2017-18 Live Broadcasts

Nov
23
Sat
2019
AKHNATEN [HD]
Nov 23 @ 1:00 PM – 5:00 PM

AKHNATEN:Glass
Original Air Date: 11/23/2019
Karen Kamensek: Anthony Roth Costanzo, J’Nai Bridges, Dísella Lárusdóttir, Aaron Blake
Live in HD SID.19470600

Nov
25
Mon
2019
FAUST
Nov 25 @ 9:00 PM – 11:55 PM

Gounod
Nézet-Séguin; Kaufmann, Poplavskaya, Pape, Braun, Losier
Original Air Date: 12/10/2011
Live in HDMOD Video
SID.19480107
Nezet-Seguin’s conducting was one of the best things he’s done at the Met, and both Kaufmann and Pape were excellent if not exactly erasing aural memories of Bjorling and Siepi (1950 and 1959). The two blots for me were Poplavskaya as Marguerite and the misconceived production by Des McAnuff which will not disturb listening.

Nov
26
Tue
2019
LE NOZZE DI FIGARO
Nov 26 @ 7:30 PM – 11:55 PM

Mozart
Original Air Date: 11/26/2019
Manacorda; Phillips, Sierra, Arquez, Bishop, Plachetka, Pisaroni, Sherratt
SID.19480000

Nov
27
Wed
2019
FAUST
Nov 27 @ 3:00 PM – 6:00 PM

Gounod
Nézet-Séguin; Kaufmann, Poplavskaya, Pape, Braun, Losier
Original Air Date: 12/10/2011
Live in HDMOD Video
SID.19480319
Nezet-Seguin’s conducting was one of the best things he’s done at the Met, and both Kaufmann and Pape were excellent if not exactly erasing aural memories of Bjorling and Siepi (1950 and 1959). The two blots for me were Poplavskaya as Marguerite and the misconceived production by Des McAnuff which will not disturb listening.

OTELLO
Nov 27 @ 9:00 PM – 11:55 PM

Verdi
Nézet-Séguin; Yoncheva, Cano, Antonenko, Pittas, Lucic
Original Air Date: 10/17/2015
Live in HD
SID.19480321

Nov
29
Fri
2019
OTELLO
Nov 29 @ 3:00 PM – 6:00 PM

Verdi
Nézet-Séguin; Yoncheva, Cano, Antonenko, Pittas, Lucic
Original Air Date: 10/17/2015
Live in HD
SID.19480533

THE QUEEN OF SPADES
Nov 29 @ 7:30 PM – 11:55 PM

Tchaikovsky
Original Air Date: 11/29/2019
Petrenko; Davidsen, Maximova, Diadkova, Antonenko, Golovatenko, Markov
SID.19480000

Nov
30
Sat
2019
FAUST
Nov 30 @ 6:00 AM – 9:00 AM

Gounod
Nézet-Séguin; Kaufmann, Poplavskaya, Pape, Braun, Losier
Original Air Date: 12/10/2011
Live in HDMOD Video
SID.19480637
Nezet-Seguin’s conducting was one of the best things he’s done at the Met, and both Kaufmann and Pape were excellent if not exactly erasing aural memories of Bjorling and Siepi (1950 and 1959). The two blots for me were Poplavskaya as Marguerite and the misconceived production by Des McAnuff which will not disturb listening.

Dec
1
Sun
2019
OTELLO
Dec 1 @ 6:00 AM – 9:00 AM

Verdi
Nézet-Séguin; Yoncheva, Cano, Antonenko, Pittas, Lucic
Original Air Date: 10/17/2015
Live in HD
SID.19480744

Dec
3
Tue
2019
DER FLIEGENDE HOLLÄNDER
Dec 3 @ 9:00 AM – 12:00 PM

Wagner
Nézet-Séguin; Volle, Wagner, Glueckert, Selig
Original Air Date: 04/29/2017

