“NORMA : Bellini
Original Air Date: 09/25/2017
Cast: Rizzi; Radvanovsky, DiDonato, Calleja, Rose
Media: SID.17400640 Tags: LIVE; 2017
Opening Night 2017-2018 Season – Soprano Sandra Radvanovsky and mezzo-soprano Joyce DiDonato star in the Met’s new production of Norma. Tenor Joseph Calleja is Pollione, Norma’s unfaithful lover, and Carlo Rizzi conducts. Sir David McVicar’s evocative production sets the action deep in a Druid forest where nature and ancient ritual rule. Production a gift of Veronica Atkins
Reviews
Anthony Tommasini (NY Times): www.nytimes.com/2017/09/26/arts/music/norma-review-metropolitan-opera.html
Anne Midgette (The Washington Post) www.washingtonpost.com/news/style/wp/2017/09/26/for-once-the-met-opera-goes-traditional-for-season-opener/?noredirect=on&utm_term=.b63cc26e01e6
Russell Platt (The New Yorker) www.newyorker.com/culture/culture-desk/norma-and-the-met-operas-leading-ladies
James Jorden (New York Observer) observer.com/2017/09/review-sondra-radvanovsky-sizzles-in-mets-norma-despite-all-odds/
Telegraph www.telegraph.co.uk/opera/what-to-see/norma-review-met-opera-live-hd-solid-unpretentious-spectacle/“
DIE ZAUBERFLÖTE : Mozart
Live in HD
James Levine conducts Rene Pape, Golda Schultz, Kathryn Lewek, Charles Castronuovo and Markuys Werba in the Mozart classic
THE EXTERMINATING ANGEL : Adès
Original Air Date: 11/18/2017
Cast: Adès; Luna, Echalaz, Matthews, etc.
From metopera.org: Following the rapturous response to his last opera, The Tempest, the Met presents the American premiere of Thomas Adès’s The Exterminating Angel, inspired by the classic Luis Buñuel film of the same name. Hailed by the New York Times at its 2016 Salzburg Festival premiere as “inventive and audacious … a major event,” The Exterminating Angel is a surreal fantasy about a dinner party from which the guests can’t escape. Tom Cairns, who wrote the libretto, directs the new production, and Adès conducts his own adventurous new opera.
Music by Thomas Adès, libretto by Tom Cairns in collaboration with the composer, based on the screenplay by Luis Buñuel and Luis Alcoriza”
“TOSCA : Puccini
Original Air Date: 01/27/2018
Cast: Villaume; Yoncheva, Grigolo, Lucic
Media: Live Broadcast SID.18040640 Tags: LIVE; 2018, Puccini
Sir David McVicar’s “smashing new production” is “a grand triumph” (Huffington Post), featuring an exciting cast led by soprano Sonya Yoncheva in the title role of the fiery diva and Vittorio Grigolo as her passionate lover, Cavaradossi. The pair are “youthful, ardent, and innocent … their duets electric, their kisses hot and numerous” (Wall Street Journal). Yoncheva’s sound is “richly textured and shimmering,” and “Grigolo’s Mario is a true hothead … complete with thrilling top notes” (New York Times). Željko Lučić is “an imposing figure with a voice to match” (Wall Street Journal) as the villainous police chief, Scarpia, and Emmanuel Villaume conducts.
Production a gift of Jacqueline Desmarais, in memory of Paul G. Desmarais Sr; The Paiko Foundation; and Dr. Elena Prokupets, in memory of her late husband, Rudy Prokupets
Major funding from Rolex
-metopera.org”
“L’ELISIR D’AMORE : Donizetti
Original Air Date: 02/10/2018
Cast: Hindoyan; Yende, Polenzani, Luciano, D’Arcangelo
Media: Live Broadcast SID.18060639 Tags: LIVE; 2018
Pretty Yende debuts a new role at the Met with her first Adina opposite Matthew Polenzani, who enthralled Met audiences as Nemorino in 2013 with his ravishing “Una furtiva lagrima.” Bartlett Sher’s production is charming, with deft comedic timing, but also emotionally revealing. Domingo Hindoyan conducts. (metopera.org) “
“LA BOHÈME : Puccini
Original Air Date: 02/24/2018
Cast: Armiliato; Yoncheva, Phillips, Fabiano, Meachem, Lavrov, Rose, Plishka
Media: Live Broadcast SID.18080640 Tags: LIVE; 2018, Puccini
“
“SEMIRAMIDE : Rossini
Original Air Date: 03/10/2018
Cast: Benini; Meade, DeShong, Abdrazakov, Camarena
Media: Live Broadcast SID.18100640 Tags: LIVE; 2018
This masterpiece of dazzling vocal fireworks makes a rare Met appearance—its first in nearly 25 years—with Maurizio Benini on the podium. The all-star bel canto cast features Angela Meade in the title role of the murderous Queen of Babylon, who squares off in breathtaking duets with Arsace, a trouser role sung by Elizabeth DeShong. Javier Camarena, Ildar Abdrazakov, and Ryan Speedo Green complete the stellar cast.
