PARSIFAL:Wagner
Original Air Date: 04/12/2003
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
MOD Audio SID.19210425
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
STIFFELIO:Verdi
Original Air Date: 03/05/1994
Levine; Domingo, Sweet, Chernov, Plishka, Riberi
SID.19210427
Stiffelio was a Met premiere in 1993, and it was telecast and later reissued on DVD. The video is from the fall series of performances (11/13/1993) which is also on MOoD. This broadcast is from the brief spring series later that season. Stiffelio is a good part for Domingo (and would have been a great one for Vickers). Chernov was still promising at the time of this broadcast, but his two successors in the part, Fu and Dobber show how weak the baritone ranks are.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Original Air Date: 04/04/1953
Erede; Milanov, Baum, Valentino / Rigal, Del Monaco, Silveri
MOD Audio SID.19210428
This performance is most notable for Del Monaco’s relatively early Canio. The role is his farewell 6 years later in 1959. The 1959 broadcast should be added to the Sirius rotation / MOoD because it features Mitropoulos in the pit, but also Warren in one of his greatest roles. Warren’s previous broadcast Tonio was 1951.
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I VESPRI SICILIANI:Verdi
Original Air Date: 03/20/1982
Levine; Scotto, Ochman, Elvira, Raimondi
MOD Audio SID.19210529
Scotto could be an interesting singer in this music, but not by 1982–simply too much Lady Macbeth and Gioconda, among other things. I didn’t see her in 1974 which many people still rave about. 1974’s Arrigo was Domingo who had opened the season with Deutekom. Domingo never does the part after that 1974 run (he’s not in the spring 1975 broadcast)– it is among Verdi’s most challenging tenor assignments. Ochman is best described as earnest. Pablo Elvira was too little heard at the Met, and died prematurely. The broadcast mikes probably give him an extra volume boost, but he has nice Verdian style. Raimondi is never a favorite of mine, but Procida is one of the great Verdian bass roles– listen to Christoff with Callas (not from the Met). Siepi never did Procida at the Met and his omission from the Met premiere was part of his departure from the Met in April 1973.
DON CARLO:Verdi
Original Air Date: 03/07/1964
Adler; Corelli, Rysanek, Herlea, Dalis, Tozzi, Uhde
MOD Audio SID.19210530
This performance is in the Sony Historical CD series. Corelli is the centerpiece, but he despite being in thrilling voice, is a bit of a mess. Rysanek has her moments, some very good, some not so good. Herlea is a successful debutant as Rodrigo, and Dalis a distinctive Eboli. The great Met Ebolis are shortly to arrive with Bumbry, Cossotto, Verrett and Zajick. This performance is heavily cut and Tozzi shows signs that his voice is no longer in prime condition, but one of the most beautiful voices ever in that prime.
Araiza is an interesting figure. Moving on to Walther in Meistersinger was a mistake, but I never found his Mozart as good as his countryman, Ramon Vargas. Karajan picked him for his Tamino, but I just don’t hear much that is special and this was his Met debut season.
Levy
Original Air Date: 04/01/1967
Mehta; Lear, Reardon, Collier, Milnes, Macurdy
SID.19210532
“Although the music is mostly just serviceable, it was a thrilling evening in the theatre, and I’ve listened to this broadcast several times in Sirius rotation. The Met left nothing to chance in their casting and production. Every part was cast to perfection, and the production by Michael Cacoyannis was more successful than my few attempts when seeing the O’Neill original on which it is based.”
IL TROVATORE:Verdi
Original Air Date: 01/13/2001
Rizzi; Shicoff, Mescheriakova, Zajick, Frontali, Kavrakos
SID.19210533
Though Zajick does her best, she is almost completely wasted with this cast. This was possibly Volpe’s most disastrous new production.
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Various:Various
Original Air Date: 01/01/9999
Various Artists
SID.19210534
Various selections between scheduled operas. Siriusxm Radio and web player will show the Composer and Title.
