In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
ADRIANA LECOUVREUR:Cilea
Original Air Date: 01/12/2019
Noseda; Netrebko, Rachvelishvili, Beczala, Bosi, Maestri, Muraro
Live in HD SID.19369991
Based on a play by Eugène Scribe, the story was inspired by the real-life intrigues of famed actress Adrienne Lecouvreur and the legendary soldier—and lover—Maurice of Saxony. Cilea’s operatic retelling quickly became a favorite of charismatic soloists. The title character in particular is a quintessential diva role. Drama Queen (Article by William Berger) “On New Year’s Eve, Francesco Cilea’s Adriana Lecouvreur returns to the Met with soprano Anna Netrebko in the touchstone title role. She teams up with tenor Piotr Beczała as her lover, Maurizio—a brilliant pairing of stars fresh off a joint triumph in performances of Adriana in Vienna. Mezzo-soprano Anita Rachvelishvili rounds out the all-star principal trio, and maestro Gianandrea Noseda is on the podium. Sir David McVicar’s new staging—the Met’s first new production of the work in more than half a century—embraces Cilea’s glamorous 18th-century Parisian setting but also mines for deeper artistic significance in an opera that is often underestimated.” (William Berger) Co-Production of the Royal Opera House, Covent Garden, London; Gran Teatre del Liceu, Barcelona; Wiener Staatsoper; San Francisco Opera; and L’Opéra National de Paris Production a gift of The Sybil B. Harrington Endowment Fund
ADRIANA LECOUVREUR:Cilea
Original Air Date: 04/19/1969
Cleva; Tebaldi, Corelli, Dalis, Colzani
SID.19380316
Tebaldi loved the part of Adriana, but this broadcast finds her in rather frayed voice (after more than 30 Giocondas the previous two seasons). Corelli, Dalis, and Colzani are strong support.
ADRIANA LECOUVREUR:Cilea
Original Air Date: 04/19/1969
Cleva; Tebaldi, Corelli, Dalis, Colzani
SID.19380532
Tebaldi loved the part of Adriana, but this broadcast finds her in rather frayed voice (after more than 30 Giocondas the previous two seasons). Corelli, Dalis, and Colzani are strong support.
ADRIANA LECOUVREUR:Cilea
Original Air Date: 04/19/1969
Cleva; Tebaldi, Corelli, Dalis, Colzani
SID.19390101
Tebaldi loved the part of Adriana, but this broadcast finds her in rather frayed voice (after more than 30 Giocondas the previous two seasons). Corelli, Dalis, and Colzani are strong support.
ADRIANA LECOUVREUR:Cilea
Abbado; Freni, Lima, Toczyska, Milnes
Original Air Date: 03/19/1994
SID.19470212
I enjoyed seeing Freni in the role, but Fedora turned out to be a much more congenial role for her late period. Tocyzyska is always an alert performer.
ADRIANA LECOUVREUR:Cilea
Abbado; Freni, Lima, Toczyska, Milnes
Original Air Date: 03/19/1994
SID.19470529
I enjoyed seeing Freni in the role, but Fedora turned out to be a much more congenial role for her late period. Tocyzyska is always an alert performer.
ADRIANA LECOUVREUR:Cilea
Abbado; Freni, Lima, Toczyska, Milnes
Original Air Date: 03/19/1994
SID.19470639
I enjoyed seeing Freni in the role, but Fedora turned out to be a much more congenial role for her late period. Tocyzyska is always an alert performer.
Cilea
Varviso; Tebaldi, Corelli, Cvejic, Colzani
Original Air Date: 02/09/1963
SID.20040211
This performance is not marked in the Met Data Base as having been on Sirius before; Tebaldi and Corelli broadcast the opera 6 years later after the duo had done an almost two year run of Gioconda. That 1969 performance has been on Sirius. Her voice is fresher in this performance, if still not Tebaldi of the pre1960 vintage, and Maurizio is one of Corelli’s best parts. The main claim to fame for Cvejic is that she is the mentor of current star baritone Zeljko Lucic. Colzani is well cast as Michonnet. The opera is not for every taste. The draw here is not in the title role, for Tebaldi was not in good voice for this initial run, and after one more Adriana three days after the broadcast did not appear again for 13 months. Franco Corelli, is at the considerable peak of his form, and makes quite a meal of his many opportunities. Cvejic is better remembered as the teacher of Zelko Lucic than for her limited mezzo. Sirius has also rebroadcast the 1969 revival with Dalis for Cvejic and Tebaldi in much better form than 1963. Corelli is again outstanding and this should be added to MOoD. After a recent listen to the 1969 version, Corelli is considerably off his 1963 performance not to mention the classic Naples performance with Olivero, Simionato and Bastianini.
Cilea
Varviso; Tebaldi, Corelli, Cvejic, Colzani
Original Air Date: 02/09/1963
SID.20040530
This performance is not marked in the Met Data Base as having been on Sirius before; Tebaldi and Corelli broadcast the opera 6 years later after the duo had done an almost two year run of Gioconda. That 1969 performance has been on Sirius. Her voice is fresher in this performance, if still not Tebaldi of the pre1960 vintage, and Maurizio is one of Corelli’s best parts. The main claim to fame for Cvejic is that she is the mentor of current star baritone Zeljko Lucic. Colzani is well cast as Michonnet. The opera is not for every taste. The draw here is not in the title role, for Tebaldi was not in good voice for this initial run, and after one more Adriana three days after the broadcast did not appear again for 13 months. Franco Corelli, is at the considerable peak of his form, and makes quite a meal of his many opportunities. Cvejic is better remembered as the teacher of Zelko Lucic than for her limited mezzo. Sirius has also rebroadcast the 1969 revival with Dalis for Cvejic and Tebaldi in much better form than 1963. Corelli is again outstanding and this should be added to MOoD. After a recent listen to the 1969 version, Corelli is considerably off his 1963 performance not to mention the classic Naples performance with Olivero, Simionato and Bastianini.
