In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
IDOMENEO:Mozart
Original Air Date: 03/25/1995
Levine; Domingo, Upshaw, Vaness, von Otter, Davies
MOD Audio SID.19390317
Levine is an excellent Idomeneo conductor, and Vaness is the best of the Met Elettras. Upshaw is a bit light
IDOMENEO:Mozart
Original Air Date: 03/25/1995
Levine; Domingo, Upshaw, Vaness, von Otter, Davies
MOD Audio SID.19390317
Levine is an excellent Idomeneo conductor, and Vaness is the best of the Met Elettras. Upshaw is a bit light
DON GIOVANNI:Mozart
Hager; Morris, Sweet, Perry, Schuman, Olsen, Hong
Original Air Date: 12/24/1994
SID.19400104
Morris has four broadcast performances of the title role going back to 1974 (all post Siepi of course, who is very much my standard). In a house the size of of the Met I prefer a bass-baritone Don. Hager is a solid conductor and D’Arcangelo is caught at the beginning of his Met career. I like this overall cast better than the two surrounding broadcasts which feature Hampson. We need to hear the 1967 Don Giovanni with Siepi, Sutherland, Lorengar, Gedda, Flagello, Giaiotti under Bohm and also the 1957 Don with Steber and Della Casa at their peak under Bohm, and on MOoD, the video of Sutherland with Morris from 1978 which features Varady on camera for her only Met role.
DON GIOVANNI:Mozart
Hager; Morris, Sweet, Perry, Schuman, Olsen, Hong
Original Air Date: 12/24/1994
SID.19400321
Morris has four broadcast performances of the title role going back to 1974 (all post Siepi of course, who is very much my standard). In a house the size of of the Met I prefer a bass-baritone Don. Hager is a solid conductor and D’Arcangelo is caught at the beginning of his Met career. I like this overall cast better than the two surrounding broadcasts which feature Hampson. We need to hear the 1967 Don Giovanni with Siepi, Sutherland, Lorengar, Gedda, Flagello, Giaiotti under Bohm and also the 1957 Don with Steber and Della Casa at their peak under Bohm, and on MOoD, the video of Sutherland with Morris from 1978 which features Varady on camera for her only Met role.
DON GIOVANNI:Mozart
Hager; Morris, Sweet, Perry, Schuman, Olsen, Hong
Original Air Date: 12/24/1994
SID.19400638
Morris has four broadcast performances of the title role going back to 1974 (all post Siepi of course, who is very much my standard). In a house the size of of the Met I prefer a bass-baritone Don. Hager is a solid conductor and D’Arcangelo is caught at the beginning of his Met career. I like this overall cast better than the two surrounding broadcasts which feature Hampson. We need to hear the 1967 Don Giovanni with Siepi, Sutherland, Lorengar, Gedda, Flagello, Giaiotti under Bohm and also the 1957 Don with Steber and Della Casa at their peak under Bohm, and on MOoD, the video of Sutherland with Morris from 1978 which features Varady on camera for her only Met role.
SIMON BOCCANEGRA:Verdi
Levine; Chernov, Millo, Domingo, Scandiuzzi, Pola
Original Air Date: 03/11/1995
SID.19440103
This is the year of the new production, and the telecast a few weeks earlier featured Te Kanawa and Lloyd. Amelia is Millo’s debut role in 1984, and this broadcast is her last time out in the role at the Met. It is also in the series of performances that mark her return to the house after an absence of a year, and a most unsuccessful Lombardi production. Scandiuzzi is in his debut season, and Fiesco was his debut role. The next time Domingo appears in Boccanegra he IS Boccanegra, not Gabriele. As can often happen with this opera, things don’t quite come together though the paper casting looks very strong indeed. Better yet is the Levine Boccanegra with Hvorostovsky with Frittoli and Furlanetto.
SIMON BOCCANEGRA:Verdi
Levine; Chernov, Millo, Domingo, Scandiuzzi, Pola
Original Air Date: 03/11/1995
SID.19440319
This is the year of the new production, and the telecast a few weeks earlier featured Te Kanawa and Lloyd. Amelia is Millo’s debut role in 1984, and this broadcast is her last time out in the role at the Met. It is also in the series of performances that mark her return to the house after an absence of a year, and a most unsuccessful Lombardi production. Scandiuzzi is in his debut season, and Fiesco was his debut role. The next time Domingo appears in Boccanegra he IS Boccanegra, not Gabriele. As can often happen with this opera, things don’t quite come together though the paper casting looks very strong indeed. Better yet is the Levine Boccanegra with Hvorostovsky with Frittoli and Furlanetto.
SIMON BOCCANEGRA:Verdi
Levine; Chernov, Millo, Domingo, Scandiuzzi, Pola
Original Air Date: 03/11/1995
SID.19440103
This is the year of the new production, and the telecast a few weeks earlier featured Te Kanawa and Lloyd. Amelia is Millo’s debut role in 1984, and this broadcast is her last time out in the role at the Met. It is also in the series of performances that mark her return to the house after an absence of a year, and a most unsuccessful Lombardi production. Scandiuzzi is in his debut season, and Fiesco was his debut role. The next time Domingo appears in Boccanegra he IS Boccanegra, not Gabriele. As can often happen with this opera, things don’t quite come together though the paper casting looks very strong indeed. Better yet is the Levine Boccanegra with Hvorostovsky with Frittoli and Furlanetto.