Production a gift of the Lila Acheson and DeWitt Wallace Fund for Lincoln Center, established by the founders of The Reader’s Digest Association, Inc.
Revival a gift of Ekkehart Hassels-Weiler”
“COSÌ FAN TUTTE : Mozart
Original Air Date: 03/31/2018
Cast: Robertson; Majeski, Bliss, Malfi, Plachetka, O’Hara, Maltman
Media: Live Broadcast SID.18130639 Tags: LIVE; 2018, Mozart
“
“LUISA MILLER : Verdi
Original Air Date: 04/14/2018
Cast: de Billy; Yoncheva, Beczala, Domingo, Vinogradov, Belosselskiy, Petrova
Media: Live in HD SID.18150640 Tags: LIVE; 2018, Domingo, Verdi
Plácido Domingo adds yet another role to his legendary Met career in this rarely performed Verdi gem, a heart-wrenching tragedy of fatherly love. Sonya Yoncheva sings the title role opposite Piotr Beczała in the first Met performances of the opera in more than ten years. Bertrand de Billy conducts.
Production a gift of Catherine and Ephraim Gildor
Revival a gift of Rolex and Mrs. Jayne Wrightsman
“
“CENDRILLON : Massenet
Original Air Date: 04/28/2018
Cast: de Billy; DiDonato, Coote, Kim, Blythe, Naouri
Media: Live Broadcast SID.18170640 Tags: LIVE; 2018
observer.com/2018/04/joyce-didonato-shines-in-luminous-cendrillon-at-met-opera-review/“
![AIDA [HD]](https://i0.wp.com/operasonsirius.com/wp-content/uploads/2018/09/aida-observer.jpg?fit=300%2C225&ssl=1)
AIDA : Verdi
LIVE IN HD
Luisotti; Netrebko, Rachvelishvili, Antonenko, Kelsey, Belosselskiy, Speed Green
Media: Live in HD SID.18400600
NYT Review (Tommassini) Last spring at the Metropolitan Opera, the soprano Anna Netrebko took on the title role of Puccini’s “Tosca” for the first time. She claimed that touchstone part for her own, and put her mark on the whole season. On Wednesday at the Met, Ms. Netrebko did it again, this time in the title role of Verdi’s “Aida.” She is still fairly new to this challenging part, which she introduced at the Salzburg Festival a year ago. There was something fresh and exploratory about her performance on Wednesday. Yet it also felt fully formed, dramatically deep. And she sang magnificently.
Observer (Jorden) “Ritorna vincitor!” cries the Egyptian throng in the first scene of Aida as they send their hero off to war: “Return in triumph!” And that’s what the Met’s undisputed prima donna Anna Netrebko did last night in her first local performance of the protean title role of this opera: she came, she sang and she conquered.
MOBY DICK
Jake Heggie amd Geme Scheer
Three hours, including one intermission
SUNG IN ENGLISH
LA Opera On Air
“Call it a success… A whale tale with staying power” – Los Angeles Times
“Theatrically stunning… epic in scale. A vibrant, compelling piece of musical theater” – San Francisco Chronicle
Epic in every sense of the word, Moby-Dick comes to Los Angeles after a series of sold out triumphs around the world. Returning as Captain Ahab is the sensational Jay Hunter Morris, whose “fiery brilliance in his resplendent upper range captured both Ahab’s inner strength and demonic possession” (SanDiego.com). Based on Herman Melville’s classic novel, Jake Heggie’s sweeping, gorgeously detailed score has already taken its rightful place as a true contemporary masterpiece.
With astonishing visual effects and a magnificent musical score, one of the very greatest of all American novels comes thrillingly to life on the stage. A fanatical sea captain’s unrelenting obsession for revenge drives his entire crew into the face of death and destruction as they explore the vast and mysterious oceans in search of a monster.
