TRISTAN UND ISOLDE:Wagner
Barenboim; Lehman, Dalayman, DeYoung, Youn, Grochowski
Original Air Date: 12/06/2008
MOD Audio
SID.20130211
RWW: Celebrated Wagnerian conductor Daniel Barenboim made his Met debut with this production of one of opera’s greatest dramas. Gary Lehman and Katarina Dalayman are the legendary title characters in this searing story of love and destiny. Kwangchul Youn sings King Marke, the betrayed monarch whose understanding and forgiveness comes too late to save the lovers’ life. Michelle DeYoung is Isolde’s servant Brangäne and Gerd Grochowski sings Kurwenal, Tristan’s faithful companion. I’ve enjoyed Dalayman in other Wagner roles, and Barenboim in his Tristans from Bayreuth and La Scala, but my memories just didn’t show this hanging together as well. I’ll be listening again via MOoD as well.. We are finally starting to have Gelb era broadcasts in the rotation and it is good to be able to hear some new views.
Puccini
Erede; Albanese, Di Stefano, Güden, Guarrera, Siepi
Original Air Date: 03/15/1952
MOD Audio
SID.20130212
RWW: This is really quite a strong Italianate cast (Guden excepted) with Albanese, Di Stefano, and Siepi all justly famous.
LA GIOCONDA:Ponchielli
Cleva; Farrell, Corelli, Merrill, Rankin, Tozzi
Original Air Date: 03/31/1962
SID.20130213
RWW: Here is why I love the current Sirius service for Met repertory : The fall performances went unbroadcast. This 19700/71 Hoffmann was divided between a fall group with Grist, Elias, and Lorengar in the three ladies and the spring offering was Boky, Crespin, and Amara. The excellent Gedda and Bacquier were in both parts of the revival. I saw one of the fall performances and Grist and Lorengar were excellent. The broadcast does not come until spring, and much as Ilove Crespin as an artist, her Giulietta while visually dazzling was one rocky ride on the Venetian canal. Amara sang a solid Antonia, but her tone never had the luster of a Lorengar. Boky I found similarly lacking compared to Grist. Baudo is no Julius Rudel (among the best conductors I’ve ever heard for Hoffmann) or Chailly, let alone Monteux who originated the production in 1955. What should be mentioned is the strong supporting cast including von Stade as Nicklausse , Velis in the 4 comic tenor parts, and Paul Franke as an inimitable Spalanzani.
I VESPRI SICILIANI:Verdi
Levine; Caballé, Gedda, Milnes, Díaz
Original Air Date: 03/09/1974
MOD Audio
SID.20130214
RWW: This is a performance where the whole is greater than the sum of its parts. If Caballe does not have every note in place, she is still very near the top of her considerable form, and the ensemble reflects the new production intensity and first appearance of a major Verdi opera in the Met repertory. Gedda has the most performances of Arrigo, the challenging tenor role. Tucker was scheduled for a run (including broadcast) the year he died, but none of the hearty tenors of the past had the right timing– no Corelli, Bergonzi, and only five for Domingo, and he was gone. This performance is available in Met Opera on Demand (MOoD) and is a strong performance.
DAS RHEINGOLD:Wagner
Levine; Terfel, Croft, Owens, Blythe
Original Air Date: 10/09/2010
Live in HD
SID.20130215
IDOMENEO:Mozart
Levine; Lewis, Valente, Behrens, von Stade, Alexander
Original Air Date: 01/15/1983
SID.20130216
RWW: This is the first of two Valente Ilia broadcasts, and she is excellent. Behrens’ Elettra is not to my taste. Both Vaness and Studer are much more to my liking. Levine does very fine work here and deserves credit for solidly putting this work in the Met repertory. Valente is under-represented on MOoD (only Nanetta in Falstaff) and still catches the ensemble in its first year of the new production.RWW: This is the first of two Valente Ilia broadcasts, and she is excellent. Behrens’ Elettra is not to my taste. Both Vaness and Studer are much more to my liking. Levine does very fine work here and deserves credit for solidly putting this work in the Met repertory. Valente is under-represented on MOoD (only Nanetta in Falstaff) and still catches the ensemble in its first year of the new production.
