NORMA:Bellini
Original Air Date: 02/17/1973
Cillario; Caballé, Cossotto, Cossutta, Tozzi
MOD Audio SID.18420532
This is from Caballe’s first run at Norma with the reliable Cossotto; they are certainly a team. Cossutta missed the premiere, and this is his debut; he would go on to do 12 more Polliones with Caballe, Galvany, and Verrett and that is his Met career. Tozzi would not be my choice for Oroveso.
This performance presents Caballe and Cossotto’s take on the Norma duo for the first time at the Met, and is preserved on Met Player as well. Norma is one of Caballe’s best roles. In terms of Norma, there was no complete broadcast of Norma with Ponselle (the Acts3-4 from 1931 do not survive as far as I’v ever heard). Ponselle is followed by Cigna and 3 broadcasts with Milanov (2 from 1944 in different seasons, and 1954 with Thebom (Barbieri only did the premiere). One of the 1944 performances at the minimum should be played, and my memory is that the Cigna is also available in decent sound. Sirius has not rebroadcast the 1982 Norma with Negri (making her house debut on the broadcast) where she replaced Scotto. Would like to hear this again.
LE NOZZE DI FIGARO:Mozart
Original Air Date: 02/12/1994
Rudel; Morris, McLaughlin, Fleming, Croft, Bunnell
MOD Audio SID.18420533
This is is Fleming’s first featured broadcast (she has a small part in Ghosts of Versailles) and it’s one of her best roles. The late — he died just a few weeks ago (2016) –Julius Rudel is too often underestimated, but he presided over many a fine Figaro at the NYCO before taking up residence at the Met. Morris and McLaughlin are an interesting servant pair and any performance with Senechal is guaranteed some attention. This performance is featured in MOoD.
7/8/13 – Fleming’s previous broadcast appearance was in the small role of Rosina (Countess) in Ghosts of Versailles, so her Nozze Countess is really her first broadcast feature. Rudel is a fine Mozartean with plenty of fine Figaros over at NYCO before moving over to the Met. Fleming and the whole cast are well matched. Recommended. Also in MOoD.
3/29/11 – Fleming’s Countess is rarer than you might think. She only has nine performances since her Met debut (in this role) in 1991. This broadcast is only her third and is available also on Met Player. She premieres the new production with Terfel and Bartoli, but only does the telecast (which is available on Met PLayer).
As for missing historic broadcasts, the original Texaco broadcast with Albanese and Pinza from 1940 should certainly be rebroadcast, and the Countesses of Eleanor Steber (five from 1943-50) and Victoria de los Angeles (1952) with the superb Count of Giuseppe Valdengo. Jarmila Novotna is a superb Cherubino on many of those Steber Countesses.
MARNIE : Nico Muhly
Original Air Date: 10/19/2018
Cast: Spano; Leonard, Kelly, Graves, Davies, Maltman
SID.18420535
* Live Broadcast on Siriusxm * Program * Synopsis *
Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, 1842cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.
Music by Nico Muhly, libretto by Nicholas Wright, based on the novel by Winston Graham
Production: Michael Mayer; Set/Projection Designers: Julian Crouch, 59 Productions; Costume Designer: Arianne Phillips; Lighting Designer: Kevin Adams, Choreographer: Lynne Page
Commissioned by the Metropolitan Opera
A co-production of the Metropolitan Opera and English National Opera
By special arrangement with Universal Pictures 
L’ELISIR D’AMORE:Donizetti
Original Air Date: 01/25/1992
Panni; Pavarotti, Battle, Plishka, Pons
MOD Audio SID.18420638
I enjoy L’elisir d’amore, but the opera is not of such depth to deserve what seems like a a weekly rotation. There were a number of evening performances broadcast live of the Florez Damrau cast. They don’t exactly overplay the Bergonzi or Kraus performances, CB has 2, and AK has 1. But better to give the opera a rest, because we’ll have plenty of L’elisir come September. This is Battle’s last Elisir broadcast, and the supporting cast is not especially distinguished. Dara was always a rather colorless Dulcamara for me, and I want a bit more Italian sunshine than Olsen. Battle has 30 (!!!) Met Adinas, the champion. She is not the first Adina I think of. Both Freni and Scotto are more to my taste for very different reasons.
This performance is available in MOoD. The previous fall Pavarotti had Levine at the help and Dara as the Dulcamara for the video which is also available in MOoD and commercial DVD.
