“VANESSA : Barber
Original Air Date: 04/03/1965
Cast: Steinberg; Costa, Alexander, Elias, Thebom, Tozzi
Media: MOD Audio SID.18380637 Tags: Archive; 2018
The Met does well by Samuel Barber, and regularly programs on Sirius the Steber world premiere season broadcast from 1958. Elias and Tozzi remain from the original cast under William Steinberg. The skating aria for Vanessa is gone by this revival, another reason to check out the Steber broadcast in MOoD.”
“TURANDOT : Puccini
Original Air Date: 12/03/1966
Cast: Mehta; Nilsson, Freni, Corelli, Giaiotti
Media: MOD Audio SID.18380638 Tags: Archive; 2018, Nilsson, Puccini
Sirius Broadcast Premiere.
This performance is Included in the Met’s 50th Anniversary collection.
Turandot: The Best To Date at New Met
[Unsigned review in the Journal-American of opening night September 26, 1966] The celebrating the opening of the new opera house over, the Metropolitan Opera settled for repertory last night and put on its best show to date.
Puccini’s Turandot began the regular subscription season as a five-year old production that readily adjusted itself to new surroundings. It looked handsome, and it moved handsomely. Sighs. Birgit Nilsson and Franco Corelli took the leading roles as usual, the singing was magnificent.
What else is there to say! This was a beautifully knit performance. Cecil Beaton’s sets and costumes rate among the best creations. Nathaniel Merrill has achieved some of the most imaginative staging. The cast is excellent.
A new element entered with Zubin Mehta taking the conductor’s assignment. He imparts vitality and usually comprehends everything he does. The live acoustics of the pit led to overloud playing, but most interestingly he restrained himself in giving full rein to Puccini’s romanticism.
The Orientalism in the music may be super-imposed, but its romanticism is ingrained. I missed both the lushness and the theatrical magic lurking in the score. In short, the orchestral playing had neither glow nor dramatic bite to do justice to this fullest-scored and most mature of Puccini’s operas.
Just to hear Nilsson and Corelli almost sufficed last night since both were in superb voice. Yet Teresa Stratas gave such an artistically appealing portrayal of Liu that she deservedly belonged in their company. Bonaldo Giaiotti contributed a Timur of vocal and dramatic consequence.
Those conspirators Ping, Pang and Pong carried off their tricky roles more successfully than usual. I thought, thanks to the rapport of Theodor Uppman (new as Ping), Robert Nagy, and Charles Anthony. Thus the performance on stage had the best integration since the season began.
Turandot has found a sure place in the repertory; in fact, it could be developing into an old favorite. Outstanding success does pivot on the title role, to be sure, but at the moment that could not be better cast anywhere.”
“LA FORZA DEL DESTINO : Verdi
Original Air Date: 03/17/1956
Cast: Stiedry; Milanov, Tucker, Warren, Siepi, Elias, Corena
Media: MOD Audio SID.18380640 Tags: Archive; 2018, Verdi
For me, the A list male casting for this opera in the 1950s at the Met was Tucker, Warren, and Siepi. This is the only broadcast where all three gentlemen (who premiered the new production on opening night of the 1952 season. Milanov certainly had the voice for the Forza Leonora, but as others have noted she is not a young woman in the 1950s, and she could be uneven in a single afternoon. Her current competition is non-existent. I checked the Paul Jackson broadcast reviews on this performance, but he is silent (he is particularly strong on singers he heard often). Though this has been on before, this is a must listen.”
“ROMÉO ET JULIETTE : Gounod
Original Air Date: 12/06/1986
Cast: Domingo; Kraus, Gasdia, Plishka, Harris, Schexnayder
Media: MOD Audio SID.18380641 Tags: Archive; 2018, Domingo
This broadcast documents Gasdia’s only season at the Met. The run, Kraus’ only times in Romeo at the Met, also featured 6 performances with Soviero, whom I would have preferred in the broadcast. “
“DON PASQUALE : Donizetti
Original Air Date: 12/05/1970
Cast: Franci; Corena, Grist, Kraus, Krause
Media: MOD Audio SID.18380743 Tags: Archive; 2018
This is a fine performance, but I would love to hear Corena from 1956 with Peters and Valletti in Schippers debut season. I also notice Pinza did a broadcast in 1935 which I think does not survive.