DON PASQUALE:Donizetti
Varviso; Corena, Peters, Alva, Guarrera
Original Air Date: 01/09/1965
MOD Audio
SID.20130317
RWW: For me the stars of this broadcast are the matchless Corena and Peruvian tenor Luigi Alva. Alva is still with us and remains much beloved in his home country as well. In terms of style and stage presence, Alva yielded nothing to his more famous successors as Ernesto Alfredo Kraus and fellow Peruvian Juan Diego Florez. Corena shows up again five years later with Reri Grist and Kraus under Carlo Franci. Luckily both performances are in MOoD.
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MIGNON:Thomas
Pelletier; Stevens, Melton, Benzell, Pinza
Original Air Date: 01/27/1945
MOD Audio
SID.20130318
RWW: There are some great tunes in Mignon but I find the opera doesn’t hold up well — I saw it staged in Dallas with Horne (1974), and it was a LONG evening. Pinza is very fine here. Mignon’s last broadcast appearance is three years later with Marilyn Cotlow as Philine which is more than 6 decades ago. That Mignon farewell has not been on Sirius.
DIE WALKÜRE:Wagner
Levine; Voigt, Westbroek, Blythe, Kaufmann, Terfel, Konig
Original Air Date: 05/14/2011 Live in HD
SID.20130323
Brünnhilde…………..Deborah Voigt
Siegmund…………….Jonas Kaufmann
Sieglinde……………Eva-Maria Westbroek
Wotan……………….Bryn Terfel
Fricka………………Stephanie Blythe
Hunding……………..Hans-Peter König
Gerhilde…………….Kelly Cae Hogan
Grimgerde……………Mary Ann McCormick
Helmwige…………….Molly Fillmore
Ortlinde…………….Wendy Bryn Harmer
Rossweisse…………..Lindsay Ammann
Schwertleite…………Mary Phillips
Siegrune…………….Eve Gigliotti
Waltraute……………Marjorie Elinor Dix
Conductor……………James Levine
Production…………..Robert Lepage
Associate Director……Neilson Vignola
Set Designer…………Carl Fillion
Costume Designer……..François St-Aubin
Lighting Designer…….Etienne Boucher
Video Image Artist……Boris Firquet
TV Director………….Gary Halvorson

SIEGFRIED:Wagner
Luisi; Voigt, Bardon, Erdmann, Hunter Morris, Siegel, Owens, Konig, Terfel
Original Air Date: 11/05/2011 Live in HD
SID.20130432
Production Photos
Read RWWs review
Siegfried……………Jay Hunter Morris
Brünnhilde…………..Deborah Voigt
Wanderer…………….Bryn Terfel
Erda………………..Patricia Bardon
Mime………………..Gerhard Siegel
Alberich…………….Eric Owens
Fafner………………Hans-Peter König
Forest Bird………….Mojca Erdmann
Stage Horn Solo: Erik Ralske
Conductor……………Fabio Luisi
Production…………..Robert Lepage
Associate Director……Neilson Vignola
Set designer…………Carl Fillion
Costume designer……..François St-Aubin
Lighting designer…….Etienne Boucher
Video Image Artist……Pedro Pires
TV Director………….Gary Halvorson

GÖTTERDÄMMERUNG:Wagner
Luisi; Voigt, Harmer, Meier, Hunter Morris, Owens, Paterson, Konig
Original Air Date: 02/11/2012 Live in HD
SID.20130540
Brünnhilde…………..Deborah Voigt
Siegfried……………Jay Hunter Morris
Gunther……………..Iain Paterson
Gutrune……………..Wendy Bryn Harmer
Hagen……………….Hans-Peter König
Waltraute……………Waltraud Meier
Alberich…………….Eric Owens
First Norn…………..Maria Radner
Second Norn………….Elizabeth Bishop
Third Norn…………..Heidi Melton
Woglinde…………….Erin Morley
Wellgunde……………Jennifer Johnson Cano
Flosshilde…………..Tamara Mumford
Stage Horn solo: Erik Ralske
Conductor……………Fabio Luisi
Production…………..Robert Lepage
Associate Director……Neilson Vignola
Set designer…………Carl Fillion
Costume designer……..François St-Aubin
Lighting designer…….Etienne Boucher
Video Image Artist……Lionel Arnould
TV Director………….Gary Halvorson
DIE MEISTERSINGER VON NÜRNBERG:Wagner
Levine; Dasch, Cargill, Appleby, Martin Kranzle, Botha, Konig, Volle
Original Air Date: 12/13/2014 Live in HD
SID.20130648
NY Times Tommasini review. This was the last run of the Schenk traditional production (premiered 1993) New production by Herheim was originally scheduled for 19-20 season.
