni’s penultimate opera performance at the Met, with another Fedora 5 days later. She appears 5 years later in an opening night gala doing Act 2 of Fedora, and she returns 3 years later for an end of season concert that marks her last vocal appearance on any stage.”
“IL BARBIERE DI SIVIGLIA : Rossini
Original Air Date: 12/21/1957
Cast: Rudolf; Guarrera, Peters, Valletti, Corena, Hines
Media: MOD Audio SID.18060320 Tags: Archive; 2018
Guarrera is an alert if not so suave Figaro. Rudolf leads an experienced ensemble. One should listen to Corena here to hear why he’s remains so missed. The Met should release the Berganza 1968 video if for no other reason to preserve his Bartolo.”
“FEDORA : Giordano
Original Air Date: 04/26/1997
Cast: Abbado; Freni, Domingo, Croft, Arteta
Media: MOD Video SID.18060422 Tags: Archive; 2018, Domingo
This is the Met’s only broadcast of this verismo work, and is available on DVD also. This is a solid performance even if it catches Freni in the extreme twilight of a very long career. This is Freni’s penultimate opera performance at the Met, with another Fedora 5 days later. She appears 5 years later in an opening night gala doing Act 2 of Fedora, and she returns 3 years later for an end of season concert that marks her last vocal appearance on any stage.”
“IL BARBIERE DI SIVIGLIA : Rossini
Original Air Date: 12/21/1957
Cast: Rudolf; Guarrera, Peters, Valletti, Corena, Hines
Media: MOD Audio SID.18060424 Tags: Archive; 2018
Guarrera is an alert if not so suave Figaro. Rudolf leads an experienced ensemble. One should listen to Corena here to hear why he’s remains so missed. The Met should release the Berganza 1968 video if for no other reason to preserve his Bartolo.”
“IL BARBIERE DI SIVIGLIA : Rossini
Original Air Date: 12/21/1957
Cast: Rudolf; Guarrera, Peters, Valletti, Corena, Hines
Media: MOD Audio SID.18060636 Tags: Archive; 2018
Guarrera is an alert if not so suave Figaro. Rudolf leads an experienced ensemble. One should listen to Corena here to hear why he’s remains so missed. The Met should release the Berganza 1968 video if for no other reason to preserve his Bartolo.”
“L’ELISIR D’AMORE : Donizetti
Original Air Date: 02/10/2018
Cast: Hindoyan; Yende, Polenzani, Luciano, D’Arcangelo
Media: Live Broadcast SID.18060639 Tags: LIVE; 2018
Pretty Yende debuts a new role at the Met with her first Adina opposite Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his ravishing “Una furtiva lagrima.” Bartlett Sher’s production is charming, with deft comedic timing, but also emotionally revealing. Domingo Hindoyan conducts. (metopera.org) “
“FEDORA : Giordano
Original Air Date: 04/26/1997
Cast: Abbado; Freni, Domingo, Croft, Arteta
Media: MOD Video SID.18060640 Tags: Archive; 2018, Domingo
This is the Met’s only broadcast of this verismo work, and is available on DVD also. This is a solid performance even if it catches Freni in the extreme twilight of a very long career. This is Freni’s penultimate opera performance at the Met, with another Fedora 5 days later. She appears 5 years later in an opening night gala doing Act 2 of Fedora, and she returns 3 years later for an end of season concert that marks her last vocal appearance on any stage.”
“PARSIFAL : Wagner
Original Air Date: 02/17/2018
Cast: Nezet-Seguin; Herlitzius, Vogt, Mattei, Nikitin, Pape
Media: Live Broadcast SID.18070639 Tags: LIVE; 2018, Wagner
Met Music Director Designate Yannick Nézet-Séguin conducts Wagner’s transcendental score, in François Girard’s remarkable production, a mystical theatrical journey. Tenor Klaus Florian Vogt, renowned across Europe, returns to the Met following his appearances in the 2016–17 season as Florestan in Fidelio. Evelyn Herlitzius is Kundry, and Peter Mattei and René Pape bring back their highly praised interpretations of Amfortas and Gurnemanz, respectively.