SID.19490210
LIVE BROADCAST

Dec
5
Thu
2019
DER FLIEGENDE HOLLÄNDER
Dec 5 @ 3:00 PM – 6:00 PM

Wagner
Nézet-Séguin; Volle, Wagner, Glueckert, Selig
Original Air Date: 04/29/2017

SID.19490426
LIVE BROADCAST

THE QUEEN OF SPADES
Dec 5 @ 7:30 PM – 11:55 PM

Tchaikovsky
Original Air Date: 12/05/2019
Petrenko; Davidsen, Maximova, Diadkova, Antonenko, Golovatenko, Markov
SID.19490000
Tchaikovsky’s eerie thriller of imperial Russia has its first performances at the Met since 2011. Tenor Aleksandrs Antonenko is Hermann, the fanatical gambler whose obsession with a powerful secret drives him to madness. Soprano Lise Davidsen makes her highly anticipated Met debut as his long-suffering lover, Lisa, with mezzo-soprano Larissa Diadkova as the otherworldly Countess. Baritone Igor Golovatenko is Yeletsky, baritone Alexey Markov is Tomsky, and Vasily Petrenko conducts.

Dec
7
Sat
2019
AKHNATEN
Dec 7 @ 1:00 PM – 6:00 PM


AKHNATEN:Glass
Kamensek; Larusdottir, Bridges, Costanzo, Blake, Liverman, Bernstein, James
Original Air Date: 12/07/2019
SID.19490639

First Intermission
Mary Jo Heath interviews General Manager Peter Gelb about the 2019-20120 season.

Philip Glass Feature

Mary Jo Heath interviews Maestro Karen Kamensek

Second Intermission
Backstage Pass #1 – Loren Toolajian interviews Anthony Roth Costanzo

Backstage Pass #2 – Loren Toolajian interviews Dísella Lárusdóttir, J’Nai Bridges, and Zachery James

Lise Davidsen Feature

Dec
8
Sun
2019
DER FLIEGENDE HOLLÄNDER
Dec 8 @ 12:00 AM – 3:00 AM

Wagner
Nézet-Séguin; Volle, Wagner, Glueckert, Selig
Original Air Date: 04/29/2017

SID.19490642
LIVE BROADCAST

Dec
13
Fri
2019
DER ROSENKAVALIER
Dec 13 @ 7:00 PM – 11:55 PM

Strauss
Original Air Date: 12/13/2019
Rattle; Nylund, Kožená, Schultz, Goeldner, Polenzani, Ebenstein, Eiche, Groissböck
SID.19500000
Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie.

Dec
14
Sat
2019
THE QUEEN OF SPADES
Dec 14 @ 1:00 PM – 6:00 PM

THE QUEEN OF SPADES:Tchaikovsky
Petrenko; Davidsen, Maximova, Diadkova, Antonenko, Golovatenko, Markov
Original Air Date: 12/14/2019 

SID.19500639

Tchaikovsky’s eerie thriller of imperial Russia has its first performances at the Met since 2011. Tenor Yusif Eyvazovis Hermann, the fanatical gambler whose obsession with a powerful secret drives him to madness. Soprano Lise Davidsen makes her highly anticipated Met debut as his long-suffering lover, Lisa, with mezzo-soprano Larissa Diadkova as the otherworldly Countess. Baritone Igor Golovatenko is Yeletsky, baritone Alexey Markov is Tomsky, and Vasily Petrenko conducts.

The Sunday matinee performance on December 8 will feature a post-performance discussion with Lise Davidsen and Yusif Eyvazov, hosted by Met General Manager Peter Gelb.

Single Intermission
Backstage Pass #1 – Mary Jo Heath interviews Yusif Eyvazov

Backstage Pass #2 – Mary Jo Heath interviews Lise Davidsen

The Magic Flute Promotion – Mary Jo Heath interviews David Portillo, our Tamino

Dec
19
Thu
2019
THE MAGIC FLUTE
Dec 19 @ 7:30 PM – 11:55 PM

Mozart
Original Air Date: 12/19/2019
Koenigs; Harvey, Lewek, Portillo, Rosel, Hopkins, Carfizzi, Robinson
SID.19510000
A beloved holiday tradition continues as Mozart’s delightful fairy tale returns in the Met’s abridged, English-language version for families, perfect for younger audiences, with no intermission and a running time of less than two hours. Lothar Koenigs conducts a dynamic cast of standout Mozarteans in Julie Taymor’s magical production, an enduring Met classic with its eye-popping puppetry and stunning visuals.

