In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
DIE ENTFÜHRUNG AUS DEM SERAIL:Mozart
Janowski; Donat, Winbergh, Salminen, Mills, Zednik
Original Air Date: 12/12/1987
SID.20020212
The main news here is Winbergh who had too few Met appearances and Salminen who is a solid Osmin, if not as good as Moll. My memory of Donat (the Polish coloratura, not Helen Donath) is limited and certainly in this performance. Janowski only has three broadcast appearances at the Met (Arabella, and Salome with Marton are the other two). He’s a major conductor, and if Salminen lacks some of the smoothness of Moll, to me he is much preferable to Talvela in this role. Winbergh left us much too soon, and Mills and Zednik are lively performers. Donat is too low profile for Konstanze (and this is her final Met performance), but the men are very good, and Janowski is a conductor we saw too little of. Salminen reappears four years later in a broadcast that is in MOoD with Devia and Olsen as support under Levine in one of his best efforts. Winbergh only has three other Met broadcasts, two Ottavios in Don Giovanni and his final Met appearance as Jose in Carmen. Since that is where his career was going — Parsifal and Tristan were on his calendar in final year, it would be nice to hear his Jose, and Uria-Monzon would be a break from the typical Carmen–she’s native French speaker.
DIE ENTFÜHRUNG AUS DEM SERAIL:Mozart
Janowski; Donat, Winbergh, Salminen, Mills, Zednik
Original Air Date: 12/12/1987
SID.20020529
The main news here is Winbergh who had too few Met appearances and Salminen who is a solid Osmin, if not as good as Moll. My memory of Donat (the Polish coloratura, not Helen Donath) is limited and certainly in this performance. Janowski only has three broadcast appearances at the Met (Arabella, and Salome with Marton are the other two). He’s a major conductor, and if Salminen lacks some of the smoothness of Moll, to me he is much preferable to Talvela in this role. Winbergh left us much too soon, and Mills and Zednik are lively performers. Donat is too low profile for Konstanze (and this is her final Met performance), but the men are very good, and Janowski is a conductor we saw too little of. Salminen reappears four years later in a broadcast that is in MOoD with Devia and Olsen as support under Levine in one of his best efforts. Winbergh only has three other Met broadcasts, two Ottavios in Don Giovanni and his final Met appearance as Jose in Carmen. Since that is where his career was going — Parsifal and Tristan were on his calendar in final year, it would be nice to hear his Jose, and Uria-Monzon would be a break from the typical Carmen–she’s native French speaker.
DIE ENTFÜHRUNG AUS DEM SERAIL:Mozart
Janowski; Donat, Winbergh, Salminen, Mills, Zednik
Original Air Date: 12/12/1987
SID.20020638
The main news here is Winbergh who had too few Met appearances and Salminen who is a solid Osmin, if not as good as Moll. My memory of Donat (the Polish coloratura, not Helen Donath) is limited and certainly in this performance. Janowski only has three broadcast appearances at the Met (Arabella, and Salome with Marton are the other two). He’s a major conductor, and if Salminen lacks some of the smoothness of Moll, to me he is much preferable to Talvela in this role. Winbergh left us much too soon, and Mills and Zednik are lively performers. Donat is too low profile for Konstanze (and this is her final Met performance), but the men are very good, and Janowski is a conductor we saw too little of. Salminen reappears four years later in a broadcast that is in MOoD with Devia and Olsen as support under Levine in one of his best efforts. Winbergh only has three other Met broadcasts, two Ottavios in Don Giovanni and his final Met appearance as Jose in Carmen. Since that is where his career was going — Parsifal and Tristan were on his calendar in final year, it would be nice to hear his Jose, and Uria-Monzon would be a break from the typical Carmen–she’s native French speaker.
LES CONTES D’HOFFMANN:Offenbach
Cambreling; Lima, Van Dam, Mills, Forst, Malfitano, Boozer
Original Air Date: 12/23/1989
SID.20100102
Lima is much stretched by Hoffmann, but he was very sympathetic on stage. The three lady casting is good, and Van Dam is excellent as the villains, his only Met season in them.
LES CONTES D’HOFFMANN:Offenbach
Cambreling; Lima, Van Dam, Mills, Forst, Malfitano, Boozer
Original Air Date: 12/23/1989
SID.20100319
Lima is much stretched by Hoffmann, but he was very sympathetic on stage. The three lady casting is good, and Van Dam is excellent as the villains, his only Met season in them.
LES CONTES D’HOFFMANN:Offenbach
Cambreling; Lima, Van Dam, Mills, Forst, Malfitano, Boozer
Original Air Date: 12/23/1989
SID.20100636
Lima is much stretched by Hoffmann, but he was very sympathetic on stage. The three lady casting is good, and Van Dam is excellent as the villains, his only Met season in them.