In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Original Air Date: 12/10/1988
Siciliani; Dimitrova, Mauro, Fondary / Giacomini, Soviero, Pons
SID.19370212
Though Dimitrova was well regarded for her power and skill in the “big” roles, her Santuzza was one of the very best I’ve ever heard, and more importantly, seemed very personal. Her voice is satisfyingly volcanic this afternoon. No less impressive is the Pagliacci with Giacomini’s farewell to the Met. He is on top form for this Canio. Soviero has a strong Nedda as well. Siciliani gives full veristic sway in his conducting. Recommended.
CAVALLERIA RUSTICANA / PAGLIACCI:Mascagni / Leoncavallo
Original Air Date: 12/10/1988
Siciliani; Dimitrova, Mauro, Fondary / Giacomini, Soviero, Pons
SID.19370428
Though Dimitrova was well regarded for her power and skill in the “big” roles, her Santuzza was one of the very best I’ve ever heard, and more importantly, seemed very personal. Her voice is satisfyingly volcanic this afternoon. No less impressive is the Pagliacci with Giacomini’s farewell to the Met. He is on top form for this Canio. Soviero has a strong Nedda as well. Siciliani gives full veristic sway in his conducting. Recommended.
FRANCESCA DA RIMINI:Zandonai
Santi; Scotto, Mauro, MacNeil, Lewis
Original Air Date: 02/22/1986
SID.19450316
This performance is Kabaivanska’s Met farewell. Well cast and well conducted, there are two broadcasts of Onegin in 1979 (but different seasons),both with Mazurok and Plishka the only repeats from one to another. This is slightly better. For those who have never encountered Mazurok, his voice is as velvety as Hvorostovsky, and an upper register that definitely has squillo. Wish the Met would transfer one of these Mazurok Onegins to MOoD. Glad that it at least gets a regular Sirius re-hearing. The highlights of this opera are very exciting indeed, and if there is filler along the way, the Met put out one of its most sumptuous productions. Domingo did the first year broadcast and appears on the Met Player video (also on DVD). MacNeil gives a quite over the top performance that could not be replicated– think of Rigoletto on steroids. It’s a small part but you will notice him.
FRANCESCA DA RIMINI:Zandonai
Santi; Scotto, Mauro, MacNeil, Lewis
Original Air Date: 02/22/1986
SID.19450636
This performance is Kabaivanska’s Met farewell. Well cast and well conducted, there are two broadcasts of Onegin in 1979 (but different seasons),both with Mazurok and Plishka the only repeats from one to another. This is slightly better. For those who have never encountered Mazurok, his voice is as velvety as Hvorostovsky, and an upper register that definitely has squillo. Wish the Met would transfer one of these Mazurok Onegins to MOoD. Glad that it at least gets a regular Sirius re-hearing. The highlights of this opera are very exciting indeed, and if there is filler along the way, the Met put out one of its most sumptuous productions. Domingo did the first year broadcast and appears on the Met Player video (also on DVD). MacNeil gives a quite over the top performance that could not be replicated– think of Rigoletto on steroids. It’s a small part but you will notice him.
FRANCESCA DA RIMINI:Zandonai
Santi; Scotto, Mauro, MacNeil, Lewis
Original Air Date: 02/22/1986
SID.19450638
This performance is Kabaivanska’s Met farewell. Well cast and well conducted, there are two broadcasts of Onegin in 1979 (but different seasons),both with Mazurok and Plishka the only repeats from one to another. This is slightly better. For those who have never encountered Mazurok, his voice is as velvety as Hvorostovsky, and an upper register that definitely has squillo. Wish the Met would transfer one of these Mazurok Onegins to MOoD. Glad that it at least gets a regular Sirius re-hearing. The highlights of this opera are very exciting indeed, and if there is filler along the way, the Met put out one of its most sumptuous productions. Domingo did the first year broadcast and appears on the Met Player video (also on DVD). MacNeil gives a quite over the top performance that could not be replicated– think of Rigoletto on steroids. It’s a small part but you will notice him.
Puccini
Rudel; Mitchell, Mauro, Schexnayder, Tajo
Original Air Date: 01/31/1987
SID.19510209
Mitchell is quite a good Manon, and Mauro is acceptable. I’ve heard this performance several times on Sirius, and it is a decent repertory performance. 10/17/11-Manon Lescaut is at the top of my Puccini list, and it is nice to hear Mitchell’s lush voice in the music, while still showing off attractive high notes. Mauro is less to my taste, but this performance is not overly rotated. I’ll catch again during the week.
Puccini
Rudel; Mitchell, Mauro, Schexnayder, Tajo
Original Air Date: 01/31/1987
SID.19510425
Mitchell is quite a good Manon, and Mauro is acceptable. I’ve heard this performance several times on Sirius, and it is a decent repertory performance. 10/17/11-Manon Lescaut is at the top of my Puccini list, and it is nice to hear Mitchell’s lush voice in the music, while still showing off attractive high notes. Mauro is less to my taste, but this performance is not overly rotated. I’ll catch again during the week.
Puccini
Rudel; Mitchell, Mauro, Schexnayder, Tajo
Original Air Date: 01/31/1987
SID.19510641
Mitchell is quite a good Manon, and Mauro is acceptable. I’ve heard this performance several times on Sirius, and it is a decent repertory performance. 10/17/11-Manon Lescaut is at the top of my Puccini list, and it is nice to hear Mitchell’s lush voice in the music, while still showing off attractive high notes. Mauro is less to my taste, but this performance is not overly rotated. I’ll catch again during the week.