LE PROPHÈTE:Meyerbeer
Original Air Date: 01/29/1977
Lewis; McCracken, Scotto, Horne, Hines
SID.19230102
Though this is the only broadcast of Prophete from the Met, I find the work of little interest. The big name singers work hard, but Lewis is not the man to make the work seem better than it is. The second season is in the opening weeks under Charles Mackerras (typically a much higher profile conductor), but not broadcast. In the current environment we would have had one and possibly two offerings with new casting of both Berthe (Rita Shane) and Jean (Guy Chauvet).
LA FORZA DEL DESTINO:Verdi
Original Air Date: 03/09/1968
Molinari-Pradelli; Price, Corelli, Merrill, Hines, Pearl, Corena
SID.19230103
This performance marks Price’s first Leonora de Vargas broadcast and Corelli’s second and last Alvaro broadcast; Merrill only has two Met broadcasts as Leonora’s brother, the first with Farrell and Tucker in 1961 which has not been on Sirius at all and this 1968 performance. This should be in MOoD as it is one of the few main Corelli roles unrepresented. Molinari-Pradelli is also at the helm of the classic Decca London studio performance with Tebaldi, Del Monaco, Bastianini, Siepi, Corena all in their prime. This 1968 broadcast is probably Price’s best effort before the broadcast mikes, as her final broadcast (also video) in 1984 is much too late.
MADAMA BUTTERFLY:Puccini
Original Air Date: 01/08/1994
Fulton; Soviero, Leech, Deng, Allen, Anthony
SID.19230104
Soviero sometimes seems like the last of the “veristas”, but I am glad this performance which has been on Sirius before is once again in the rotation. I’m still waiting for the Stella/Fernandi Butterfly from 1958 and the Tucci/Bergonzi (this one time was scheduled for Sirius, but for some reason never happened). This is Thomas Fulton’s last Met broadcast, and his solid support in the pit is still much missed. *** I don’t remember this performance, but Soviero is a fine singer, Scotto-like detail with a more agreeable upper register. Leech was still a fine Pinkerton at this stage. Soviero and Leech are together again 2 years later (Soviero’s last Met Butterfly), but this performance features Thomas Allen and Thomas Fulton conduting (the latter’s farewell Met performance).
ARIADNE AUF NAXOS:Strauss
Original Air Date: 03/20/1976
Levine; Caballé, Remedios, Welting, Troyanos, Dooley, Titus
SID.19230105
The star is Troyanos shortly after her debut. Caballe, though not noted as a Straussian pleased many, but it does not reappear in her repertoire (and only two more after this broadcast premiere) Remedios is in his Met debut at this broadcast, and does not return for future seasons at the Met. This is Levine’s first go at Ariadne at the Met, and he does just short of half (41) of the 91 performances since Bohm premiered it in 1962. He got much better as the seasons stretched on, but Bohm is definitely the more authentic but neither his premiere year 1963 has been broadcast (possibly affected by the English translation nor the 1970, the first time the complete opera and prologue were done in German.
Rigoletto, without threatening anyone in the top tier. The same goes for Blegen and Raffanti. Our odds on a well cast Rigoletto today might not be nearly so good as dependable a Rigoletto as Louis Quilico would be hard to find today.
SALOME:Strauss
Original Air Date: 03/27/2004
Gergiev; Mattila, Jerusalem, Diadkova, Dohmen, Polenzani
MOD Audio SID.19230107
This is Mattila’s first season as Salome, and she delivered one of the greatest Salomes ever at the Met. Though she did the part again in 2008 as part of the HD telecasts, she didn’t have the same supremacy she had four years earlier (this HD is available on MOoD). This week’s audio broadcast is the one to hear in case you are in any doubt of what her top form sounds like. I like the supporting cast better in this 2004 performance as well. She filmed it in 2004 at the Met (not HD and pre Gelb) with Terfel, but we are likely to never see this which is a shame. Maybe they could put the audio version on MOoD. (editors note… it is on MOD now) Although this has been on before, because of the HD 4 years later, that performance is more frequently encountered. The 2004 performance was filmed also, but we think will never see the light of day. I’m happy that the Sirius audio survives (the video included Terfel, not Dohmen) and so warmly welcome this rebroadcast again. I would still love to hear the 1958 with Borkh under Mitropoulos (Schicchi is the curtain-raiser!!!!!)