CAST
CAPTAIN AHAB ….. Jay Hunter Morris
GREENHORN ….. Joshua Guerrero
STARBUCK, FIRST MATE ….. Morgan Smith
QUEEQUEG, A HARPOONER ….. Musa Ngqungwana
PIP, CABIN BOY ….. Jacqueline Echols
STUBB, SECOND MATE ….. Malcolm MacKenzie
FLASK, THIRD MATE ….. Matthew O’Neill
CAPTAIN GARDINER ….. Nicholas Brownlee
TASHTEGO, A HARPOONER ….. Sal Malaki
DAGGOO, A HARPOONER ….. Babatunde Akinboboye
NANTUCKET SAILOR ….. Todd Strange
SPANISH SAILOR ….. James Martin Schaefer
COMPOSER ….. Jake Heggie
LIBRETTIST ….. Gene Scheer
CONDUCTOR ….. James Conlon
SAMSON ET DALILA:Saint-Saëns
Original Air Date: 10/20/2018
Elder; Garanca, Algana, Naouri, Azizov, Belosselskiy
Live in HD SID.18420600
LA FANCIULLA DEL WEST : Puccini
Armiliato; Westbroek, Kaufmann, Bosi, Lucic, Simpson, Rose, Gradus
Live in HD
Soprano Eva-Maria Westbroek sings Puccini’s gun-slinging heroine in this romantic epic of the Wild West. Tenor Yusif Eyvazov portrays Dick Johnson for opening night (Oct 4, 8, 12) Jonas Kaufmann returns to the MET for performances on Oct 17, 20, 23, and 27. Baritone Željko Lučić is the vigilante sheriff Jack Rance, and Marco Armiliato conducts.
NYTimes Review: Jonas Kaufmann, Back at the Met, Is Good, Not Great
BWWReview: Kaufmann Returns to the Met with a ‘Heigh-ho Silver’ in Puccini’s FANCIULLA DEL WEST
MARNIE : Nico Muhly
Original Air Date: 11/10/2018
Cast: Spano; Leonard, Kelly, Graves, Davies, Maltman
Media: Live Broadcast SID.18450600
Composer Nico Muhly unveils his second new opera for the Met with this gripping reimagining of Winston Graham’s novel, set in the 1950s, about a beautiful, mysterious young woman who assumes multiple identities. Director Michael Mayer and his creative team have devised a fast-moving, cinematic world for this exhilarating story of denial and deceit, which also inspired a film by Alfred Hitchcock. Mezzo-soprano Isabel Leonard sings the enigmatic Marnie, and baritone Christopher Maltman is the man who pursues her—with disastrous results. Robert Spano conducts.
Music by Nico Muhly, libretto by Nicholas Wright, based on the novel by Winston Graham
Commissioned by the Metropolitan Opera
A co-production of the Metropolitan Opera and English National Opera
By special arrangement with Universal Pictures
LA TRAVIATA : Verdi
Cast: Nézet-Séguin; Damrau, Flórez, Kelsey
Live in HD
First Intermission
Backstage Pass: HD Host Anita Rachvelishvili interviews Juan Diego Floréz
TOLL BROTHERS – METROPOLITAN OPERA QUIZ
Guest Artist: Bartlett Sher Host: Gerald Martin Moore; Panelists: Neal Goren, Roger Pines, and Melanie Spector
Second Intermission
Backstage Pass: HD Host Anita Rachvelishvili interviews Diana Damrau
Backstage Pass: HD Host Anita Rachvelishvili interviews Quinn Kelsey
Radio Host Mary Jo Heath interviews Erin Morley about Magic Flute
Backstage Pass: General Manager Peter Gelb interviews Music Director Yannick Nézet-SéguinRAM
19th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love. Later performances feature Anita Hartig, Stephen Costello, Artur Ruciński, and Plácido Domingo.
Production a gift of The Paiko Foundation
Major additional funding from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex
ADRIANA LECOUVREUR:Cilea
Original Air Date: 01/12/2019
Noseda; Netrebko, Rachvelishvili, Beczala, Bosi, Maestri, Muraro
Live in HD SID.19020640
Based on a play by Eugène Scribe, the story was inspired by the real-life intrigues of famed actress Adrienne Lecouvreur and the legendary soldier—and lover—Maurice of Saxony. Cilea’s operatic retelling quickly became a favorite of charismatic soloists. The title character in particular is a quintessential diva role.