I VESPRI SICILIANI:Verdi
Original Air Date: 03/09/1974
Levine; Caballé, Gedda, Milnes, Díaz
MOD Audio SID.18420639
This is a performance where the whole is greater than the sum of its parts. If Caballe does not have every note in place, she is still very near the top of her considerable form, and the ensemble reflects the new production intensity and first appearance of a major Verdi opera in the Met repertory. Gedda has the most performances of Arrigo, the challenging tenor role. Tucker was scheduled for a run (including broadcast) the year he died, but none of the hearty tenors of the past had the right timing– no Corelli, Bergonzi, and only 5 for Domingo, and he was gone. This performance is available in Met Opera on Demand (MOoD) and is a strong performance.
OTELLO:Verdi
Original Air Date: 03/11/1967
Mehta; Caballé, McCracken, Gobbi, Lorenzi
MOD Audio SID.18420642
This is the first Otello broadcast from the new house at Lincoln Center, and I attended an earlier performance in the run. Caballe is very fine in the fourth act, but earlier acts do not find her fully engaged. McCracken and Gobbi are fully engaged from first note, and Mehta is a solid participant. Sirius continues to deprive us of Tebaldi’s 1955 and 1958 Desdemonas which capture her (especially 1955) in remarkable voice. This performance is available in Met Opera on Demand (MOoD) and definitely worth your time.
1/16/12 – I remember this revival well, but in the house and on the airwaves, it was certainly strongly performed by all. This is Caballe’s first broadcast from the Met, and McCracken, Gobbi and Mehta are wonderful partners. Compared to some other Desdemonas, I found her a little short until Act Four, but in the final act she was on all eight cylinders. I love the chemistry of McCracken and Gobbi. This fine performance is available on MetPlayer also.
There never was a tenor quite like James McCracken—a veritable force of nature vocally, he fought his way to an international career that would come to be dominated by his seething portrayal of the title role of Verdi’s Otello. In this March 11, 1967, broadcast conducted by Zubin Mehta, McCracken’s finely sung Otello rages with a raw-nerve fury but also brings heroic tenderness to the love duet and his final moments. Montserrat Caballé’s singing, regal in its beauty throughout, gives way to towering passion in Desdemona’s clash with Otello in Act III. Tito Gobbi is utter, impeccable evil as Iago, heard in the savage glee he finally takes in hurling Cassio’s name, like a knife, at Otello at the end of Act II.
I PURITANI:Bellini
Original Air Date: 03/30/1991
Bonynge; Gruberova, Merritt, Gavanelli, Plishka
MOD Audio SID.18420636
This is primarily for Gruberova fans. She doesn’t sing in USA much so just as well since she only has two Met broadcasts, this Puritani and Zerbinetta in Ariadne auf Naxos. Of greater interest would be her Queen of the Night (Met debut) and the new production of Traviata with Kleiber and Shicoff (neither broadcast; in today’s world of live Sirius, we would likely be hearing both)
MIGNON:Thomas
Original Air Date: 01/27/1945
Pelletier; Stevens, Melton, Benzell, Pinza
MOD Audio SID.18420743
“There are some great tunes in Mignon but I find the opera doesn”t hold up well — I saw it staged in Dallas with Horne (1974), and it was a LONG evening. Pinza is very fine here. Mignon”s last broadcast appearance is 3 years later with Marilyn Cotlow as Philine which is more than 6 decades ago. That Mignon farewell has not been on Sirius.
LE NOZZE DI FIGARO:Mozart
Original Air Date: 02/12/1994
Rudel; Morris, McLaughlin, Fleming, Croft, Bunnell
MOD Audio SID.18420744
This is is Fleming’s first featured broadcast (she has a small part in Ghosts of Versailles) and it’s one of her best roles. The late — he died just a few weeks ago (2016) –Julius Rudel is too often underestimated, but he presided over many a fine Figaro at the NYCO before taking up residence at the Met. Morris and McLaughlin are an interesting servant pair and any performance with Senechal is guaranteed some attention. This performance is featured in MOoD.
7/8/13 – Fleming’s previous broadcast appearance was in the small role of Rosina (Countess) in Ghosts of Versailles, so her Nozze Countess is really her first broadcast feature. Rudel is a fine Mozartean with plenty of fine Figaros over at NYCO before moving over to the Met. Fleming and the whole cast are well matched. Recommended. Also in MOoD.
3/29/11 – Fleming’s Countess is rarer than you might think. She only has nine performances since her Met debut (in this role) in 1991. This broadcast is only her third and is available also on Met Player. She premieres the new production with Terfel and Bartoli, but only does the telecast (which is available on Met PLayer).
