In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
NABUCCO:Verdi
Original Air Date: 02/26/2005
Levine; Putilin, Guleghina, Buchuladze, Hughes Jones
SID.19390102
THE QUEEN OF SPADES:Tchaikovsky
Original Air Date: 02/14/2004
Jurowski; Domingo, Dalayman, Palmer, Chernov, Zaremba, Putilin
SID.19390104
This is Domingo’s last round out as Gherman, which seemed like yesterday but is now over a decade gone. Jurowski is an interesting conductor as is Dalayman’s Lisa. Chernov does not have the finish of Hvorostovsky, but it all depends on one’s reaction to Domingo’s Gherman. This is Domingo’s second Gherman, much prefer Palmer to Soderstrom and Dalayman to Gorchakova. This is late Chernov. Jurowski is a top drawer conductor in my view. Not a short work, but a lot of thrilling music. Jurowski is conductor, and the cast is not without interest. It’s a shame the first year of the production with Mattila and Heppner at their peak and the final role at the Met for Rysanek, that no broadcast exists.
THE QUEEN OF SPADES:Tchaikovsky
Original Air Date: 02/14/2004
Jurowski; Domingo, Dalayman, Palmer, Chernov, Zaremba, Putilin
SID.19390204 (not scheduled but aired)
This is Domingo’s last round out as Gherman, which seemed like yesterday but is now over a decade gone. Jurowski is an interesting conductor as is Dalayman’s Lisa. Chernov does not have the finish of Hvorostovsky, but it all depends on one’s reaction to Domingo’s Gherman. This is Domingo’s second Gherman, much prefer Palmer to Soderstrom and Dalayman to Gorchakova. This is late Chernov. Jurowski is a top drawer conductor in my view. Not a short work, but a lot of thrilling music. Jurowski is conductor, and the cast is not without interest. It’s a shame the first year of the production with Mattila and Heppner at their peak and the final role at the Met for Rysanek, that no broadcast exists.
NABUCCO:Verdi
Original Air Date: 02/26/2005
Levine; Putilin, Guleghina, Buchuladze, Hughes Jones
SID.19390423
NABUCCO:Verdi
Levine; Putilin, Guleghina, Buchuladze, Hughes Jones
Original Air Date: 02/26/2005
SID.19390639
THE QUEEN OF SPADES:Tchaikovsky
Jurowski; Domingo, Dalayman, Palmer, Chernov, Zaremba, Putilin
Original Air Date: 02/14/2004
SID.19390641
This is Domingo’s last round out as Gherman, which seemed like yesterday but is now over a decade gone. Jurowski is an interesting conductor as is Dalayman’s Lisa. Chernov does not have the finish of Hvorostovsky, but it all depends on one’s reaction to Domingo’s Gherman. This is Domingo’s second Gherman, much prefer Palmer to Soderstrom and Dalayman to Gorchakova. This is late Chernov. Jurowski is a top drawer conductor in my view. Not a short work, but a lot of thrilling music. Jurowski is conductor, and the cast is not without interest. It’s a shame the first year of the production with Mattila and Heppner at their peak and the final role at the Met for Rysanek, that no broadcast exists.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Grigorian, Guleghina, Rysanek, Hvorostovsky, Svendén, Putilin
Original Air Date: 12/30/1995
SID.20010208
This was the year of the new production which had starred Mattila and Heppner along with Rysanek in her last Met role. This is Rysanek’s broadcast farewell, and her final Met performance took place three days later. Guleghina and Grigorian are very solid and Gergiev is at his best. and oh yes, there’s Hvorostovsky in absolute prime. This performance should really be in MOoD. This is Rysanek’s broadcast farewell, and Hvorostovsky’s broadcast debut. Rysanek’s farewell to the Met is three days later after a career spanning five decades (38 years). A shame the cameras did not catch the opening run with Mattila and Heppner at their best, but this is a very solid broadcast. Heppner and Mattila were replaced by Guleghina and Greigorian. Both pairs were very good. The two baritones are also outstanding. Among the very best of Queen of Spades’ broadcasts. The 1966 English language (we’ll never hear it ;(((( ) with McCracken and Stratas should really be heard; I’m sorry Resnik didn’t have the broadcast instead of Madeira, but would really like to break the Sirius logjam on translations.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Grigorian, Guleghina, Rysanek, Hvorostovsky, Svendén, Putilin
Original Air Date: 12/30/1995
SID.20010424