TOSCA:Puccini
Oren; Holleque, Pavarotti, Pons
Original Air Date: 04/01/1995
SID.20060106
If I’m going to see/hear Pavarotti in Cavaradossi, I prefer the Verrett/MacNeil performance of 17 years earlier which is also in MOoD. 7/18/11 – This is 17 years after Pavarotti’s first Cavaradossi broadcast with Verrett, and he would do it again 4 years after this with Carol Vaness. This performance is on Met Player and the the Verrett telecast is also on MetPlayer.
TOSCA:Puccini
Oren; Holleque, Pavarotti, Pons
Original Air Date: 04/01/1995
SID.20060317
If I’m going to see/hear Pavarotti in Cavaradossi, I prefer the Verrett/MacNeil performance of 17 years earlier which is also in MOoD. 7/18/11 – This is 17 years after Pavarotti’s first Cavaradossi broadcast with Verrett, and he would do it again 4 years after this with Carol Vaness. This performance is on Met Player and the the Verrett telecast is also on MetPlayer.
TOSCA:Puccini
Oren; Holleque, Pavarotti, Pons
Original Air Date: 04/01/1995
SID.20060533
If I’m going to see/hear Pavarotti in Cavaradossi, I prefer the Verrett/MacNeil performance of 17 years earlier which is also in MOoD. 7/18/11 – This is 17 years after Pavarotti’s first Cavaradossi broadcast with Verrett, and he would do it again 4 years after this with Carol Vaness. This performance is on Met Player and the the Verrett telecast is also on MetPlayer.
TOSCA:Puccini
Oren; Holleque, Pavarotti, Pons
Original Air Date: 04/01/1995
SID.20070101
If I’m going to see/hear Pavarotti in Cavaradossi, I prefer the Verrett/MacNeil performance of 17 years earlier which is also in MOoD. 7/18/11 – This is 17 years after Pavarotti’s first Cavaradossi broadcast with Verrett, and he would do it again 4 years after this with Carol Vaness. This performance is on Met Player and the the Verrett telecast is also on MetPlayer.
DER ROSENKAVALIER:Strauss
Levine; von Otter, Gessendorf, Hawlata, Grant Murphy, Hornik, Elias, Senechal, Olsen
Original Air Date: 03/04/1995
SID.20080315
Murphy is the main drag on this performance, but Gessendorf who has almost no commercial recording career is a creditable vocal Marschallin. Because Rosenkavalier seems to still be hobbled on rights, we still don’t have Steber with Reiner, Ludwig as Oktavian in 1959, and Tomowa-Sintow or Gwyneth Jones as Marschallin.
DER ROSENKAVALIER:Strauss
Levine; von Otter, Gessendorf, Hawlata, Grant Murphy, Hornik, Elias, Senechal, Olsen
Original Air Date: 03/04/1995
SID.20080423
Murphy is the main drag on this performance, but Gessendorf who has almost no commercial recording career is a creditable vocal Marschallin. Because Rosenkavalier seems to still be hobbled on rights, we still don’t have Steber with Reiner, Ludwig as Oktavian in 1959, and Tomowa-Sintow or Gwyneth Jones as Marschallin.
DER ROSENKAVALIER:Strauss
Levine; von Otter, Gessendorf, Hawlata, Grant Murphy, Hornik, Elias, Senechal, Olsen
Original Air Date: 03/04/1995
SID.20080748
Murphy is the main drag on this performance, but Gessendorf who has almost no commercial recording career is a creditable vocal Marschallin. Because Rosenkavalier seems to still be hobbled on rights, we still don’t have Steber with Reiner, Ludwig as Oktavian in 1959, and Tomowa-Sintow or Gwyneth Jones as Marschallin.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Badea; Guleghina, Jóhannsson, Pola / Dessì, Martinucci, Nucci
Original Air Date: 02/04/1995
SID.20160209
Another Cavalleria of minimal interest– there must be something better in the archives. The Pagliacci does feature a qualified if not often encountered cast. Martinucci only has 25 performances in 7 seasons at the Met and this Canio is only 3 before his farewell. He has a very decent Fanciulla with Dimitrova, and is the Chenier on Milnes 25th anniversary broadcast. I saw him in Chicago in Gioconda, and he worked regularly in the top European houses I think for maybe another decade.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Badea; Guleghina, Jóhannsson, Pola / Dessì, Martinucci, Nucci
Original Air Date: 02/04/1995
SID.20160427
Another Cavalleria of minimal interest– there must be something better in the archives. The Pagliacci does feature a qualified if not often encountered cast. Martinucci only has 25 performances in 7 seasons at the Met and this Canio is only 3 before his farewell. He has a very decent Fanciulla with Dimitrova, and is the Chenier on Milnes 25th anniversary broadcast. I saw him in Chicago in Gioconda, and he worked regularly in the top European houses I think for maybe another decade.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Badea; Guleghina, Jóhannsson, Pola / Dessì, Martinucci, Nucci
Original Air Date: 02/04/1995
SID.20160540
Another Cavalleria of minimal interest– there must be something better in the archives. The Pagliacci does feature a qualified if not often encountered cast. Martinucci only has 25 performances in 7 seasons at the Met and this Canio is only 3 before his farewell. He has a very decent Fanciulla with Dimitrova, and is the Chenier on Milnes 25th anniversary broadcast. I saw him in Chicago in Gioconda, and he worked regularly in the top European houses I think for maybe another decade.