Cilea
Varviso; Tebaldi, Corelli, Cvejic, Colzani
Original Air Date: 02/09/1963
SID.20050101
Tebaldi and Corelli broadcast the opera six years later after the duo had done an almost two year run of Gioconda. Her voice is fresher in this performance, if still not Tebaldi of the pre1960 vintage, and Maurizio is one of Corelli’s best parts. The main claim to fame for Cvejic is that she is the mentor of current star baritone Zeljko Lucic. Colzani is well cast as Michonnet. Franco Corelli, is at the considerable peak of his form, and makes quite a meal of his many opportunities. Cvejic is better remembered as the teacher of Zelko Lucic than for her limited mezzo. Sirius has also rebroadcast the 1969 revival with Dalis for Cvejic and Tebaldi in much better form than 1963. Corelli is again outstanding and this should be added to MOoD. After a recent listen to the 1969 version, Corelli is considerably off his 1963 performance not to mention the classic Naples performance with Olivero, Simionato and Bastianini.
ADRIANA LECOUVREUR:Cilea
Abbado; Freni, Lima, Toczyska, Milnes
Original Air Date: 03/19/1994
SID.20080208
Fedora turned out to be a much more congenial role for her late period. Tocyzyska is always an alert performer.
ADRIANA LECOUVREUR:Cilea
Abbado; Freni, Lima, Toczyska, Milnes
Original Air Date: 03/19/1994
SID.20080424
Fedora turned out to be a much more congenial role for her late period. Tocyzyska is always an alert performer.
ADRIANA LECOUVREUR:Cilea
Abbado; Freni, Lima, Toczyska, Milnes
Original Air Date: 03/19/1994
SID.20080641
Fedora turned out to be a much more congenial role for her late period. Tocyzyska is always an alert performer.
ADRIANA LECOUVREUR:Cilea
Fulton; Scotto; Shicoff, Cortez, Sereni
Original Air Date: 02/26/1983
SID.20160216
Scotto is a vivid Adriana, if caught a bit late. A good part for Shicoff. This is not my favorite work, and while Scotto is very attentive to the veristic details, we’re starting to get into the “scratchy” years. While I like the Sony recording (with Obraztsova, Domingo) with her a bit better, she is a vivid Adriana, and Shicoff is an excellent Maurizio. Available in MOoD.
ADRIANA LECOUVREUR:Cilea
Fulton; Scotto; Shicoff, Cortez, Sereni
Original Air Date: 02/26/1983
SID.20160426
Scotto is a vivid Adriana, if caught a bit late. A good part for Shicoff. This is not my favorite work, and while Scotto is very attentive to the veristic details, we’re starting to get into the “scratchy” years. While I like the Sony recording (with Obraztsova, Domingo) with her a bit better, she is a vivid Adriana, and Shicoff is an excellent Maurizio. Available in MOoD.
ADRIANA LECOUVREUR:Cilea
Noseda; Netrebko, Rachvelishvili, Beczala, Bosi, Maestri, Muraro
Original Air Date: 01/12/2019
Live in HDMOD Video
SID.20160647
Based on a play by Eugène Scribe, the story was inspired by the real-life intrigues of famed actress Adrienne Lecouvreur and the legendary soldier—and lover—Maurice of Saxony. Cilea’s operatic retelling quickly became a favorite of charismatic soloists. The title character in particular is a quintessential diva role. Drama Queen (Article by William Berger) “On New Year’s Eve, Francesco Cilea’s Adriana Lecouvreur returns to the Met with soprano Anna Netrebko in the touchstone title role. She teams up with tenor Piotr Beczała as her lover, Maurizio—a brilliant pairing of stars fresh off a joint triumph in performances of Adriana in Vienna. Mezzo-soprano Anita Rachvelishvili rounds out the all-star principal trio, and maestro Gianandrea Noseda is on the podium. Sir David McVicar’s new staging—the Met’s first new production of the work in more than half a century—embraces Cilea’s glamorous 18th-century Parisian setting but also mines for deeper artistic significance in an opera that is often underestimated.” (William Berger) Co-Production of the Royal Opera House, Covent Garden, London; Gran Teatre del Liceu, Barcelona; Wiener Staatsoper; San Francisco Opera; and L’Opéra National de Paris Production a gift of The Sybil B. Harrington Endowment Fund
ADRIANA LECOUVREUR:Cilea
Fulton; Scotto; Shicoff, Cortez, Sereni
Original Air Date: 02/26/1983
SID.20160752
Scotto is a vivid Adriana, if caught a bit late. A good part for Shicoff. This is not my favorite work, and while Scotto is very attentive to the veristic details, we’re starting to get into the “scratchy” years. While I like the Sony recording (with Obraztsova, Domingo) with her a bit better, she is a vivid Adriana, and Shicoff is an excellent Maurizio. Available in MOoD.