As for missing historic broadcasts, the original Texaco broadcast with Albanese and Pinza from 1940 should certainly be rebroadcast, and the Countesses of Eleanor Steber (five from 1943-50) and Victoria de los Angeles (1952) with the superb Count of Giuseppe Valdengo. Jarmila Novotna is a superb Cherubino on many of those Steber Countesses.
NORMA:Bellini
Original Air Date: 02/17/1973
Cillario; Caballé, Cossotto, Cossutta, Tozzi
MOD Audio SID.18420745
This is from Caballe’s first run at Norma with the reliable Cossotto; they are certainly a team. Cossutta missed the premiere, and this is his debut; he would go on to do 12 more Polliones with Caballe, Galvany, and Verrett and that is his Met career. Tozzi would not be my choice for Oroveso.
This performance presents Caballe and Cossotto’s take on the Norma duo for the first time at the Met, and is preserved on Met Player as well. Norma is one of Caballe’s best roles. In terms of Norma, there was no complete broadcast of Norma with Ponselle (the Acts3-4 from 1931 do not survive as far as I’v ever heard). Ponselle is followed by Cigna and 3 broadcasts with Milanov (2 from 1944 in different seasons, and 1954 with Thebom (Barbieri only did the premiere). One of the 1944 performances at the minimum should be played, and my memory is that the Cigna is also available in decent sound. Sirius has not rebroadcast the 1982 Norma with Negri (making her house debut on the broadcast) where she replaced Scotto. Would like to hear this again.
ADRIANA LECOUVREUR:Cilea
Original Air Date: 02/11/1978
López-Cobos; Caballé, Carreras, Cossotto, Quilico
MOD Audio SID.18420747
“I’m not a special fan of Adriana, and like it best when the title role is a specialist like Olivero whom I saw in Hartford and Newark; the aircheck from Naples is the one to get with Simionato, Corelli, and Bastianini. There are 3 MOoD versions starting with the Caballe above, very solid, but a bit bland, a Scotto/Shicoff/Cortez performance from 1983 is a good late career effort from her (her commercial under Levine with Domingo and Obratzsova is better) but the most recent MOoD features 2009 Domingo in his only Met matinee broadcast with Guleghina,and Borodina. Much too late for Domingo who debuted at the Met 4 decades earlier. Unlike Adriana, Maurizio is not a mid-range role.” (RWW)
TANNHÄUSER:Wagner
Original Air Date: 01/24/1987
Levine; Cassilly, Norman, Randová, Hagegård, Rootering
MOD Audio SID.18420749
NOTE: Levine has three broadcasts after these in October 2015 (8,19,27) with Westbroek, DeYoung, Botha, Mattei, Groissbock
RWW: Amazingly, this is Levine’s last broadcast Tannhauser. A run of performances 10 years later with Sharon Sweet, Jon Frederic West, and Bryn Terfel was prior to the broadcast season (I saw one of these terrific performances) are his final Met appearances in the opera to date. Tannhauser remains one of Levine’s highest totalsat 62, but none since 1997, and none broadcast since this 1987, but I also think it’s one of his best efforts and Norman presents a beautiful, if unconventional Elisabeth, and the orchestra and chorus are on top form. This performance is in MOoD and highly recommended on Sirius this week as well.
For my money although Tannhauser does not have as much great music as Lohengrin, the Paris/Vienna revisions make Tannhauser a bit more exciting in the theatre. This performance is available on Met Player and is Levine’s most recent in theatre broadcast. Levine does have a wonderful run in 1997 with Jon Frederic West, Terfel and Sweet , but that run was not on the matinee broadcasts (in the current environment we would get to hear this cast.) Levine’s strong conducting, and Jessye Norman’s Elisabeth (not commercially recorded) are the most distinctive features.
LA FANCIULLA DEL WEST : Puccini
Armiliato; Westbroek, Kaufmann, Bosi, Lucic, Simpson, Rose, Gradus
Live Broadcast on SIRIUSXM
PROGRAM Synopsis
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West. Tenor Yusif Eyvazov portrays Dick Johnson for opening night (Oct 4, 8, 12) Jonas Kaufmann returns to the MET for performances on Oct 17, 20, 23, and 27. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
NYTimes Review: Jonas Kaufmann, Back at the Met, Is Good, Not Great
BWWReview: Kaufmann Returns to the Met with a ‘Heigh-ho Silver’ in Puccini’s FANCIULLA DEL WEST
Live Broadcast SID.18430214 
TOSCA:Puccini
Original Air Date: 10/25/2018
Rizzi; Radvanovsky, Calleja, Koch, Carfizzi
SID.18430428
Live Broadcast * Program
Met favorite Sondra Radvanovsky and rising star Jennifer Rowley share the title role of the volatile diva at the heart of Puccini’s operatic thriller. Joseph Calleja brings his stylish tenor to the role of Cavaradossi, and Wolfgang Koch and Claudio Sgura share the role of the nefarious police chief Scarpia. Carlo Rizzi conducts Sir David McVicar’s resplendent production.