Hans Sachs…………..Michael Volle
Eva…………………Annette Dasch
Walther von Stolzing….Johan Botha
Magdalene……………Karen Cargill
David……………….Paul Appleby
Beckmesser…………..Johannes Martin Kränzle
Pogner………………Hans-Peter König
Kothner……………..Martin Gantner
Vogelgesang………….Benjamin Bliss
Nachtigall…………..John Moore
Ortel……………….David Crawford
Zorn………………..David Cangelosi
Moser……………….Noah Baetge
Eisslinger…………..Tony Stevenson
Foltz……………….Brian Kontes
Schwarz……………..Ricardo Lugo
Night Watchman……….Matthew Rose
Conductor……………James Levine
Production…………..Otto Schenk
Set Designer…………Günther Schneider-Siemssen
Costume Designer……..Rolf Langenfass
Lighting Designer…….Gil Wechsler
Stage Director……….Paula Suozzi
Choreography…………Carmen De Lavallade
TV Director………….Matthew Diamond
TANNHÄUSER:Wagner
Levine; Botha, Westbroek, DeYoung, Mattei, Groissbock*
Original Air Date: 10/31/2015 Live in HD
SID.20130756
Tannhäuser…………..Johan Botha
Elisabeth……………Eva-Maria Westbroek
Wolfram……………..Peter Mattei
Venus……………….Michelle DeYoung
Hermann……………..Günther Groissböck
Walther……………..Noah Baetge
Heinrich…………….Adam Klein
Biterolf…………….Ryan McKinny
Reinmar……………..Ricardo Lugo
Shepherd…………….Ying Fang
Pages: Daniel Katzman, Connor Tsui, Michael Graham, Thomas White, Ruby Gilmore, Emma Kramer, Andre Gulick, Brandon Harnett
Three Graces: Marybeth Hansohn, Ana Luiza Luizi, Sarah Weber Gallo
Conductor……………James Levine
Production…………..Otto Schenk
Set designer…………Günther Schneider-Siemssen
Costume designer……..Patricia Zipprodt
Lighting designer…….Gil Wechsler
Choreographer………..Norbert Vesak
Stage Director……….Stephen Pickover
TV Director………….Barbara Willis Sweete
TANNHÄUSER:Wagner
Rosenstock; Nuoti, Nilsson, Stewart, Macurdy
Original Air Date: 03/26/1966
SID.20140102
Originally the title role was to have been taken by Windgassen, but he cancelled his run a week before the performances. Nilsson does both Elisabeth and Venus (scheduled as such) and this 1966 revival is the last time the Dresden version of Tannhauser has been heard at the Met; the Dresden had only come in the 1954 new production under Szell. Another Hungarian, Georg Solti had brought the Paris version back to the Met in the 1960 revival, and when Levine did a new production in 1977, Paris became the house standard for choice of versions. Nuotio was not much more than a placeholder, and I think the Met had better repetiteurs than Rosenstock so overall this run doesn’t have much to recommend itself except Nilsson’s generous voicing of both roles, and Thomas Stewart’s Wolfram in his debut Met season.
LA BOHÈME:Puccini
Gaffigan; Car, Blue, Grigolo, Dupuis, Luciano, Rose, Maxwell
Original Air Date: 09/25/2018
SID.20140103
Puccini’s timeless masterpiece of love and loss features two casts of young stars. Sopranos Nicole Car (in her highly anticipated Met debut) and Ailyn Pérez share the role of the ill-fated Mimì, opposite tenors Vittorio Grigolo and Michael Fabiano as the ardent poet Rodolfo. After a celebrated Met debut as Mimì in 2017, Angel Blue returns as the spitfire Musetta, and Etienne Dupuis (in his Met debut) and Lucas Meachem share the role of Marcello. James Gaffigan conducts.
