In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
THE GAMBLER:Prokofiev
Original Air Date: 03/31/2001
Gergiev; Galouzine, Guryakova, Alexashkin, Obraztsova
SID.19340641
This is the Met broadcast premiere of this work. Seven years later Galouzine and Gergiev are together again for another broadcast at the Met, but with Diadkova in for Obraztsova. Galouzine has been through a lot of heavy singing in the seven years, so this is overall the best bet for experiencing the Prokofiev. Unfortunately, the MOoD only has the 2008 broadcast. In the theatre with lot of intense visuals, this was a most enjoyable production. Even with audio only Gergiev and Galouzine are still powerhouses.
MAZEPPA:Tchaikovsky
Gergiev; Putilin, Guryakova, Balashov, Burchuladze, Diadkova
Original Air Date: 03/18/2006
SID.20040102
This is the only Met broadcast of Tchaikovsky’s powerful work. This performance is notable for Tchaikovsky’s powerful music, Gergiev’s assured conducting, and Putilin giving his considerable all to the title role. This is offbeat repertory that I’m glad we’ve had. Gergiev and Putilin make a strong case for hearing the work more often. It should really be on MOoD.
MAZEPPA:Tchaikovsky
Gergiev; Putilin, Guryakova, Balashov, Burchuladze, Diadkova
Original Air Date: 03/18/2006
SID.20040425
This is the only Met broadcast of Tchaikovsky’s powerful work. This performance is notable for Tchaikovsky’s powerful music, Gergiev’s assured conducting, and Putilin giving his considerable all to the title role. This is offbeat repertory that I’m glad we’ve had. Gergiev and Putilin make a strong case for hearing the work more often. It should really be on MOoD.
MAZEPPA:Tchaikovsky
Gergiev; Putilin, Guryakova, Balashov, Burchuladze, Diadkova
Original Air Date: 03/18/2006
SID.20040641
This is the only Met broadcast of Tchaikovsky’s powerful work. This performance is notable for Tchaikovsky’s powerful music, Gergiev’s assured conducting, and Putilin giving his considerable all to the title role. This is offbeat repertory that I’m glad we’ve had. Gergiev and Putilin make a strong case for hearing the work more often. It should really be on MOoD.
THE GAMBLER:Prokofiev
Gergiev; Galouzine, Guryakova, Alexashkin, Obraztsova
Original Air Date: 03/31/2001
SID.20100208
This is the Met broadcast premiere of this work. Seven years later Galouzine and Gergiev are together again for another broadcast at the Met, but with Diadkova in for Obraztsova. Galouzine has been through a lot of heavy singing in the seven years, so this is overall the best bet for experiencing the Prokofiev. Unfortunately, the MOoD only has the 2008 broadcast. In the theatre with lot of intense visuals, this was a most enjoyable production. Even with audio only Gergiev and Galouzine are still powerhouses.
THE GAMBLER:Prokofiev
Gergiev; Galouzine, Guryakova, Alexashkin, Obraztsova
Original Air Date: 03/31/2001
SID.20100423
This is the Met broadcast premiere of this work. Seven years later Galouzine and Gergiev are together again for another broadcast at the Met, but with Diadkova in for Obraztsova. Galouzine has been through a lot of heavy singing in the seven years, so this is overall the best bet for experiencing the Prokofiev. Unfortunately, the MOoD only has the 2008 broadcast. In the theatre with lot of intense visuals, this was a most enjoyable production. Even with audio only Gergiev and Galouzine are still powerhouses.
THE GAMBLER:Prokofiev
Gergiev; Galouzine, Guryakova, Alexashkin, Obraztsova
Original Air Date: 03/31/2001
SID.20100640
This is the Met broadcast premiere of this work. Seven years later Galouzine and Gergiev are together again for another broadcast at the Met, but with Diadkova in for Obraztsova. Galouzine has been through a lot of heavy singing in the seven years, so this is overall the best bet for experiencing the Prokofiev. Unfortunately, the MOoD only has the 2008 broadcast. In the theatre with lot of intense visuals, this was a most enjoyable production. Even with audio only Gergiev and Galouzine are still powerhouses.