SAMSON ET DALILA:Saint-Saëns
Original Air Date: 03/14/1953
Cleva; Vinay, Stevens, Björling
SID.19230208
I like Vinay but prefer the 1949 versions with same leads, but with Merrill as High Priest. Stevens’ first Dalila broadcast is 1941 with Maison and L. Warren under Pelletier which has not been on Sirius. Stevens’ last broadcast of Dalila comes in 1958 with Del Monaco and Singher. That is available on MOoD. This performance is not for everyone, though I enjoy Vinay a lot. The main Sirius problem with Samson is it is not a work that is worthy of MONTHLY programming (albeit in different performances) which is what it has received in 2013. It’s appeal is more limited
DIE WALKÜRE:Wagner
Original Air Date: 03/07/1987
Levine; Behrens, McIntyre, Altmeyer, Hofmann, Fassbaender, Haugland
MET On Record SID.19230209
This is Levine’s first broadcast of Walkure and the opening production in the Schenk/Schneider-Siemssen Ring. The opening night of the production in the fall had Simon Estes as Wotan. I had seen Hofmann in the Chereau Ring nine years earlier at Bayreuth, and his voice was already showing wear and tear to the extent he never made it to Siegfried or beyond the Ring, Tristan for which he was scheduled. This broadcast is his antepenultimate Met appearance which totals twenty-nine performances and concludes a year later with another Walkure notable more for being Rysanek’s final Met Sieglinde and Waltraud Meier’s only broadcast Walkure Fricka. McIntyre was also in the Chereau Ring and was in much better condition and whose Met career goes on for another nine years beyond this broadcast.
FAUST:Gounod
Original Air Date: 01/05/1991
Fulton; Leech, Soviero, Morris, Quilico, Quittmeyer
SID.19230211
This all north American cast does just fine by Gounod, and especially nice to see Leech and Soviero featured. They stack up very well against the competition, as does Morris. Like Gioconda, Faust knows how to make grand opera work, and even more memorably. MOoD is missing a number of important Fausts, not least of which are the two Bjorling performances with Siepi; this one would be welcome as well.
LES CONTES D’HOFFMANN:Offenbach
Original Air Date: 12/03/1955
Monteux; Tucker, Singher, Peters, Stevens, Amara, Miller
SID.19230212
To Monteux went the honor of conducting the world premieres of Sacre du Printemps Petruchka and Daphnis et Chloe all for Diaghilev and was principal viola in the world premiere of Pelleas. He appeared at the Met for the first time in 1917 and came back 37 years later for a series of performances which allowed three broadcasts of Faust, Pelleas, Carmen, Manon (just issued on Met Player), Orfeo and this delightful performance of Contes d’Hoffmann. Tucker might not be the stylist of a Gedda or Kraus but he certainly gives his all. This is also on Met Player, and the villains are in the most capable hands of Martial Singher. What a treat to hear ANY week. This performance has also been issued Sony Historical CD and is on MOoD. The women are musical if not especially satisfying. Tucker and Singher fill their considerable duties with tone (Tucker) and style (Singher). Just the right touch comes from the legendary Monteux.
MESSA DA REQUIEM:Verdi
Original Air Date: 02/20/1982
Levine; Price, Quivar, Domingo, Cheek
MOD Audio SID.19230213
This broadcast is in memory of long-time Met Assistant Manager and Press representative, Francis Robinson. This is getting to be pretty late Price, and Domingo is not in my first tier of tenor soloists for the Requiem. Quivar is a very solid mezzo soloist, and for me to be preferred to many commercially recorded mezzos. Cheek is OK, but if you are a Met Opera on Demand (MOoD) you can listen to a 1964 Requiem (in memory of John F. Kennedy) under Solti with Price,Elias, Bergonzi, and Siepi. Sound is not digital, but the performance is splendid and marks Solti’s final appearance with the Met
ANDREA CHÉNIER:Giordano
Original Air Date: 12/22/1990
Rudel; Martinucci, Millo, Milnes, Kesling, Castle, Johnson
MOD Audio SID.19230214
This performance marks the 25th anniversary of Milnes’ Met debut, and he goes on to 1997. Millo and Martinucci are authentic Italianate performances with voices well suited to the roles, This is actually some of the best casting of the last 25 years for this opera.
