2017-18 Live Broadcasts

LA TRAVIATA : Verdi
Cast: Nézet-Séguin; Damrau, Flórez, Kelsey
Live in HD

Program 121518-Traviata

First Intermission

Backstage Pass: HD Host Anita Rachvelishvili interviews Juan Diego Floréz
TOLL BROTHERS – METROPOLITAN OPERA QUIZ
Guest Artist: Bartlett Sher  Host: Gerald Martin Moore; Panelists: Neal Goren, Roger Pines, and Melanie Spector

Second Intermission
Backstage Pass: HD Host Anita Rachvelishvili interviews Diana Damrau
Backstage Pass: HD Host Anita Rachvelishvili interviews Quinn Kelsey
Radio Host Mary Jo Heath interviews Erin Morley about Magic Flute

Backstage Pass: General Manager Peter Gelb interviews Music Director Yannick Nézet-SéguinRAM

19th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love. Later performances feature Anita Hartig, Stephen Costello, Artur Ruciński, and Plácido Domingo.

Production a gift of The Paiko Foundation

Major additional funding from Mercedes T. Bass, Mr. and Mrs. Paul M. Montrone, and Rolex

LA TRAVIATA:Verdi
Original Air Date: 12/26/2018
Nézet-Séguin; Damrau, Flórez (cancelled), Costello, Kelsey
SID.18520321
Yannick Nézet-Séguin conducts Michael Mayer’s richly textured new production, featuring a dazzling 19th-century setting that changes with the seasons. Soprano Diana Damrau plays the tragic heroine, Violetta, and tenor Juan Diego Flórez returns to the Met for the first time since 2015 to sing the role of Alfredo, Violetta’s hapless lover. Baritone Quinn Kelsey is Alfredo’s father, Germont, who destroys their love. Later performances feature Anita Hartig, Stephen Costello, Artur Ruciński, and Plácido Domingo.
REVIEW: The Met Turns the Tragedy of ‘Traviata’ Into Dull Disney Schmaltz By James Jorden • 12/05/18 – Well, you have to give the Met credit for accomplishing a feat no other opera company in the world could—or should. At Tuesday’s gala new production of La Traviata, the company managed to downgrade Verdi’s masterpiece of musical drama to a kitschy Disney musical. The prime culprit in this act of artistic vandalism is director Michael Mayer, who seems to have no handle at all on this classic tale of a courtesan inspired by true love to make the most profound sacrifice. In the great duet in the second act, for example, when the penitent Violetta confronts Germont, the morally outraged father of her lover, the singers circled listlessly around a bed that hogged center stage through all three acts.
Review: La Traviata’ Opens a New Era at the Met Opera By Anthony Tommasini Dec. 5, 2018 ….””To begin his tenure as the company’s music director, Mr. Nézet-Séguin led an uncommonly fine rendition of Verdi’s “La Traviata,” in a new staging by Michael Mayer that stars the soprano Diana Damrau and the tenor Juan Diego Flórez. And in a rare gesture of respect and good will, the Met’s musicians joined Mr. Nézet-Séguin on stage for a bow after the show.
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