Production a gift of Jacqueline Desmarais, in memory of Paul G. Desmarais Sr; The Paiko Foundation; and Dr. Elena Prokupets, in memory of her late husband, Rudy Prokupets
Major funding from Rolex
Revival a gift of NPD Group, Inc.
CARMEN:Bizet
Original Air Date: 10/30/2018
Wellber; Yu, Margaine, Lee, Ketelsen
SID.18440214
Live Broadcast * PROGRAM
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.
Production a gift of Mrs. Paul Desmarais Sr.
TOSCA:Puccini
Original Air Date: 11/02/2018
Rizzi; Radvanovsky, Calleja, Koch, Carfizzi
Live Broadcast SID.18440535
Wagner
Original Air Date: 03/02/1957
Stiedry; Harshaw, Windgassen, Böhme, Uhde, Schech, Madeira
MOD Audio SID.18450101
Donizetti
Original Air Date: 12/05/1964
Varviso; Sutherland; Kónya, Herlea, Giaiotti
MOD Audio SID.18450102
Mozart
Original Air Date: 12/09/2006
Levine; van Rensburg, Röschmann, Deshorties, Kozená. Francis
MOD Audio SID.18450103
Tchaikovsky
Original Air Date: 04/10/1999
Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
MOD AudioMOD Video SID.18450104
Verdi
Original Air Date: 04/04/1959
Cleva; Gari, Rysanek, Merrill, Thebom, Hines, Uhde
MOD Audio SID.18450105
Verdi
Original Air Date: 12/19/1987
Bonynge; Pavarotti, Sutherland, Verrett, Nucci, De Grandis
MOD Audio SID.18450208
Wagner
Original Air Date: 12/02/1944
Szell; Traubel, Janssen, Bampton, Melchior, Thorborg, Kipnis
MOD Audio SID.18450212
Mozart
Original Air Date: 03/04/1967
Krips; Raskin, Shirley, Uppman, Peters, Macurdy
MOD Audio SID.18450214
Donizetti
Original Air Date: 12/05/1964
Varviso; Sutherland; Kónya, Herlea, Giaiotti
MOD Audio SID.18450319
MARNIE : Nico Muhly
Original Air Date: 11/07/2018
Cast: Spano; Leonard, Kelly, Graves, Davies, Maltman
Media: Live Broadcast SID.
Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.
Music by Nico Muhly, libretto by Nicholas Wright, based on the novel by Winston Graham
Commissioned by the Metropolitan Opera
A co-production of the Metropolitan Opera and English National Opera
By special arrangement with Universal Pictures
Tchaikovsky
Original Air Date: 04/10/1999
Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
MOD AudioMOD Video SID.18450423
Verdi
Original Air Date: 12/19/1987
Bonynge; Pavarotti, Sutherland, Verrett, Nucci, De Grandis
MOD Audio SID.18450425
MEFISTOFELE : Boito
Original Air Date: 11/08/2018
Cast: Rizzi; Meade, Fabiano, Van Horn, Check
SID.18450000
* Live Broadcast * Program
The spectacular Robert Carsen production returns to the Met for the first time since 2000, with bass-baritone Christian Van Horn as the diabolical title character, tenor Michael Fabiano as Faust, and soprano Angela Meade as Margherita. Mefistofele is the celebrated and only completed opera by Arrigo Boito—who famously collaborated with Verdi on the libretti for Otello and Falstaff.
Production co-owned by the Metropolitan Opera and San Francisco
OperaProduction a gift of Mr. and Mrs. Julian H. Robertson, Jr. and Mrs. and
Mrs. Wilmer J. Thomas, Jr.
Additional funding by the Rose and Robert Edelman Foundation, Inc.
Verdi
Original Air Date: 04/04/1959
Cleva; Gari, Rysanek, Merrill, Thebom, Hines, Uhde
MOD Audio SID.18450529