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IL BARBIERE DI SIVIGLIA:Rossini
Original Air Date: 03/13/1982
Davis; Workman, Battle, Blake, Capecchi, Montarsolo
MOD Audio SID.19210636
The Met Database shows this as previously rebroadcast on Sirius, but not recently. The plus is relatively early Battle performance, but she also has a 1988 telecast reissued on commercial DG DVD (still available per Amazon). The difference between William Workman and Leo Nucci on the DVD is considerable. I was surprised that this telecast is not in MOoD. In fact, the two videos there are the excellent DiDonato, Florez, Mattei performance rom the first season of Met LIve in HD, and the second last season’s Barbiere with Isabel Leonard, Brownlee, and Maltman. Surely this 1988 performance needs to be in MOoD.
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STIFFELIO:Verdi
Original Air Date: 03/05/1994
Levine; Domingo, Sweet, Chernov, Plishka, Riberi
SID.19210637
Stiffelio was a Met premiere in 1993, and it was telecast and later reissued on DVD. The video is from the fall series of performances (11/13/1993) which is also on MOoD. This broadcast is from the brief spring series later that season. Stiffelio is a good part for Domingo (and would have been a great one for Vickers). Chernov was still promising at the time of this broadcast, but his two successors in the part, Fu and Dobber show how weak the baritone ranks are.
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ELEKTRA:Strauss
Original Air Date: 01/10/1976
Hollreiser; Schröder-Feinen, Knie, Varnay, Dooley, Nagy
SID.19210638
This is Schroder-Feinen’s first of 3 Met Elektras this season, though Hollreiser had begun the season with Mastilovic in the title role. Varnay was a constant in all performances. I never had the pleasure of seeing Schroder-Feinen, but this is one of her very best performances. Knie is in her Met debut. Highly recommended. I should also recommend this for MOoD as there is NO representation of the Varnay Klytemnestra there.
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I VESPRI SICILIANI:Verdi
Original Air Date: 03/20/1982
Levine; Scotto, Ochman, Elvira, Raimondi
MOD Audio SID.19210639
Scotto could be an interesting singer in this music, but not by 1982–simply too much Lady Macbeth and Gioconda, among other things. I didn’t see her in 1974 which many people still rave about. 1974’s Arrigo was Domingo who had opened the season with Deutekom. Domingo never does the part after that 1974 run (he’s not in the spring 1975 broadcast)– it is among Verdi’s most challenging tenor assignments. Ochman is best described as earnest. Pablo Elvira was too little heard at the Met, and died prematurely. The broadcast mikes probably give him an extra volume boost, but he has nice Verdian style. Raimondi is never a favorite of mine, but Procida is one of the great Verdian bass roles– listen to Christoff with Callas (not from the Met). Siepi never did Procida at the Met and his omission from the Met premiere was part of his departure from the Met in April 1973.
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COSÌ FAN TUTTE:Mozart
Original Air Date: 12/07/1991
Hager; Vaness, Lopardo, Ziegler, Cowan, Upshaw, Feller
SID.19210640
Vaness is the champion Fiordiligi at the Met with 44 performances (Steber, the number 2 only has 29). She deserves her top place because in an era of very fine Mozart singers, her assumption ranked with the best. I always find the Vaness tone a little less individual than a Steber, a Lorengar, Te Kanawa, or Fleming, but all the pieces really come together for her. I’m not sure one does not do better in terms of overall casting with one of the other Vaness broadcasts or the telecast (with Bartoli as Despina ) which is available in MOoD.
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PARSIFAL:Wagner
Original Air Date: 04/12/2003
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
MOD Audio SID.19210641
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
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TOSCA:Puccini
Original Air Date: 01/06/1979
Conlon; Verrett, Pavarotti, MacNeil
MOD Audio SID.19210743
This performance has the same three leads as the telecast from a few weeks earlier– Tajo replaces Corena as the Sacristan. The video is of greater interest because there are relatively few complete performances on video with Verrett, and while the broadcast is OK, her voice qua voice was not an ideal Puccini instrument. Both performances appear in Met Opera on Demand (MOoD) and the video is also available for commercial DVD purchase. The DVD features a discussion between Gobbi (the stage director) and MacNeil about Scarpia; there is also a bonus of Pavarotti and Verrett rehearsing with Conlon. One of the better Tosca broadcasts in the new house.