Pre-Show
Backstage Pass: General Manager Peter Gelb interviews Anna Netrebko
First Intermission
Backstage Pass: HD Host Matthew Polenzani interviews Anita Rachvelishvilli
TOLL BROTHERS – METROPOLITAN OPERA QUIZ
Guest Artist: Paul Appleby Host: Brian Zeger
Panelists: Jon Tolins, George Preston, and Melanie Spector
Second Intermission
Backstage Pass: HD Host Matthew Polenzani interviews Piotr Beczala
Backstage Pass: General Manager Peter Gelb interviews Director David McVicar
Backstage Pass: HD Host Matthew Polenzani interviews maestro Gianandrea Noseda
Drama Queen (Article by William Berger)
“On New Year’s Eve, Francesco Cilea’s Adriana Lecouvreur returns to the Met with soprano Anna Netrebko in the touchstone title role. She teams up with tenor Piotr Beczała as her lover, Maurizio—a brilliant pairing of stars fresh off a joint triumph in performances of Adriana in Vienna. Mezzo-soprano Anita Rachvelishvili rounds out the all-star principal trio, and maestro Gianandrea Noseda is on the podium. Sir David McVicar’s new staging—the Met’s first new production of the work in more than half a century—embraces Cilea’s glamorous 18th-century Parisian setting but also mines for deeper artistic significance in an opera that is often underestimated.” (William Berger)
Co-Production of the Royal Opera House, Covent Garden, London; Gran Teatre del Liceu, Barcelona; Wiener Staatsoper; San Francisco Opera; and L’Opéra National de Paris Production a gift of The Sybil B. Harrington Endowment Fund
CARMEN : Bizet
Original Air Date: 02/02/2019
Langrée; Phillips, Margaine, Alagna, Simpson
Live in HD SID.19050640
INTERMISSION FEATURES
-Backstage Pass: HD Host Ailyn Pérez interviews Clémentine Margaine
-Backstage Pass: HD Host Ailyn Pérez interviews Children’s Chorus Master Anthony Piccolo and Members of the Children’s Chorus
-Commentator William Berger interviews Luca Pisaroni about Don Giovanni
-Backstage Pass: HD Host Ailyn Pérez interviews Alexander Vinogradov
-Backstage Pass: HD Host Ailyn Pérez interviews Aleksandra Kurzak and Roberto Alagna
Mezzo-soprano Clémentine Margaine reprises her remarkable portrayal of opera’s ultimate seductress, a triumph in her 2017 debut performances, with impassioned tenors Yonghoon Lee and Roberto Alagna as her lover, Don José. Omer Meir Wellber and Louis Langrée share conducting duties for Sir Richard Eyre’s powerful production, a Met favorite since its 2009 premiere.
Production a gift of Mrs. Paul Desmarais Sr.
LA FILLE DU RÉGIMENT:Donizetti
Original Air Date: 03/02/2019
Mazzola; Yende, Blythe, Camarena, Corbelli, Muraro
Live in HD SID.19090640
Intermission
-Backstage Pass – HD Host Nadine Sierra interviews Pretty Yende
-William Berger interviews Ailyn Pérez, Marie-Nicole Lemieux, and Golda Schultz about Falstaff
-Backstage Pass – HD Host Nadine Sierra interviews Stephanie Blythe and Maurizio Muraro
-Backstage Pass – HD Host Nadine Sierra interviews Javier Camarena
Tenor Javier Camarena and soprano Pretty Yende team up for a feast of bel canto vocal fireworks—including the show-stopping tenor aria “Ah! Mes amis … Pour mon âme,” with its nine high Cs. Alessandro Corbelli and Maurizio Muraro trade off as the comic Sergeant Sulpice, with mezzo-soprano Stephanie Blythe as the outlandish Marquise of Berkenfield. And in an exciting piece of casting, stage and screen icon Kathleen Turner makes her Met debut in the speaking role of the Duchess of Krakenthorp. Enrique Mazzola conducts. A co-production of the Metropolitan Opera; the Royal Opera House, Covent Garden, London; and the Wiener Staatsoper, Vienna
IL BARBIERE DI SIVIGLIA:Rossini
Original Air Date: 03/24/2007
Benini; Mattei, DiDonato, Flórez, Del Carlo, Relyea
Live in HD MOD Video SID.19120212
This is a simulcast of the first season Live in HD videocast. It’s the only matinee broadcast appearance of Mattei, DiDonato and Florez together, and they are a splendid trio.
DIE WALKÜRE:Wagner
Original Air Date: 03/30/2019
Jordan; Goerke, Westbroek, Barton, Skelton, Grimsley, Groissböck
Live in HD SID.19130638
In what is expected to be a Wagnerian event for the ages, soprano Christine Goerke, in her MET role debut, plays Brünnhilde, Wotan’s willful warrior daughter, who loses her immortality in opera’s most famous act of filial defiance. Tenor Stuart Skelton and soprano Eva-Maria Westbroek play the incestuous twins Siegmund and Sieglinde. Greer Grimsley sings Wotan. Philippe Jordan conducts.