Production a gift of the Gramma Fisher Foundation, Marshalltown, Iowa; Major funding from Rolex; Additional funding from Marina Kellen French, and the Edgar Foster Daniels Foundation; Revival a gift of Marina Kellen French”
“LA BOHÈME : Puccini
Original Air Date: 02/24/2018
Cast: Armiliato; Yoncheva, Phillips, Fabiano, Meachem, Lavrov, Rose, Plishka
Media: Live Broadcast SID.18080640 Tags: LIVE; 2018, Puccini
“
“AIDA : Verdi
Original Air Date: 02/25/1967
Cast: Schippers; Price, Bergonzi, Bumbry, Merrill, Hines
Media: SID.18090102 Tags: Archive; 2018, Verdi
On paper this performance looks like the dream cast. It is not. Price who sang possibly her very best performance ever in the opening night Antony and Cleopatra six months earlier, sings much too much on
principal with a particularly vulgar opening of Ritorna vincitor. What is most sad is that her first two Aida broadcasts, the first with Gorr, Bergonzi, Sereni, Siepi, and Macurdy under Solti from 1963, the second from 1965 with Dalis, Tucker, Merrill, Ghiuselev, Michalski under Mehta have not been on Sirius. The first I remember vividly , and has been on private European pressings; it is one of the very best Met Aidas. Bergonzi is substantially stronger in 1963; The 1965 performance simply has Mehta as a better Aida conductor than Schippers.
Richard Tucker, whose career is not overlooked by the Sirius folk, has not managed to have his Radames on Sirius despite having broadcast the role with Nilsson, Price, and Arroyo. Bumbry is here in the first of her 3 broadcast Amnerises, and she is better with Arroyo which has been on Sirius.
Merrill is in remarkable voice 21 years after his debut (a few too many woofs, but still the most mellifluous Amonasro ever (though plenty of testosterone if not real anger). So here are 4 relatively recent Aidas (post 1960) which somehow can’t get to the airwaves. This 1967 is on Met Opera on Demand (MOoD) and also appears in the 2013 Verdi at the
Met bicentennial box, but it still does not rank as one of Price’s
best efforts, or one of the best modern Met Aidas.
***
Available in MOoD. This is also in the new Verdi box , but the missing
AIda should be the 1963 with Solti conducting Price, Gorr, Bergonzi, Siepi,
Macurdy. Bergonzi cracks in the Celeste AIda and neither Price nor Bumbry are at their best.
***
On paper this looks like dream casting, but starting with Sgarro (one really wants a major voice in the King, Sgarro is not) Price is not in the outstanding form she showed six months earlier in the Antony and Cleopatra world premiere. Bergonzi (despite a crazk in his Celeste Aida dimuendo), Bumbry and Merrill (esp. ) are in very fine form. Schippers is not my favorite Aida conductor, and he doesn’t get much of a tone out of the Met orchestra, though the chorus is on good form. This is on Met Player (along with the video of her farewell in 1985 and an audio with HOrne and McCracken. What is not on MetPlayer and has not been on either Sirius is Solti’s Met farewell staged opera (he also has a Verdi Requiem which has not been on Sirius) with Price, Gorr, Bergonzi, Sereni, Siepi. That is the performance that should be available.”
“EUGENE ONEGIN : Tchaikovsky
Original Air Date: 02/24/2007
Cast: Gergiev; Hvorostovsky, Fleming, Vargas, Zaremba, Aleksashkin
Media: Live in HDMOD AudioMOD Video SID.18090210 Tags: Archive; 2018
This performance is on DVD, Met Player, and certainly the combination of Gergiev, Hvorostovsky and Fleming is all to the good. A performers giving A performances. I would like a better Gremin.”
“AIDA : Verdi
Original Air Date: 02/25/1967
Cast: Schippers; Price, Bergonzi, Bumbry, Merrill, Hines
Media: SID.18090318 Tags: Archive; 2018, Verdi
On paper this performance looks like the dream cast. It is not. Price who sang possibly her very best performance ever in the opening night Antony and Cleopatra six months earlier, sings much too much on
principal with a particularly vulgar opening of Ritorna vincitor. What is most sad is that her first two Aida broadcasts, the first with Gorr, Bergonzi, Sereni, Siepi, and Macurdy under Solti from 1963, the second from 1965 with Dalis, Tucker, Merrill, Ghiuselev, Michalski under Mehta have not been on Sirius. The first I remember vividly , and has been on private European pressings; it is one of the very best Met Aidas. Bergonzi is substantially stronger in 1963; The 1965 performance simply has Mehta as a better Aida conductor than Schippers.