Dec
21
Sat
2019
MACBETH
Dec 21 @ 12:00 PM – 3:00 PM

Verdi
Armiliato; Netrebko, Polenzani, Domingo, Abdrazakov
Original Air Date: 12/21/2019

SID.19510639

Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014, opposite baritone Željko Lučić in the title role. Now, the two stars reunite to reprise their acclaimed portrayals in Verdi’s gripping Shakespeare adaptation. Marco Armiliato conducts a standout cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo, in Adrian Noble’s evocative production.

Single Intermission
Mary Jo Heath interviews Anna Netrebko
Mary Jo Heath interviews Željko Lučić
Mary Jo Heath interviews Sir Simon Rattle

Dec
27
Fri
2019
WOZZECK
Dec 27 @ 8:00 PM – 11:55 PM

Berg
Original Air Date: 12/27/2019
Nézet-Séguin; van den Heever, Mumford, Ventris, Siegel, Staples, Mattei, Van Horn
SID.19520000
After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary visual imagination on Berg’s other operatic masterpiece, set in an apocalyptic pre–World War I environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, with baritone Peter Mattei making his highly anticipated role debut as the title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

Dec
28
Sat
2019
THE MAGIC FLUTE
Dec 28 @ 1:00 PM – 6:00 PM


Mozart
Koenigs; Fang, Lewek, Portillo, Rosel, Hopkins, Carfizzi, Howard
Original Air Date: 12/28/2019

SID.19520640

“A beloved holiday tradition continues as Mozart’s delightful fairy tale returns in the Met’s abridged, English-language version for families, perfect for younger audiences, with no intermission and a running time of less than two hours. Lothar Koenigs conducts a dynamic cast of standout Mozarteans in Julie Taymor’s magical production, an enduring Met classic with its eye-popping puppetry and stunning visuals.

On Saturday, December 28, all ticket holders for the 1 PM matinee of The Magic Flute are invited to a free pre-performance open house beginning at 11 AM. Met artists and craftspeople lead a variety of hands-on activities and demonstrations for the whole family.”

Dec
31
Tue
2019
NEW YEAR’S EVE GALA: ANNA NETREBKO
Dec 31 @ 5:30 PM – 10:00 PM


NEW YEAR’S EVE GALA: ANNA NETREBKO:Puccini
Nézet-Séguin; Netrebko, Polenzani, Kelsey, Luciano, Van Horn, Woodley, Netrebko, Eyvazov, Nikitin, Carfizzi, Netrebko, Eyvazov
Original Air Date: 12/31/2019

SID.20010213
In an unprecedented program to celebrate the new year, Anna Netrebko pulls out all the Puccini stops, starring as Mimì, Tosca, and Turandot in one gala evening. The star soprano will sing Act I of La Bohème, opposite tenor Matthew Polenzani, and Act I of Tosca and Act II of Turandot, opposite tenor Yusif Eyvazov. Conducted by Met Music Director Yannick Nézet-Séguin and featuring an outstanding cast that also includes baritones Quinn Kelsey and Davide Luciano, and bass-baritones Evgeny Nikitin and Christian Van Horn, this will be an evening not to be missed. Each of the acts will be fully staged and costumed in the respective (and spectacular) Zeffirelli and McVicar productions.

Jan
4
Sat
2020
DER ROSENKAVALIER
Jan 4 @ 12:00 PM – 5:00 PM


DER ROSENKAVALIER:Strauss
Rattle; Nylund, Kožená, Schultz, Goeldner, Polenzani, Ebenstein, Eiche, Groissböck
Original Air Date: 01/04/2020

SID.20010639
Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie. A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro Colón, Buenos Aires; and Teatro Regio di Torino

Jan
6
Mon
2020
DIE WALKÜRE
Jan 6 @ 9:00 AM – 12:00 PM


DIE WALKÜRE:Wagner
Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Original Air Date: 04/01/2000
MOD Audio
SID.20020103
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in. SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.

