2019 Summer HD Festival

AIDA:Verdi
Cleva; Arroyo, McCracken, Bumbry, Colzani, Flagello
Original Air Date: 12/26/1970
SID.19440107
NYT Ericson [1/18/70]: In the title role, Martina Ar royo poured out her beautiful tones effortlessly. She was able to ride the climaxes of the Triumphal scene as well as to make the soft high arches of sound in “O patria mia.” Rich ard Tucker’s Radames was virile in sound and incisive in phrasing, although the tenor does not have the exceptional breath control he once had. Cornell MacNeil’s baritone, large and resonant, proved forceful in Amonasro’s music. Irene Dalis’s voice, ringing at the top but rather dry in the middle register effectively used in Amneris’s big scene in the last act. The two basses, Ezio Flagello as Ramfis and Paul Plishka as the King, sang handsomely. Even the brief contributions of Rod Mac Wherter as the Messenger and Margaret Kalil as the Priestess sounded fine. Fausto Cleva’s conducting insured a controlled, well coordinated musical perform ance. This was, probably, the the measure of the evening— solid excellence, but nothing to stir the listener’s blood.

AIDA:Verdi
Cleva; Arroyo, McCracken, Bumbry, Colzani, Flagello
Original Air Date: 12/26/1970
SID.19440317
NYT Ericson [1/18/70]: In the title role, Martina Ar royo poured out her beautiful tones effortlessly. She was able to ride the climaxes of the Triumphal scene as well as to make the soft high arches of sound in “O patria mia.” Rich ard Tucker’s Radames was virile in sound and incisive in phrasing, although the tenor does not have the exceptional breath control he once had. Cornell MacNeil’s baritone, large and resonant, proved forceful in Amonasro’s music. Irene Dalis’s voice, ringing at the top but rather dry in the middle register effectively used in Amneris’s big scene in the last act. The two basses, Ezio Flagello as Ramfis and Paul Plishka as the King, sang handsomely. Even the brief contributions of Rod Mac Wherter as the Messenger and Margaret Kalil as the Priestess sounded fine. Fausto Cleva’s conducting insured a controlled, well coordinated musical perform ance. This was, probably, the the measure of the evening— solid excellence, but nothing to stir the listener’s blood.

AIDA:Verdi
Cleva; Arroyo, McCracken, Bumbry, Colzani, Flagello
Original Air Date: 12/26/1970
SID.19440533
NYT Ericson [1/18/70]: In the title role, Martina Ar royo poured out her beautiful tones effortlessly. She was able to ride the climaxes of the Triumphal scene as well as to make the soft high arches of sound in “O patria mia.” Rich ard Tucker’s Radames was virile in sound and incisive in phrasing, although the tenor does not have the exceptional breath control he once had. Cornell MacNeil’s baritone, large and resonant, proved forceful in Amonasro’s music. Irene Dalis’s voice, ringing at the top but rather dry in the middle register effectively used in Amneris’s big scene in the last act. The two basses, Ezio Flagello as Ramfis and Paul Plishka as the King, sang handsomely. Even the brief contributions of Rod Mac Wherter as the Messenger and Margaret Kalil as the Priestess sounded fine. Fausto Cleva’s conducting insured a controlled, well coordinated musical perform ance. This was, probably, the the measure of the evening— solid excellence, but nothing to stir the listener’s blood.