LUCIA DI LAMMERMOOR:Donizetti
Original Air Date: 02/18/1989
Müller; Devia, Glassman, Quilico, Howell
SID.19230315
This is Devia’s first Lucia broadcast; she also broadcast the role five years later in 1994 with Hadley, Pons, Plishka under Santi. This later performance is available in MOoD.She is still singing and has an active schedule with Anna Bolena currently in the Canaries, and Roberto Devereux upcoming in Madrid in September October. This is for a woman who made her Met debut in 1979 as Gilda Her Met 73 performance history (none since 1994) is equally as eclectic with Despina and two broadcasts Constanze in Entfuhrung, and appearances as Nannetta (Falstaff) and Gilda (Rigoletto) with no broadcasts. Still a 40+ year career in major houses. NOTE: Ms. Devia retires after singing three performances of NORMA at Teatro La Fenice the week of May 13, 2018. Devia has announced that after the “Norma” performances she will be retiring from the Opera stage and will dedicate her career to singing concerts and teaching. Ms. Devia was awarded the “Premio Una vita nella musica 2018” on May 14, 2018,
MACBETH:Verdi
Original Air Date: 03/24/1962
Rosenstock; Colzani, Rysanek, Tozzi, Bergonzi
SID.19230316
Rosenstock picked up much of the conducting load previously assigned to Leinsdorf, who had decamped to the Boston Symphony as Music Director. Rosenstock had debuted at the Met in 1929 with six appearances not to reappear again until 1961 when he began a 248 performance run at the Met ending in 1969 with Meistersinger which he had premiered in November 1962 in a new production by Robert O’Hearn and Nathaniel Merrill. In other repertory most of this late career could be described as correct, and nowhere at the level of Bohm, Leinsdorf, or Stiedry. This is Rysanek’s third and last Lady Macbeth performance, and she is not in the form of her debut 4 years earlier, nor is Rosenstock as up to the task as Leinsdorf who replaced the orgiinally scheduled Mitropoulos in 1958. Colzani can be a bit rough hewn, but that works as Macbeth, and Bergonzi is as classy as it gets; Tozzi I prefer to HInes, but I prefer Giaiotti to either– a role Siepi never did at the Met (and don’t notice it elsewhere either).
ANDREA CHÉNIER:Giordano
Original Air Date: 12/22/1990
Rudel; Martinucci, Millo, Milnes, Kesling, Castle, Johnson
MOD Audio SID.19230423
This performance marks the 25th anniversary of Milnes’ Met debut, and he goes on to 1997. Millo and Martinucci are authentic Italianate performances with voices well suited to the roles, This is actually some of the best casting of the last 25 years for this opera.
TOSCA:Puccini
Original Air Date: 10/25/2018
Rizzi; Radvanovsky, Calleja, Koch, Carfizzi
SID.19230535
Met favorite Sondra Radvanovsky and rising star Jennifer Rowley share the title role of the volatile diva at the heart of Puccini’s operatic thriller. Joseph Calleja brings his stylish tenor to the role of Cavaradossi, and Wolfgang Koch and Claudio Sgura share the role of the nefarious police chief Scarpia. Carlo Rizzi conducts Sir David McVicar’s resplendent production. Production a gift of Jacqueline Desmarais, in memory of Paul G. Desmarais Sr; The Paiko Foundation; and Dr. Elena Prokupets, in memory of her late husband, Rudy Prokupets Major funding from Rolex Revival a gift of NPD Group, Inc.
LA TRAVIATA:Verdi
Original Air Date: 12/15/2018
Nézet-Séguin; Damrau, Flórez, Kelsey
Live in HD SID.19240535
Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production, featuring a dazzling 19th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love. Later performances feature Anita Hartig, Stephen Costello, Artur Ruciński, and Plácido Domingo.