Love to hear Pinza and Donizetti, though for the patter duet Corena is absolutely the last word, closely followed by Baccaloni. Corena’s 1965 broadcast with Peters has been on Sirius and is on MOoD, but that’s with Alva, not Valletti.”
“SIEGFRIED : Wagner
Original Air Date: 01/30/1937
Cast: Bodanzky; Melchior, Flagstad, Schorr, Thorborg, Laufkötter, Habich
Media: MOD Audio SID.18380744 Tags: Archive; 2018
Melchior is simply in a class by himself because no one has a voice like his. The supporting cast are of major stature. This also appears in the Sony Wagner CD box from the Met.
This writer fails to recall an occasion when they sang the final duet of the opera in such fashion, with such wealth of tone and heroic passion … It was the lyrical flight of eagles – New York Times, 1937
Melchior had learned the role under the composer’s son, Siegfried, and widow, Cosima, at Bayreuth in the 1920s. Quite simply, no other tenor has been able to sing Siegfried like this – how the role was meant to be sung.
Two other cast members stand out. Friedrich Schorr was the leading interpreter of Wotan / Wanderer in the inter-war years. Norwegian soprano Kirsten Flagstad as Brunnhilde was the dominant Wagnerian soprano at the Met between 1935 and 1941 and Melchior and Flagstad together were the hottest opera ticket in New York. Her voice is beautifully controlled, delivering golden tone with ease.
This is the only complete recording of Melchior in Siegfried, and it is the only recording of Melchior and Flagstad together in the opera.
by Andrew Rose May 26, 2017”
“SIEGFRIED : Wagner
Original Air Date: 01/30/1937
Cast: Bodanzky; Melchior, Flagstad, Schorr, Thorborg, Laufkötter, Habich
Media: MOD Audio SID.18380745 Tags: Archive; 2018
Melchior is simply in a class by himself because no one has a voice like his. The supporting cast are of major stature. This also appears in the Sony Wagner CD box from the Met.
This writer fails to recall an occasion when they sang the final duet of the opera in such fashion, with such wealth of tone and heroic passion … It was the lyrical flight of eagles – New York Times, 1937
Melchior had learned the role under the composer’s son, Siegfried, and widow, Cosima, at Bayreuth in the 1920s. Quite simply, no other tenor has been able to sing Siegfried like this – how the role was meant to be sung.
Two other cast members stand out. Friedrich Schorr was the leading interpreter of Wotan / Wanderer in the inter-war years. Norwegian soprano Kirsten Flagstad as Brunnhilde was the dominant Wagnerian soprano at the Met between 1935 and 1941 and Melchior and Flagstad together were the hottest opera ticket in New York. Her voice is beautifully controlled, delivering golden tone with ease.
This is the only complete recording of Melchior in Siegfried, and it is the only recording of Melchior and Flagstad together in the opera.
by Andrew Rose May 26, 2017”
“LA CENERENTOLA : Rossini
Original Air Date: 03/11/2000
Cast: Campanella; Larmore, Giménez, Alaimo, Corbelli
Media: MOD Audio SID.18380747 Tags: Archive; 2018
This is Larmore’s second Angelina broadcast (the first was 1998 with Levine conducting). Corbelli is the Dandini, and Alaimo the Magnifico. 8 years later Corbelli moves down to Magnifico. A little of this opera goes a long way with me.This is Larmore’s second Angelina broadcast (the first was 1998 with Levine conducting). Corbelli is the Dandini, and Alaimo the Magnifico. 8 years later Corbelli moves down to Magnifico. A little of this opera goes a long way with me,”
“LA FILLE DU RÉGIMENT : Donizetti
Original Air Date: 01/06/1973
Cast: Bonynge; Sutherland, Pavarotti, Resnik, Corena
Media: MOD Audio SID.18390102 Tags: Archive; 2018, Pavarotti
Pavarotti may be a bit tight on the high Cs, but his voice is still remarkable, and this is the only broadcast with the Met premiere roster. Resnik and Corena are preferable to their competition. Sutherland is particularly treasurable. This performance is also available
on MOoD
***
From 1954 until 1976 Fernando Corena was the only Dr. Bartolo to appear on the Met airwaves. Of all Corena’s distinctive characterizations, none rank higher than Bartolo. It would be worthwhile for the Met to unearth its experimental taping (with NHK of Japan)from November 1968 so people could get a taste of his visuals as well. The byplay of Corena with Horne, as well as familiar bass clef tandem, Tozzi are a special delight. Cesare Siepi made his only Met appearances with Levine the following week ending his Met career succeeding Tozzi.