This was the year of the new production which had starred Mattila and Heppner along with Rysanek in her last Met role. This is Rysanek’s broadcast farewell, and her final Met performance took place three days later. Guleghina and Grigorian are very solid and Gergiev is at his best. and oh yes, there’s Hvorostovsky in absolute prime. This performance should really be in MOoD. This is Rysanek’s broadcast farewell, and Hvorostovsky’s broadcast debut. Rysanek’s farewell to the Met is three days later after a career spanning five decades (38 years). A shame the cameras did not catch the opening run with Mattila and Heppner at their best, but this is a very solid broadcast. Heppner and Mattila were replaced by Guleghina and Greigorian. Both pairs were very good. The two baritones are also outstanding. Among the very best of Queen of Spades’ broadcasts. The 1966 English language (we’ll never hear it ;(((( ) with McCracken and Stratas should really be heard; I’m sorry Resnik didn’t have the broadcast instead of Madeira, but would really like to break the Sirius logjam on translations.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Grigorian, Guleghina, Rysanek, Hvorostovsky, Svendén, Putilin
Original Air Date: 12/30/1995
SID.20010640
This was the year of the new production which had starred Mattila and Heppner along with Rysanek in her last Met role. This is Rysanek’s broadcast farewell, and her final Met performance took place three days later. Guleghina and Grigorian are very solid and Gergiev is at his best. and oh yes, there’s Hvorostovsky in absolute prime. This performance should really be in MOoD. This is Rysanek’s broadcast farewell, and Hvorostovsky’s broadcast debut. Rysanek’s farewell to the Met is three days later after a career spanning five decades (38 years). A shame the cameras did not catch the opening run with Mattila and Heppner at their best, but this is a very solid broadcast. Heppner and Mattila were replaced by Guleghina and Greigorian. Both pairs were very good. The two baritones are also outstanding. Among the very best of Queen of Spades’ broadcasts. The 1966 English language (we’ll never hear it ;(((( ) with McCracken and Stratas should really be heard; I’m sorry Resnik didn’t have the broadcast instead of Madeira, but would really like to break the Sirius logjam on translations.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Original Air Date: 04/10/1999
MOD AudioMOD Video
SID.20140215
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Original Air Date: 04/10/1999
MOD AudioMOD Video
SID.20140425
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.
THE QUEEN OF SPADES:Tchaikovsky
Gergiev; Domingo, Gorchakova, Söderström, Hvorostovsky, Borodina, Putilin
Original Air Date: 04/10/1999
MOD AudioMOD Video
SID.20140751
This performance is too late for Soderstrom, too late for Domingo, and too late for Gorchakova. You can see the video of from five days later on MOoD as well. Better to hear the first season of the production with Gregorian who succeeded Heppner, Guleghina who succeeded Mattila with Rysanek. That has been on Sirius, but is not on MOoD. If Sirius had been at work when the production premiered we would have a broadcast of Heppner and Mattila at their very best. MOD is from 4-15-99 performance.
PARSIFAL:Wagner
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
Original Air Date: 04/12/2003
MOD Audio
SID.20170210
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
PARSIFAL:Wagner
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
Original Air Date: 04/12/2003
MOD Audio
SID.20170211
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
PARSIFAL:Wagner
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
Original Air Date: 04/12/2003
MOD Audio
SID.20170428
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
PARSIFAL:Wagner
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
Original Air Date: 04/12/2003
MOD Audio
SID.20170429
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
PARSIFAL:Wagner
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
Original Air Date: 04/12/2003
MOD Audio
SID.20170647
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.
PARSIFAL:Wagner
Gergiev; Domingo, Urmana, Struckmann, Pape, Putilin
Original Air Date: 04/12/2003
MOD Audio
SID.20170648
The main attraction here is Pape’s first Gurnemanz. I was not much taken with Gergiev’s work, but the part is a good one for Domingo, and the rest of the cast are top tier. It’s certainly a change from Levine, and one of Domingo’s better German offerings. Because of the contributions of Pape and Gergiev, MOoD should have this performance as well. Pape is represented in the new production on video on MOoD and on DVD. There are a number of Parsifals that have not made it to either Sirius rebroadcast or MOoD. Broadcasts featuring Crespin (under Pretre, 1966) Varnay with Hotter, 1954, Dalis with Siepi and Stewart, 1971 and several interesting casts under Levine including Gwyneth Jones are all unrepresented.