REVIEW: The Met Turns the Tragedy of ‘Traviata’ Into Dull Disney Schmaltz By James Jorden • 12/05/18 – Well, you have to give the Met credit for accomplishing a feat no other opera company in the world could—or should. At Tuesday’s gala new production of La Traviata, the company managed to downgrade Verdi’s masterpiece of musical drama to a kitschy Disney musical. The prime culprit in this act of artistic vandalism is director Michael Mayer, who seems to have no handle at all on this classic tale of a courtesan inspired by true love to make the most profound sacrifice. In the great duet in the second act, for example, when the penitent Violetta confronts Germont, the morally outraged father of her lover, the singers circled listlessly around a bed that hogged center stage through all three acts. observer.com/2018/12/the-met-la-traviata-opera-tragedy-disney-schmaltz/
Review: ‘La Traviata’ Opens a New Era at the Met Opera By Anthony Tommasini Dec. 5, 2018 ….”To begin his tenure as the company’s music director, Mr. Nézet-Séguin led an uncommonly fine rendition of Verdi’s “La Traviata,” in a new staging by Michael Mayer that stars the soprano Diana Damrau and the tenor Juan Diego Flórez. And in a rare gesture of respect and good will, the Met’s musicians joined Mr. Nézet-Séguin on stage for a bow after the show.
LUISA MILLER:Verdi
Original Air Date: 04/14/2018
de Billy; Yoncheva, Beczala, Domingo, Vinogradov, Belosselskiy, Petrova
Live in HD SID.19240637
Plácido Domingo adds yet another role to his legendary Met career in this rarely performed Verdi gem, a heart-wrenching tragedy of fatherly love. Sonya Yoncheva sings the title role opposite Piotr Beczała in the first Met performances of the opera in more than ten years. Bertrand de Billy conducts. Production a gift of Catherine and Ephraim Gildor Revival a gift of Rolex and Mrs. Jayne Wrightsman
DER FREISCHÜTZ:Weber
Original Air Date: 04/15/1972
Ludwig; Kónya, Lorengar, Feldhoff, Mathis
MOD Audio SID.19250101
This is the only Met broadcast of Freischutz, and despite some good work from the treble/tenor clef, Ludwig’s conducting does not give it the sparkle it needs. Feldhoff is more adequate than commanding. One cannot blame the Met entirely, this work simply is not as much a part of the “standard” opera house repertoire as it was 50 years ago.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Original Air Date: 12/07/1985
Navarro; Behrens, Moldoveanu, Clark / Pilou, Vickers, Milnes
MOD Audio SID.19250102
New wave of Wagner singer (Behrens) meets older wave (Vickers) but it’s Cav/Pag, not Wagner. Behrens’ only run as Santuzza at the Met is a distant memory for me, and she doesn’t rise to one of the great Santuzzas (now Dimitrova, not always a favorite, DOES). Vickers’ debuted in 1960 as Canio, and this 1985 broadcast performance is his final Canio at the Met. As always Vickers does it his way. He is not quite as demented as his Colon (Buenos Aires) broadcast but if you get his message (and I do), he does great honor to his farewell at the Met to this role in his antepenultimate broadcast.
ARABELLA:Strauss
Original Air Date: 03/05/1983
Leinsdorf; Te Kanawa, Weikl, Battle, Rendall, Dunn, Gramm
MOD Audio SID.19250103
This new production was the first time in German at the Met. Te Kanawa sings beautifully but for anyone who has heard the prior broadcasts from Steber and Della Casa, it’s just not in the same league. Battle and Weikl are strong vocal support.
CARMEN:Bizet
Original Air Date: 04/03/1954
Kozma; Stevens, Tucker, de los Angeles, Guarrera
MOD Audio SID.19250104
This is a standard Met Carmen from the 50s, with especially rich vocal performances from Tucker and DeLos Angeles. Stevens is a Met icon, but again one needs her visuals to get the full effect. Stevens broadcast Carmen 11 times,4 under Edward Johnson’s regime in the 40s and 7 times under Bing, 4 of them with Tucker, 2 with Del Monaco, 1 with Di Stefano. This revival of Carmen had been originally under the baton of Pierre Monteux who had previously conducted the work 1917-1919!!!. Kozma gets a good review from Robert Sabin in Musical America. Although this as this is only the 3d Sirius week of rebroadcast in the last 5 years, it is now available in the Met’s streaming service, MOoD.