IL TROVATORE:Verdi
Rudolf; Baum, Stella, Madeira, Merrill, Moscona
Original Air Date: 03/16/1957
SID.20140104
This is a performance well worth hearing. Stella and Merrill are blessed with two of the richest voices ever to be before the public and both are in their absolute prime. I don’t much care for Baum, but for some he is more listenable. He is the Manrico most frequently encountered in the 40s and 50s. This is his 6th and last broadcast Trovatore (only Martinelli exceeds Baum’s 60 Manricos with 69). Madeira is tied with Mignon Dunn for 4th (Homer, Zajick, and Cossotto are #1-3). Her voice is a real alt, so the end of the opera is a bit beyond her. The conductor Max Rudolf was “head of music staff” in this period and just as his Butterfly recording with Steber and Tucker is quite tidy, so is this Trovatore. Take a listen to this performance and see how you think it ranks with this season’s Trovatore.
LA SONNAMBULA:Bellini
Varviso; Sutherland, Gedda, Flagello, Scovotti
Original Air Date: 03/30/1963
SID.20140105
This is stellar singing from one and all, and is available along with her second Met Sonnambula broadcast from 1968 in MOoD. I was lucky to see Sutherland from her very first USA appearance in Alcina (Dallas,1960) and lucky was I to enjoy such stellar performing for more than a quarter century. Other singers may have a more introspective approach to Sonnambula, but La Stupenda offers something different, and nowhere to be found in opera houses today.
CARMEN:Bizet
Pelletier; Djanel, Jobin, Albanese, Valentino
Original Air Date: 03/24/1945
SID.20140106
I don’t remember this as well as Albanese’s earlier Micaela with Swarthout which is available on Met Player. We don’t get many broadcasts from the 1940s (this is not new to Sirius, but not played all that often). I wish that instead of the Micaela, MetRadio had programmed the 1941 Faust Beecham ;Jobin, Albanese, Pinza, Thomas,Browning
DIALOGUES DES CARMÉLITES:Poulenc
Nézet-Séguin; Leonard, Pieczonka, Morley, Cargill, Mattila, Portillo, Croft
Original Air Date: 05/11/2019
Live in HDMOD Video
SID.20140107
OTELLO:Verdi
Cleva; Del Monaco, de los Angeles, Warren, Franke
Original Air Date: 03/08/1958
MOD Audio
SID.20140208
This is a splendid performance, and should also note the number of fine Otellos which have not been on Sirius, including but not limited to the the 3 1940s Otellos with Stella Roman, Tebaldi’s two Desdemonas from 1955 and 1958 (the 1955 is uncommon on the private market, and the 1958 never seen, even the 1958 from La Scala with the same trio– Tebaldi, Del Monaco, Warren is not that common and the 1963 Tucci, McCracken , Merrill with Solti have all been missed by Sirius. Really too many omissions for relatively recent performances. Also the Bohm (his only Verdi at the Met) from April 1972
DER FLIEGENDE HOLLÄNDER:Wagner
Gergiev; Morris, Stemme, Wagenführer, Rootering, Grove, Polenzani
Original Air Date: 12/16/2000
MOD Audio
SID.20140209
The Met for almost two decades led a charmed life with most Dutchman revivals centered on Leonie Rysanek as Senta, and for the first decade George London as the Dutchman. This performance was an early appearance by Nina Stemme at the Met, long before her acclaimed Brunnhildes around the world in the last 5 years. People were not thinking of her as a future Brunnhilde in 2000, and an important appearance in 2016 as Elektra in a new production.
LES TROYENS:Berlioz
Levine; Norman, Sooter, Monk, Taillon, Plishka, Ahlstedt
Original Air Date: 02/18/1984
MOD Audio
SID.20000210
Norman repeated Verrett’s double assumption on this broadcast (Verrett’s was for the opening of the production in 1973 when Ludwig was indisposed–I was there, quite an evening). I rather prefer Norman’s Didon to her Cassandre, but this broadcast now takes its place in MOoD. Enee is close to an impossible part, but Sooter is no worse than Ronald Dowd was in Boston for Caldwell.