Richard Tucker, whose career is not overlooked by the Sirius folk, has not managed to have his Radames on Sirius despite having broadcast the role with Nilsson, Price, and Arroyo. Bumbry is here in the first of her 3 broadcast Amnerises, and she is better with Arroyo which has been on Sirius.
Merrill is in remarkable voice 21 years after his debut (a few too many woofs, but still the most mellifluous Amonasro ever (though plenty of testosterone if not real anger). So here are 4 relatively recent Aidas (post 1960) which somehow can’t get to the airwaves. This 1967 is on Met Opera on Demand (MOoD) and also appears in the 2013 Verdi at the
Met bicentennial box, but it still does not rank as one of Price’s
best efforts, or one of the best modern Met Aidas.
***
Available in MOoD. This is also in the new Verdi box , but the missing
AIda should be the 1963 with Solti conducting Price, Gorr, Bergonzi, Siepi,
Macurdy. Bergonzi cracks in the Celeste AIda and neither Price nor Bumbry are at their best.
***
On paper this looks like dream casting, but starting with Sgarro (one really wants a major voice in the King, Sgarro is not) Price is not in the outstanding form she showed six months earlier in the Antony and Cleopatra world premiere. Bergonzi (despite a crazk in his Celeste Aida dimuendo), Bumbry and Merrill (esp. ) are in very fine form. Schippers is not my favorite Aida conductor, and he doesn’t get much of a tone out of the Met orchestra, though the chorus is on good form. This is on Met Player (along with the video of her farewell in 1985 and an audio with HOrne and McCracken. What is not on MetPlayer and has not been on either Sirius is Solti’s Met farewell staged opera (he also has a Verdi Requiem which has not been on Sirius) with Price, Gorr, Bergonzi, Sereni, Siepi. That is the performance that should be available.”
“EUGENE ONEGIN : Tchaikovsky
Original Air Date: 02/24/2007
Cast: Gergiev; Hvorostovsky, Fleming, Vargas, Zaremba, Aleksashkin
Media: Live in HDMOD AudioMOD Video SID.18090426 Tags: Archive; 2018
This performance is on DVD, Met Player, and certainly the combination of Gergiev, Hvorostovsky and Fleming is all to the good. A performers giving A performances. I would like a better Gremin.”
“AIDA : Verdi
Original Air Date: 02/25/1967
Cast: Schippers; Price, Bergonzi, Bumbry, Merrill, Hines
Media: SID.18090534 Tags: Archive; 2018, Verdi
On paper this performance looks like the dream cast. It is not. Price who sang possibly her very best performance ever in the opening night Antony and Cleopatra six months earlier, sings much too much on
principal with a particularly vulgar opening of Ritorna vincitor. What is most sad is that her first two Aida broadcasts, the first with Gorr, Bergonzi, Sereni, Siepi, and Macurdy under Solti from 1963, the second from 1965 with Dalis, Tucker, Merrill, Ghiuselev, Michalski under Mehta have not been on Sirius. The first I remember vividly , and has been on private European pressings; it is one of the very best Met Aidas. Bergonzi is substantially stronger in 1963; The 1965 performance simply has Mehta as a better Aida conductor than Schippers.
Richard Tucker, whose career is not overlooked by the Sirius folk, has not managed to have his Radames on Sirius despite having broadcast the role with Nilsson, Price, and Arroyo. Bumbry is here in the first of her 3 broadcast Amnerises, and she is better with Arroyo which has been on Sirius.
Merrill is in remarkable voice 21 years after his debut (a few too many woofs, but still the most mellifluous Amonasro ever (though plenty of testosterone if not real anger). So here are 4 relatively recent Aidas (post 1960) which somehow can’t get to the airwaves. This 1967 is on Met Opera on Demand (MOoD) and also appears in the 2013 Verdi at the
Met bicentennial box, but it still does not rank as one of Price’s
best efforts, or one of the best modern Met Aidas.
***
Available in MOoD. This is also in the new Verdi box , but the missing
AIda should be the 1963 with Solti conducting Price, Gorr, Bergonzi, Siepi,
Macurdy. Bergonzi cracks in the Celeste AIda and neither Price nor Bumbry are at their best.