***
Pavarotti appears in a broadcast after his initial success with Sutherland. The Cs are already a bit chancy, but this is still a lot of thoroughbreds having a great time. It is also available in MOoD.
***
The Met got a little late to Pavarotti (several years after Covent Garden) in Fille and the C’s are more than a little nervous. Still, this is a fun outing if not as well turned out as the studio recording.
***
This is from the second season of FIlle, and Pavarotti’s only broadcast of Tonio. Lots of high spirits.”
“FAUST : Gounod
Original Air Date: 02/26/1972
Cast: Rich; Domingo, Zylis-Gara, Tozzi, Sereni, von Stade
Media: MOD Audio SID.18390103 Tags: Archive; 2018, Domingo
This over-programmed Faust is on again, but there are so many better Fausts on the shelf. Domingo is better than expected in one of his early broadcasts, but Tozzi, a Met stalwart, is in poor form. Mercifully, the rotation has slowed down on this performance.
There are a number of excellent Fausts, 2 with Bjorling (and Siepi) which Sirius has never played, and there are several much better Fausts in the Sirius rotation. This one does not deserve such airplay.
Nicolai Gedda is third in all-time performances (42) as Faust surpassed only by Jean de Reszke at 71 and Giovanni Martinelli at 56, and yet is represented by only one Faust broadcast in MOoD and Sirius reports replay of the 1972, but neither his 1966 or 1969 with interesting casts have been heard on either. Nicolai Gedda is still with us, A little more attention on him please. He was a Met star tenor for two decades, and we mostly hear him in Vanessa (where he is remarkable), but he was the leading Faust in the world with the passing of Bjorling his Swedish countryman.”
“LES CONTES D’HOFFMANN : Offenbach
Original Air Date: 03/27/1982
Cast: Chailly; Domingo, Morris, Welting, Troyanos, Eda-Pierre, Howells
Media: MOD Audio SID.18390208 Tags: Archive; 2018, Domingo
This is Chailly’s only Met appearance, and is the premiere year of the Schenk, Schneider-Siemssen production. I’m surprised this performance is not the one in MOoD instead of the Levine from 1993. Much as I like Vaness and Held, an 11 year younger Domingo with the above cast (and especially Senechal) would seem more likely. Still, this performance is a welcome choice for the Sirius rotation (it’s not new this week, but not often included).”
“DIE WALKÜRE : Wagner
Original Air Date: 04/01/2000
Cast: Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Media: MOD Audio SID.18390316 Tags: LIVE; 2018, Levine, Domingo
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in.
*****
SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.”
“DIE WALKÜRE : Wagner
Original Air Date: 04/01/2000
Cast: Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Media: MOD Audio SID.18390317 Tags: LIVE; 2018, Levine, Domingo
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in.
*****
SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.”
“LES CONTES D’HOFFMANN : Offenbach
Original Air Date: 03/27/1982
Cast: Chailly; Domingo, Morris, Welting, Troyanos, Eda-Pierre, Howells
Media: MOD Audio SID.18390423 Tags: Archive; 2018, Domingo
This is Chailly’s only Met appearance, and is the premiere year of the Schenk, Schneider-Siemssen production. I’m surprised this performance is not the one in MOoD instead of the Levine from 1993. Much as I like Vaness and Held, an 11 year younger Domingo with the above cast (and especially Senechal) would seem more likely. Still, this performance is a welcome choice for the Sirius rotation (it’s not new this week, but not often included).”