COSÌ FAN TUTTE:Mozart
Original Air Date: 01/22/1972
Pritchard; Zylis- Gara, Bottazzo, Elias, Uppman, Stratas, Berry
MOD Audio SID.19250105
This is the first season Cosi returns to the original Italian at the Met, but still retains the Lunt/Gerard production. Pritchard is an experienced Mozartean, if rarely to my taste. Stratas is sharp casting for Despina, and nice to see Berry in a congenial part.This is Vickers’ first of four Otello broadcasts and in the Zeffirelli production new the previous year. This is Levine’s first season out in Otello, and Quilico is a familiar figure with a voice well suited to Verdi baritone roles– in an era of Merrill, MacNeil, and Milnes, Quilico doesn’t seem so top tier. Among today’s baritones he sings the pants off of any of them
TOSCA:Puccini
Original Air Date: 01/07/1956
Mitropoulos; Tebalsi, Tucker, Warren
SID.19250106
I don’t love Tosca. Warren is not my favorite Scarpia, but this performance is simply a must hear. The Opera-L archives have reactions from some tough critics on this performance, and the reaction is always the same; LISTEN! Just as the Callas/De Sabata dominates the commercial Toscas, this Met performance is the best live performance I’ve ever heard of Tosca. For ten broadcasts and 18 years, Bing did not repeat a protagonist until Crespin did a second Tosca broadcast (both have been on Sirius). The major Sirius omission is Stella, Tucker, Warren from 1958. I wouldn’t mind hearing Roman from 1950, but the 1958 looks very strong on paper. And Mitropoulos gets full marks for molding these thoroughbreds into such a satisfying whole. 6/19/12 – I love this performance, and it is thankfully on MOoD, but for a change I wish Sirius would broadcast the Stella performance also with Tucker and Warren, also under Mitropoulos. Some of the more recent Tosca broadcasts from Sirius make one wonder how they were selected! 3/8/11 – I don’t love Tosca. Warren is not my favorite Scarpia, but this performance is simply a must hear. The Opera-L archives have reactions from some tough critics on this performance, and the reaction is always the same; LISTEN! It’s on Met Player to be experienced anytime and to me every bit the equal of the legendary commercial Callas/De Sabata recording. Just as the Callas dominates the commercial Toscas, this Met performance is the best live performance I’ve ever heard of Tosca. For 10 broadcasts and 18 years, Bing did not repeat a protagonist until Crespin did a second Tosca broadcast (both have been on Sirius). The major Sirius omission is Stella, Tucker, Warren from 1958. I wouldn’t mind hearing Roman from 1950, but the 1958 looks very strong on paper.
TRISTAN UND ISOLDE:Wagner
Original Air Date: 03/18/1961
Rosenstock; Nilsson, Dalis, Liebl, Cassel, Hines
MOD Audio SID.19250107
This is Nilsson’s second of four Isolde broadcasts from the Met, and is also available in MOoD as is the exact same cast but under Solti in one of his rare Met broadcasts two years later in 1963. Rosenstock rarely thrills me, but the key question is how well Liebl holds up two years into his Tristan ventures. Nilsson’s first Isolde broadcast from 1960 features Bohm in the pit, but has never been on Sirius, an unfortunate omission. 5/24/2012 – This is Nilsson’s second Isolde broadcast, and Liebel is much helped by the microphones. Nilsson is also available in 1963 with much the same cast under Solti. Both this performance and the Solti are on MOoD. What has not been on Sirius is Nilsson’s first Isolde from 1960 which features Bohm’s only season in the pit for Tristan and Vinay as her Tristan. The supporting cast is otherwise much the same. Could we dig that one out as well? 8/7/2011 – This performance has been available for some time on Met Player, and Met Player recently added the Nilsson Solti from 1963 with much the same supporting cast. My records show that Nilsson’s debut year Isolde under Bohm has still not been on Sirius.