***
On paper this looks like dream casting, but starting with Sgarro (one really wants a major voice in the King, Sgarro is not) Price is not in the outstanding form she showed six months earlier in the Antony and Cleopatra world premiere. Bergonzi (despite a crazk in his Celeste Aida dimuendo), Bumbry and Merrill (esp. ) are in very fine form. Schippers is not my favorite Aida conductor, and he doesn’t get much of a tone out of the Met orchestra, though the chorus is on good form. This is on Met Player (along with the video of her farewell in 1985 and an audio with HOrne and McCracken. What is not on MetPlayer and has not been on either Sirius is Solti’s Met farewell staged opera (he also has a Verdi Requiem which has not been on Sirius) with Price, Gorr, Bergonzi, Sereni, Siepi. That is the performance that should be available.”
“MADAMA BUTTERFLY : Puccini
Original Air Date: 03/03/2018
Cast: Armiliato; Jaho, Aronica, Zifchak, Frontali, Stevenson
Media: Live Broadcast SID.18090640 Tags: LIVE; 2018, Puccini
Anthony Minghella’s stunning production of Puccini’s heartbreaking opera, an instant Met classic since its 2006 premiere, returns with Hui He and Ermonela Jaho in the tragic title role of the trusting geisha. Roberto Aronica and Luis Chapa alternate as her callous American lover, Pinkerton, and Jader Bignamini and Marco Armiliato conduct. (metopera.org)
See the Program for the Program Notes by Albert Innaurato.”
“EUGENE ONEGIN : Tchaikovsky
Original Air Date: 02/24/2007
Cast: Gergiev; Hvorostovsky, Fleming, Vargas, Zaremba, Aleksashkin
Media: Live in HDMOD AudioMOD Video SID.18090743 Tags: Archive; 2018
This performance is on DVD, Met Player, and certainly the combination of Gergiev, Hvorostovsky and Fleming is all to the good. A performers giving A performances. I would like a better Gremin.”
“THE QUEEN OF SPADES : Tchaikovsky
Original Air Date: 04/10/1999
Cast: Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Media: MOD AudioMOD Video SID.18100208 Tags: Archive; 2018, Domingo
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.”
“THE QUEEN OF SPADES : Tchaikovsky
Original Air Date: 04/10/1999
Cast: Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Media: MOD AudioMOD Video SID.18100424 Tags: Archive; 2018, Domingo
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.”
“SEMIRAMIDE : Rossini
Original Air Date: 03/10/2018
Cast: Benini; Meade, DeShong, Abdrazakov, Camarena
Media: Live Broadcast SID.18100640 Tags: LIVE; 2018
This masterpiece of dazzling vocal fireworks makes a rare Met appearance—its first in nearly 25 years—with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.
Production a gift of the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc.
Revival a gift of Ekkehart Hassels-Weiler”
“THE QUEEN OF SPADES : Tchaikovsky
Original Air Date: 04/10/1999
Cast: Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Media: MOD AudioMOD Video SID.18100641 Tags: Archive; 2018, Domingo
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.”
“DER ROSENKAVALIER : Strauss
Original Air Date: 01/29/2000
Cast: Levine; Graham, Fleming, Hawlata, Grant Murphy, Ketelsen
Media: MOD Audio SID.18110210 Tags: Archive; 2018, Levine, Strauss
This is Fleming and Graham’s first Met broadcast outing in Rosenkavalier, and both are in excellent voice. 10 years later they did it in HD with Levine replaced by Edo de Waart due to one his earlier illnesses. That video is in MOoD. This 2000 performance is well worth a listen, though I think Fleming and Graham rather defy the years in the HD.This is Cheryl Studer’s penultimate Met performance in her 39 performance Met career. The Met has cast Rosenkavalier more strongly, but Studer still has major Strauss credentials.”
“DER ROSENKAVALIER : Strauss
Original Air Date: 01/29/2000
Cast: Levine; Graham, Fleming, Hawlata, Grant Murphy, Ketelsen
Media: MOD Audio SID.18110422 Tags: Archive; 2018, Levine, Strauss
This is Fleming and Graham’s first Met broadcast outing in Rosenkavalier, and both are in excellent voice. 10 years later they did it in HD with Levine replaced by Edo de Waart due to one his earlier illnesses. That video is in MOoD. This 2000 performance is well worth a listen, though I think Fleming and Graham rather defy the years in the HD.This is Cheryl Studer’s penultimate Met performance in her 39 performance Met career. The Met has cast Rosenkavalier more strongly, but Studer still has major Strauss credentials.”
“ELEKTRA : Strauss
Original Air Date: 03/18/2018
Cast: Nezet-Seguin; Goerke, van den heever, Schuster, Morris, Petrenlo
Media: Live Broadcast SID.18110640 Tags: LIVE; 2018, Strauss
“