“LA FILLE DU RÉGIMENT : Donizetti
Original Air Date: 01/06/1973
Cast: Bonynge; Sutherland, Pavarotti, Resnik, Corena
Media: MOD Audio SID.18390425 Tags: Archive; 2018, Pavarotti
Pavarotti may be a bit tight on the high Cs, but his voice is still remarkable, and this is the only broadcast with the Met premiere roster. Resnik and Corena are preferable to their competition. Sutherland is particularly treasurable. This performance is also available
on MOoD
***
From 1954 until 1976 Fernando Corena was the only Dr. Bartolo to appear on the Met airwaves. Of all Corena’s distinctive characterizations, none rank higher than Bartolo. It would be worthwhile for the Met to unearth its experimental taping (with NHK of Japan)from November 1968 so people could get a taste of his visuals as well. The byplay of Corena with Horne, as well as familiar bass clef tandem, Tozzi are a special delight. Cesare Siepi made his only Met appearances with Levine the following week ending his Met career succeeding Tozzi.
***
Pavarotti appears in a broadcast after his initial success with Sutherland. The Cs are already a bit chancy, but this is still a lot of thoroughbreds having a great time. It is also available in MOoD.
***
The Met got a little late to Pavarotti (several years after Covent Garden) in Fille and the C’s are more than a little nervous. Still, this is a fun outing if not as well turned out as the studio recording.
***
This is from the second season of FIlle, and Pavarotti’s only broadcast of Tonio. Lots of high spirits.”
“FAUST : Gounod
Original Air Date: 02/26/1972
Cast: Rich; Domingo, Zylis-Gara, Tozzi, Sereni, von Stade
Media: MOD Audio SID.18390426 Tags: Archive; 2018, Domingo
This over-programmed Faust is on again, but there are so many better Fausts on the shelf. Domingo is better than expected in one of his early broadcasts, but Tozzi, a Met stalwart, is in poor form. Mercifully, the rotation has slowed down on this performance.
There are a number of excellent Fausts, 2 with Bjorling (and Siepi) which Sirius has never played, and there are several much better Fausts in the Sirius rotation. This one does not deserve such airplay.
Nicolai Gedda is third in all-time performances (42) as Faust surpassed only by Jean de Reszke at 71 and Giovanni Martinelli at 56, and yet is represented by only one Faust broadcast in MOoD and Sirius reports replay of the 1972, but neither his 1966 or 1969 with interesting casts have been heard on either. Nicolai Gedda is still with us, A little more attention on him please. He was a Met star tenor for two decades, and we mostly hear him in Vanessa (where he is remarkable), but he was the leading Faust in the world with the passing of Bjorling his Swedish countryman.”
“DIE WALKÜRE : Wagner
Original Air Date: 04/01/2000
Cast: Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Media: MOD Audio SID.18390532 Tags: LIVE; 2018, Levine, Domingo
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in.
*****
SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.”
“DIE WALKÜRE : Wagner
Original Air Date: 04/01/2000
Cast: Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Media: MOD Audio SID.18390533 Tags: LIVE; 2018, Levine, Domingo
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in.
*****
SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.”
“LES CONTES D’HOFFMANN : Offenbach
Original Air Date: 03/27/1982
Cast: Chailly; Domingo, Morris, Welting, Troyanos, Eda-Pierre, Howells
Media: MOD Audio SID.18390639 Tags: Archive; 2018, Domingo
This is Chailly’s only Met appearance, and is the premiere year of the Schenk, Schneider-Siemssen production. I’m surprised this performance is not the one in MOoD instead of the Levine from 1993. Much as I like Vaness and Held, an 11 year younger Domingo with the above cast (and especially Senechal) would seem more likely. Still, this performance is a welcome choice for the Sirius rotation (it’s not new this week, but not often included).”