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SIMON BOCCANEGRA:Verdi
Stiedry; Warren, Varnay, Tucker, Székely, Valdengo
Original Air Date: 01/28/1950
MOD Audio
SID.20140211
Reissued on Sony Classical in the Met’s Verdi box for his bicentennial. This is Warren’s only broadcast of the title role. He had done Paolo (the Valdengo role) a decade earlier shortly after winning the Met Auditions of the Air. His Simon was Lawrence Tibbett. This is Tucker’s first venture into the more dramatic tenor roles, and he sang it outstandingly for the next quarter century until his final Gabriel on the 1974 Met broadcast with plenty of gas still in the tank. This 1974 performance with Wixell and Maliponte is long overdue for a Sirius rebroadcast.
L’ELISIR D’AMORE:Donizetti
Schippers; Bergonzi, Peters, Corena, Guarrera
Original Air Date: 03/05/1966
MOD Audio
SID.20140212
This performance has been issued in Sony’s Historic Met CD series. Also on MOoD is Bergonzi and Corena partnered by Scotto and Sereni who I think are better matches in this opera.One cannot lose with Bergonzi and Corena.
SAMSON ET DALILA:Saint-Saëns
Fournet; Vickers, Horne, Quilico
Original Air Date: 04/18/1987
MOD Audio
SID.20140213
This is Vickers’ farewell to the Met (not announced in advance). For many of us, he is a legendary singer who spans the beginning of our operatic journey, and 26 years later still shines very brightly indeed. In almost every assumption he not only gave his individual commitment (he was Giasone to Callas in my first opera in 1958 in Dallas) but simply encompassed roles as few ever do and was always in the top rank and usually best ever seen in the roles. Samson is certainly one of those roles, and if the opera has been a bit overdone on Sirius, I am never finished with my enjoyment of Vickers. Horne is a singer I admire on many fronts– her support of young artists, the advocacy for vocal recitals, and certainly outstanding Rossinian efforts. But I’m not much of Rossini guy, and I find many of her ventures beyond not to my taste, Verdi (even as Quickly) really doesn’t work and Dalila doesn’t compare with my first (Rita Gorr in the premiere of the O’Hearn Merrill production in 1964) or some of my best more recent ones– Borodina’s voice was made for those languorous lines. This is Vickers’ only broadcast of Samson et Dalila, and sometime min the last 3 years has been added to MOoD as a testament to his work and whom we lost July 13, 2015 after a long illness.
IL BARBIERE DI SIVIGLIA:Rossini
Benini; Mattei, DiDonato, Flórez, Del Carlo, Relyea
Original Air Date: 03/24/2007
Live in HDMOD Video
SID.20140214
This is a simulcast of the first season Live in HD videocast. It’s the only matinee broadcast appearance of Mattei, DiDonato and Florez together, and they are a splendid trio.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Original Air Date: 04/10/1999
MOD AudioMOD Video
SID.20140215
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.
HAMLET:Thomas
Langrée; Keenlyside, Petersen, Larmore, Morris, Spence
Original Air Date: 03/27/2010
MOD Video
SID.20140216
This is the only Met broadcast of the Thomas work. Keenlyside has a commercial DVD in the same production with Dessay from Barcelona 2004. Petersen was a late substitute for Dessay for the whole run. Larmoreis especially vivid as Gertrude, part of her movement into dramatic mezzo/soprano parts.
PETER GRIMES:Britten
Davis; Vickers, Amara, Evans, Madeira, Chookasian
Original Air Date: 02/11/1967
SID.20140317
HIghly recommended. This is the first of Vickers’ four broadcast Peter Grimes and the partnership with Colin Davis yields some first-rate music making. It is the first broadcast by Vickers in the new production from the Lincoln Center Met’s first season. Colin Davis only has four broadcasts from the Met (two Grimes, Wozzeck, Pelleas) and he and Vickers contributed memorable performances on both sides of the Atlantic. This is the third performance of the Vickers/Davis/Guthrie 1967 production which added a great role to Vickers’ gallery of overwhelming portrayals. While Britten was reportedly none too pleased with Vickers’ approach, the royalty coffers were greatly enriched by Vickers performances around the world which put Grimes solidly into mainstream repertory. There is a commercial video from Covent Garden (with Davis conducting as well) which is highly recommended in addition to this broadcast. Two years later the exact same cast broadcasts it again and this second broadcast of the Guthrie/Davis/Vickers Grimes is on MOoD.
NIXON IN CHINA:Adams
John Adams: James Maddalena, Janis Kelly, Kathleen Kim
Original Air Date: 02/12/2011
Live in HD
SID.20140322