DIE WALKÜRE
Jan 6 @ 12:00 PM – 3:00 PM


DIE WALKÜRE:Wagner
Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Original Air Date: 04/01/2000
MOD Audio
SID.20020104
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in. SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.

Jan
7
Tue
2020
THAÏS
Jan 7 @ 9:00 PM – 11:55 PM

THAÏS:Massenet
López-Cobos; Fleming, Hampson, Schade
Original Air Date: 12/20/2008
Live in HDMOD Video
SID.20020214
Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.

Jan
8
Wed
2020
DIE WALKÜRE
Jan 8 @ 3:00 PM – 6:00 PM


DIE WALKÜRE:Wagner
Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Original Air Date: 04/01/2000
MOD Audio
SID.20020319
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in. SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.

DIE WALKÜRE
Jan 8 @ 6:00 PM – 9:00 PM


DIE WALKÜRE:Wagner
Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Original Air Date: 04/01/2000
MOD Audio
SID.20020320
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in. SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.

Jan
10
Fri
2020
LA TRAVIATA
Jan 10 @ 7:30 PM – 11:55 PM

Verdi
Original Air Date: 01/10/2020
Chichon; Kurzak, Popov, Kelsey
SID.20020000
Michael Mayer’s sumptuous staging, a highlight of the 2018–19 season, returns with two casts of bright stars. Sopranos Aleksandra Kurzak and Lisette Oropesa share the role of Violetta, the opera’s tragic heroine, opposite tenor Dmytro Popov as her ardent lover, Alfredo, and baritones Quinn Kelsey and Luca Salsi as Alfredo’s stern father, Germont. Karel Mark Chichon and Bertrand de Billy conduct one of opera’s greatest scores.

Jan
11
Sat
2020
DIE WALKÜRE
Jan 11 @ 12:00 AM – 3:00 AM


DIE WALKÜRE:Wagner
Levine; Eaglen, Morris, Voigt, Domingo, Schwarz, Halfvarson
Original Air Date: 04/01/2000
MOD Audio
SID.20020636
RWW: This is also on MOoD and catches some erratic artists at their best. Schwarz who shines in the Chereau Ring is still a potent force 12 years later in this broadcast. Vocally, this is one of the better Levine Walkures even though Morris and Domingo are the only ones I am particularly interested in. SR: A solid Walkuere expertly paced by Levine. In the house, Eaglen struck me as a particularly ungenerous Bruennhilde, saving her resources for some eventuality. (She only really opened up in the Siegfried awakening scene). On broadcast, however, this isn’t as noticeable except in contrast to Voigt, who pours it on when called for. Domingo still has the goods as her brother. Morris shows why he was the Met’s Wotan of choice for so many years. Schwarz is dependable while not erasing memories of Ludwig, while Halfvarson was a delightful surprise as Hunding.

WOZZECK [HD]
Jan 11 @ 1:00 PM – 6:00 PM


WOZZECK:Berg
Yannick Nézet-Séguin: Peter Mattei, Elza van den Heever, Gerhard Siegel, Christian Van Horn
Original Air Date: 01/11/2020
Live in HD
SID.20020640

After wowing audiences with his astounding production of Lulu in 2015, South African artist William Kentridge now focuses his extraordinary visual imagination on Berg’s other operatic masterpiece, set in an apocalyptic pre–World War I environment. Met Music Director Yannick Nézet-Séguin is on the podium for this important event, with baritone Peter Mattei making his highly anticipated role debut as the title character. Soprano Elza van den Heever is Wozzeck’s unfaithful mate, and the commanding cast also includes tenor Christopher Ventris as the Drum-Major, bass-baritone Christian Van Horn as the Doctor, and tenor Gerhard Siegel as the Captain.

A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia

Production a gift of Robert L. Turner