“LA FILLE DU RÉGIMENT : Donizetti
Original Air Date: 01/06/1973
Cast: Bonynge; Sutherland, Pavarotti, Resnik, Corena
Media: MOD Audio SID.18390641 Tags: Archive; 2018, Pavarotti
Pavarotti may be a bit tight on the high Cs, but his voice is still remarkable, and this is the only broadcast with the Met premiere roster. Resnik and Corena are preferable to their competition. Sutherland is particularly treasurable. This performance is also available
on MOoD
***
From 1954 until 1976 Fernando Corena was the only Dr. Bartolo to appear on the Met airwaves. Of all Corena’s distinctive characterizations, none rank higher than Bartolo. It would be worthwhile for the Met to unearth its experimental taping (with NHK of Japan)from November 1968 so people could get a taste of his visuals as well. The byplay of Corena with Horne, as well as familiar bass clef tandem, Tozzi are a special delight. Cesare Siepi made his only Met appearances with Levine the following week ending his Met career succeeding Tozzi.
***
Pavarotti appears in a broadcast after his initial success with Sutherland. The Cs are already a bit chancy, but this is still a lot of thoroughbreds having a great time. It is also available in MOoD.
***
The Met got a little late to Pavarotti (several years after Covent Garden) in Fille and the C’s are more than a little nervous. Still, this is a fun outing if not as well turned out as the studio recording.
***
This is from the second season of FIlle, and Pavarotti’s only broadcast of Tonio. Lots of high spirits.”
“DIE WALKÜRE : Wagner
Original Air Date: 04/01/2000
Cast: Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Media: MOD Audio SID.18390749 Tags: LIVE; 2018, Levine, Domingo
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in.
*****
SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.”
DIE WALKÜRE : Wagner
Original Air Date: 04/01/2000
Cast: Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Media: MOD Audio SID.18400101 Tags: LIVE; 2018, Levine, Domingo
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in.
*****
SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.
DER ROSENKAVALIER : Strauss
Original Air Date: 02/18/1956
Cast: Kempe; Stevens, Della Casa; Edelmann, Güden, Herbert
Media: MOD Audio SID.18400103 Tags: Archive; 2018, Strauss
RWW-Sadly, we lost Della Casa this past week [December 2012]. No more
beautiful woman ever trod the operatic stage. With Kempe in the pit
for his final Met broadcast, this is a wonderful all-around performance. This performance has been on, but not frequently. I found a reference to my hearing it in January 2010, but Met Database does not show it has having been on Sirius. In any case I give the performance an absolute rave. If maybe a little late for Stevens, Della Casa and Guden are in absolute prime. Kempe appeared too little and we certainly need his Arabella (in English) with Steber, Guden and London to appear on Sirius. Don’t miss
SR-This broadcast featured Della Casa’ second Marschallin at the Met. She had done it for the first time in Vienna after doing both Sophie and Octavian.. and she was equally splendid as the Marschallin. Hilde Gueden is the delightful Sophie, while Rise Stevens sings her justly admired Octavian. Otto Edelmann is the boorish but charming Baron Ochs, one of his signature roles. Combine this with the elegant conducting of Rudolf Kempe, and this a fine Straussian broadcast. As a side note, the Marschallin’s Major Domo is James McCracken before his later fame.
LES TROYENS : Berlioz
Original Air Date: 02/18/1984
Cast: Levine; Norman, Sooter, Monk, Taillon, Plishka, Ahlstedt
Media: MOD Audio SID.18400104 Tags: Archive; 2018, Levine
“Norman repeated Verrett’s double assumption on this broadcast (Verrett’s was for the opening of the production in 1973 when Ludwig was indisposed–I was there, quite an evening). I rather prefer Norman’s Didon to her Cassandre, but this broadcast now takes its place in MOoD. Enee is close to an impossible part, but Sooter is no worse than Ronald Dowd was in Boston for Caldwell.”
LES TROYENS : Berlioz
Original Air Date: 02/18/1984
Cast: Levine; Norman, Sooter, Monk, Taillon, Plishka, Ahlstedt
Media: MOD Audio SID.18400105 Tags: Archive; 2018, Levine
“Norman repeated Verrett’s double assumption on this broadcast (Verrett’s was for the opening of the production in 1973 when Ludwig was indisposed–I was there, quite an evening). I rather prefer Norman’s Didon to her Cassandre, but this broadcast now takes its place in MOoD. Enee is close to an impossible part, but Sooter is no worse than Ronald Dowd was in Boston for Caldwell.”