LA GIOCONDA:Ponchielli
Original Air Date: 04/15/1967
Cleva; Tebaldi, Morell, MacNeil, Elias, Siepi
SID.19250208
This is Tebaldi’s first Gioconda broadcast (first season at Lincoln Center) and her final Gioconda is broadcast a year later. Both performances are available on Met Player. The second is arguably even more strongly cast– Bergonzi and Cossotto are just about the classiest Enzo and Laura you’ll ever hear, but for Tebaldi that broadcast comes after more than 30 Giocondas in something like 20 months. The wear and tear shows in that later broadcast, but both are available for comparison. Such hearty casting is impossible for this or many other Italian late 19th century works today. For some of us Gioconda with this kind of cast has plenty of rewards, for the rest of you there’s another playing of Moses und Aron.
DON CARLO:Verdi
Original Air Date: 03/14/1992
Levine; Sylvester, Millo, Chernov, Zajick, Ramey, Koptchak
SID.19250209
Sylvester, Millo, Chernov, and Zajick all repeat their roles from the Levine Sony Classical studio recording and this broadcast has been added to MOoD relatively recently ; Ramey who is the recording’s Inquisitor moves up to Filippo for this Met series including this broadcast, with Koptchak taking over the GI. This is the first of Zajick’s three broadcast outings as Eboli, and she is one of the best. Chernov who never quite turned into the new Robert Merrill still had a beautifully burnished tone, and his voice is a more natural fit than say Keenlyside (at least at the Met). This is Millo’s final Elisabetta with the Met (her earlier broadcast is in 1986). This is Ramey’s first of two Filippo broadcasts — 2002 (also with Zajick) is under Gergiev. Sylvester is a first rate Don Carlo, and while I loved this past season’s conducting by Nezet-Seguin, this 1992 cast is a world above the most recent casting and one of the best balanced Don Carlo casts ever.
MEFISTOFELE:Boito
Original Air Date: 02/19/2000
Elder; Ramey, Villarroel, Margison
MOD Audio SID.19250211
So far this is the only Met broadcast of Mefistofele, as its 1925 previous Met performance precedes the Met matinee series, and Bing had mostly ceded the work to NYCO first with Treigle, and later with Ramey. Here is Ramey at close to his twilight from the Met in a very solid performance, and a good delivery from the Met chorus. Margison and Villaroel are OK, but much better tenor casting was certainly available during the Bing years. Ramey was still in good voice for this broadcast, but this Robert Carsen production which had been practically everywhere (I saw it in SF as well as NYC) could not attract the great tenors of the day to Faust. A pity. I saw Kraus in Philadelphia, and Bergonzi has distinguished performances as well. Margerita deserves better than Villaroel as well. Time for the Met to revive again with or without the Carsen production. Lots of good casting around for this. even if no one at Ghiaurov/ Siepi vocal accomplishment for the title role. These days, the basso ranks are even more depleted than 13 years ago, but lots of interesting tenors and sopranos for these two roles. Calleja would be my first choice for Faust, but there are others who could do fine work, including Fabiano. Radvanovsky would be a most interesting combo Margerita/Helen and the Met chorus is several cuts above their work a dozen years ago. I’m not wild about the Carsen production (there are worse), but a rumored revival seems to have disappeared. Mefistofele is not represented in MOoD and should be available there, starting with capturing prime Ramey
DER FLIEGENDE HOLLÄNDER:Wagner
Original Air Date: 12/30/1950
Reiner; Hotter, Varnay, Svanholm, Nilsson
MOD Audio SID.19250212
Only two months since the last rotation? A bit of chaos in current Sirius programming. This performance is also in the Met’s bicentenary Wagner CD box from Sony. Reiner, Hotter, and Varnay are experienced Wagnerians, but this is one Wagner opera better served by the historic partnership a decade later of Schippers / Bohm, London, and Rysanek (and Tozzi too). (9/26/16)
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I PURITANI:Bellini
Original Air Date: 03/30/1991
Bonynge; Gruberova, Merritt, Gavanelli, Plishka
MOD Audio SID.19250213
This is primarily for Gruberova fans. She doesn’t sing in USA much so just as well since she only has two Met broadcasts, this Puritani and Zerbinetta in Ariadne auf Naxos. Of greater interest would be her Queen of the Night (Met debut) and the new production of Traviata with Kleiber and Shicoff (neither broadcast; in today’s world of live Sirius, we would likely be hearing both)