DIALOGUES DES CARMÉLITES : Poulenc
OAD: 05/11/2019 SID.19190638
Nézet-Séguin; Leonard, Pieczonka, Morley, Cargill, Mattila, Portillo, LaPointe
THAÏS:Massenet
Original Air Date: 12/20/2008
López-Cobos; Fleming, Hampson, Schade
Live in HDMOD Video SID.19200208
Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.
THAÏS:Massenet
Original Air Date: 12/20/2008
López-Cobos; Fleming, Hampson, Schade
Live in HDMOD Video SID.19200424
Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.
THAÏS:Massenet
Original Air Date: 12/20/2008
López-Cobos; Fleming, Hampson, Schade
Live in HDMOD Video SID.19200640
Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.Although the video has been available almost continuously on MOoD, I find this performance preferable to the Sills Milnes, which was massively overplayed in the first years of Sirius Radio. I rather like Thais as a break from other titles in the repertory.
DIE WALKÜRE:Wagner
Original Air Date: 03/07/1987
Levine; Behrens, McIntyre, Altmeyer, Hofmann, Fassbaender, Haugland
MET On Record SID.19230209
This is Levine’s first broadcast of Walkure and the opening production in the Schenk/Schneider-Siemssen Ring. The opening night of the production in the fall had Simon Estes as Wotan. I had seen Hofmann in the Chereau Ring nine years earlier at Bayreuth, and his voice was already showing wear and tear to the extent he never made it to Siegfried or beyond the Ring, Tristan for which he was scheduled. This broadcast is his antepenultimate Met appearance which totals twenty-nine performances and concludes a year later with another Walkure notable more for being Rysanek’s final Met Sieglinde and Waltraud Meier’s only broadcast Walkure Fricka. McIntyre was also in the Chereau Ring and was in much better condition and whose Met career goes on for another nine years beyond this broadcast.
DIE WALKÜRE:Wagner
Original Air Date: 03/07/1987
Levine; Behrens, McIntyre, Altmeyer, Hofmann, Fassbaender, Haugland
MET On Record SID.19230210
This is Levine’s first broadcast of Walkure and the opening production in the Schenk/Schneider-Siemssen Ring. The opening night of the production in the fall had Simon Estes as Wotan. I had seen Hofmann in the Chereau Ring nine years earlier at Bayreuth, and his voice was already showing wear and tear to the extent he never made it to Siegfried or beyond the Ring, Tristan for which he was scheduled. This broadcast is his antepenultimate Met appearance which totals twenty-nine performances and concludes a year later with another Walkure notable more for being Rysanek’s final Met Sieglinde and Waltraud Meier’s only broadcast Walkure Fricka. McIntyre was also in the Chereau Ring and was in much better condition and whose Met career goes on for another nine years beyond this broadcast.
DIE WALKÜRE:Wagner
Original Air Date: 03/07/1987
Levine; Behrens, McIntyre, Altmeyer, Hofmann, Fassbaender, Haugland
MET On Record SID.19230425
This is Levine’s first broadcast of Walkure and the opening production in the Schenk/Schneider-Siemssen Ring. The opening night of the production in the fall had Simon Estes as Wotan. I had seen Hofmann in the Chereau Ring nine years earlier at Bayreuth, and his voice was already showing wear and tear to the extent he never made it to Siegfried or beyond the Ring, Tristan for which he was scheduled. This broadcast is his antepenultimate Met appearance which totals twenty-nine performances and concludes a year later with another Walkure notable more for being Rysanek’s final Met Sieglinde and Waltraud Meier’s only broadcast Walkure Fricka. McIntyre was also in the Chereau Ring and was in much better condition and whose Met career goes on for another nine years beyond this broadcast.
DIE WALKÜRE:Wagner
Original Air Date: 03/07/1987
Levine; Behrens, McIntyre, Altmeyer, Hofmann, Fassbaender, Haugland
MET On Record SID.19230426
This is Levine’s first broadcast of Walkure and the opening production in the Schenk/Schneider-Siemssen Ring. The opening night of the production in the fall had Simon Estes as Wotan. I had seen Hofmann in the Chereau Ring nine years earlier at Bayreuth, and his voice was already showing wear and tear to the extent he never made it to Siegfried or beyond the Ring, Tristan for which he was scheduled. This broadcast is his antepenultimate Met appearance which totals twenty-nine performances and concludes a year later with another Walkure notable more for being Rysanek’s final Met Sieglinde and Waltraud Meier’s only broadcast Walkure Fricka. McIntyre was also in the Chereau Ring and was in much better condition and whose Met career goes on for another nine years beyond this broadcast.
MARNIE:Muhly
Original Air Date: 11/10/2018
Spano; Leonard, Kelly, Graves, Davies, Maltman
Live in HDMOD Video SID.19260535