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CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Original Air Date: 04/04/1953
Erede; Milanov, Baum, Valentino / Rigal, Del Monaco, Silveri
MOD Audio SID.19210744
This performance is most notable for Del Monaco’s relatively early Canio. The role is his farewell 6 years later in 1959. The 1959 broadcast should be added to the Sirius rotation / MOoD because it features Mitropoulos in the pit, but also Warren in one of his greatest roles. Warren’s previous broadcast Tonio was 1951.
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I VESPRI SICILIANI:Verdi
Original Air Date: 03/20/1982
Levine; Scotto, Ochman, Elvira, Raimondi
MOD Audio SID.19210745
Scotto could be an interesting singer in this music, but not by 1982–simply too much Lady Macbeth and Gioconda, among other things. I didn’t see her in 1974 which many people still rave about. 1974’s Arrigo was Domingo who had opened the season with Deutekom. Domingo never does the part after that 1974 run (he’s not in the spring 1975 broadcast)– it is among Verdi’s most challenging tenor assignments. Ochman is best described as earnest. Pablo Elvira was too little heard at the Met, and died prematurely. The broadcast mikes probably give him an extra volume boost, but he has nice Verdian style. Raimondi is never a favorite of mine, but Procida is one of the great Verdian bass roles– listen to Christoff with Callas (not from the Met). Siepi never did Procida at the Met and his omission from the Met premiere was part of his departure from the Met in April 1973.
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GIULIO CESARE:Handel
Original Air Date: 04/21/2007
Bicket; Daniels, Swenson, Coote, Bardon, Zazzo
MOD Audio SID.19210746
Bicket knows this turf well, but a countertenor Caesar doesn’t work for me, but the whole of the work is tough going for me. I leave it for others to comment. I’m not good with Caesar in the hands of a countertenor. The cast is solid, but I’m not a Handelian so caveat auditor. Handel is not my specialty, but Bicket gets consistently good notices for his handling of Baroque operas. Cesare is notable for a number of lovely arias for Cleopatra (and one of Sills’ calling card roles.)
Araiza is an interesting figure. Moving on to Walther in Meistersinger was a mistake, but I never found his Mozart as good as his countryman, Ramon Vargas. Karajan picked him for his Tamino, but I just don’t hear much that is special and this was his Met debut season.
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TOSCA:Puccini
Original Air Date: 01/06/1979
Conlon; Verrett, Pavarotti, MacNeil
MOD Audio SID.19210748
This performance has the same three leads as the telecast from a few weeks earlier– Tajo replaces Corena as the Sacristan. The video is of greater interest because there are relatively few complete performances on video with Verrett, and while the broadcast is OK, her voice qua voice was not an ideal Puccini instrument. Both performances appear in Met Opera on Demand (MOoD) and the video is also available for commercial DVD purchase. The DVD features a discussion between Gobbi (the stage director) and MacNeil about Scarpia; there is also a bonus of Pavarotti and Verrett rehearsing with Conlon. One of the better Tosca broadcasts in the new house.
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STIFFELIO:Verdi
Original Air Date: 03/05/1994
Levine; Domingo, Sweet, Chernov, Plishka, Riberi
SID.19210749
Stiffelio was a Met premiere in 1993, and it was telecast and later reissued on DVD. The video is from the fall series of performances (11/13/1993) which is also on MOoD. This broadcast is from the brief spring series later that season. Stiffelio is a good part for Domingo (and would have been a great one for Vickers). Chernov was still promising at the time of this broadcast, but his two successors in the part, Fu and Dobber show how weak the baritone ranks are.
MOURNING BECOMES ELECTRA:Levy
Original Air Date: 04/01/1967
Mehta; Lear, Reardon, Collier, Milnes, Macurdy
SID.19220101
Although the music is mostly just serviceable, it was a thrilling evening in the theatre, and I’ve listened to this broadcast several times in Sirius rotation. The Met left nothing to chance in their casting and production. Every part was cast to perfection, and the production by Michael Cacoyannis was more successful than my few attempts when seeing the O’Neill original on which it is based.