FAUST : Gounod
Original Air Date: 02/26/1972
Cast: Rich; Domingo, Zylis-Gara, Tozzi, Sereni, von Stade
Media: MOD Audio SID.18400106 Tags: Archive; 2018, Domingo
This over-programmed Faust is on again, but there are so many better Fausts on the shelf. Domingo is better than expected in one of his early broadcasts, but Tozzi, a Met stalwart, is in poor form. Mercifully, the rotation has slowed down on this performance.
There are a number of excellent Fausts, 2 with Bjorling (and Siepi) which Sirius has never played, and there are several much better Fausts in the Sirius rotation. This one does not deserve such airplay.
Nicolai Gedda is third in all-time performances (42) as Faust surpassed only by Jean de Reszke at 71 and Giovanni Martinelli at 56, and yet is represented by only one Faust broadcast in MOoD and Sirius reports replay of the 1972, but neither his 1966 or 1969 with interesting casts have been heard on either. Nicolai Gedda is still with us, A little more attention on him please. He was a Met star tenor for two decades, and we mostly hear him in Vanessa (where he is remarkable), but he was the leading Faust in the world with the passing of Bjorling his Swedish countryman.
RIGOLETTO : Verdi
Original Air Date: 12/29/1945
Cast: Sodero; Warren, Sayão, Björling, Cordon, Lipton
Media: MOD Audio SID.18400107 Tags: Archive; 2018, Verdi
This is the only broadcast Duke from the Met with Bjorling and while relatively early Warren, he is the vocal master of this part. Sound is typical AM 40s, but the voices are well captured.
I prefer this Bjorling Warren pairing to the RCA commercial from the mid-50s. Sayao is flattered a bit by the microphones, but there are some other 1940s Met broadcasts that should join this fine go at Rigoletto.
For years the Met with great regularity put out Warren, Merrill, and MacNeil in the title role. For Met listeners what’s not to like. Sayao and Bjorling are not exactly lesser grade. Don’t look for a Gossett critical edition, but Verdi is VERY well served. This performance is also on Met Player, as it should be.
FIDELIO : Beethoven
Böhm; Nilsson, King, Evans, Edelmann, Pracht, Anthony
Original Air Date: 01/22/1966
Media: MOD Audio SID.18400208
I was in attendance for this broadcast, and while I prefer the classic 1960 broadcast with Bohm, Nilsson, and Vickers, Nilsson and King are fine, but Geraint Evans, an artist I much admire is not meant for this kind of role vocally. Uhde has his deficiencies but is much more appropriate. It’s a bit too late for Edelmann, but I think there “never was” for Czerwenka in the 1960. The 1960 performance also appears on a Sony Historical CD. What has not appeared in the Sirius run is the Beethoven 1971 bicentenary broadcast of the new production with Rysanek, Vickers with an excellent effort by Berry and Tozzi also under Bohm. Serious omission!
ERNANI : Verdi
Original Air Date: 03/09/1985
Cast: Fulton; Mauro, Mitchell, Elvira, Plishka
Media: MOD Audio SID.18400211
This first revival retains only Leona Mitchell from the production premiere. Particular attention should be paid to Pablo Elvira, a little light for his character, but a most agreeable voice. Mauro is no Pavarotti, but this is a well prepared performance of one of my favorite Verdi operas.
COSÌ FAN TUTTE : Mozart
Original Air Date: 01/20/1990
Cast: Levine; Mims, Hadley, Troyanos, Hampson, Hong, Van Allan
Media: MOD Audio SID.18400212
This performance is notable as Troyanos’ only Met season as Dorabella, and the same holds true for Hampson’s Guglielmo. She has a well regarded RCA recording from 1968 (!!!) very early in her career. I find Levine at his most inspired in Mozart, and especially so in Cosi. It will be his return opera to the Met next season and is scheduled for Live in HD. The ensemble is well drilled. Worth a listen.
Updated note : Sirius subscribers have heard Levine’s return in Cosi already with the matinee broadcast and Live in HD to come in March 2014. I thought Levine lived up to his considerable reputation in the fall Cosis.