SIMON BOCCANEGRA:Verdi
Original Air Date: 04/02/1960
Mitropoulos; Guarrera, Milanov, Bergonzi, Tozzi, Flagello
SID.19220317
This is the production that premiered with Warren a month earlier and he died the week following the premiere onstage in Forza. Guarrera who was not intended by nature as Simon does a fine job of characterization. Flagello is the most splendid Paolo you’ll ever hear, and this is Bergonzi’s only round of Gabrieles. This is Mitropoulos’ penultimate broadcast, Butterfly coming two weeks later. What great work came from his hand in the late 1950s.
LA FAVORITA:Donizetti
Original Air Date: 03/11/1978
López-Cobos; Verrett, Pavarotti, Milnes, Giaiotti
SID.19220318
This is a very fully sung performance. I remember better Leonora de Guzmans from Verrett (Dallas about 1971 and a sizzling concert performance at Carnegie with Kraus some years earlier), but this cast gives all they have. Still, this is a zingy performance and one will not be bored. It’s on Met On Demand as well. This remains the only broadcast of Favorita, and it is a shame that it has now been out of the Met repertory for more than three decades. Zajick for one made a great success with the part in Spain. The opera is more easily cast than Puritani. Milnes is far from my favorite baritone, but this performance has all singers well up to the mark with plenty of energy from all.
LA CENERENTOLA:Rossini
Original Air Date: 03/11/2000
Campanella; Larmore, Giménez, Alaimo, Corbelli
MOD Audio SID.19220319
This is Larmore’s second Angelina broadcast (the first was 1998 with Levine conducting). Corbelli is the Dandini, and Alaimo the Magnifico. Eight years later Corbelli moves down to Magnifico. A little of this opera goes a long way with me.
DIE ZAUBERFLÖTE:Mozart
Original Air Date: 02/09/1991
Levine; Battle, Araiza, Hemm, Serra, Moll
SID.19220320
This is the simultaneous broadcast/telecast of the new David Hockney production (based on a Glyndebourne original). The video has been on DVD also. Serra’s tone is a bit white, but very accurate, and the overall casting is of high quality.
ROMÉO ET JULIETTE:Gounod
Original Air Date: 01/25/1986
Cambreling; Shicoff, Malfitano, Plishka, Harris, Schexnayder
SID.19220321
Malfitano and Shicoff make for a good pairing, and this is the first appearance of Juliet’s “Potion”aria which is now quite standard.
CARMEN:Bizet
Original Air Date: 02/16/1952
Reiner; Stevens, Tucker, Conner, Silveri
MOD Audio SID.19220422
My operagoing just missed Stevens , but I saw Tucker many times. The special attraction is the work of Reiner, and he is definitely worth hearing in live performance. Silveri is not my ideal as Escamillo, but only Merrill (beauty of voice) and van Dam (style AND voice) regularly please me in this deceptively difficult part. The RCA recording made shortly after the opening of this production with Met forces substitutes Peerce for Tucker (because of RT’s exclusive Columbia contract), Albanese for Conner and Merrill for Silveri.
UN BALLO IN MASCHERA:Verdi
Original Air Date: 02/28/1959
Schippers; Stella, Hurley, Madeira, Peerce, Merrill
MOD Audio SID.19220423
I saw Antonietta Stella in this part on November 23, 1963 in Dallas with Di Stefano, Sereni, Berini, and Guglielmi; it was originally scheduled for the 22nd but postponed because of the JFK assassination the day before. I did not see her again until (and last time) in Philadelphia in 1974 in a Puccini gala in Philadelphia celebrating the 50th anniversary of Puccini’s death when she did the 4th Act of Manon Lescaut. The gala also featured Bergonzi and Scotto in Act 1 of Butterfly and with Mastilovic added, Acts 2 & 3 of Turandot– to my knowledge the only stage Turandot appearances for Bergonzi and Scotto. Back to Ballo. Peerce’s association with Ballo goes back to the 1940s and he also is on Toscanini’s broadcast with Merrill and Nelli. This performance is better than OK, but not one of the great ones such as the Milanov Bjorling from 1940 and Price Bergonzi from 1966, both on MOoD. This performance was rotated with more regularity early on the Sirius service. Peerce is not my favorite tone in Riccardo, but the overall cast is in good representative form.