In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
LA CLEMENZA DI TITO:Mozart
Original Air Date: 04/20/2019
Koenigs; Fang, van den Heever, DiDonato, Murrihy, Polenzani, Van Horn
SID.19340535
Mozart’s opera of ancient Rome, La Clemenza di Tito, returned to the Met starring Matthew Polenzani in the title role of the Roman emperor Tito, with Elza van den Heeveras the vengeful Vitellia, who plots his assassination. Joyce DiDonato sings the trouser role of Sesto, Tito’s most devoted friend, who is also in love with Vitellia. The trio of leading artists is reunited at the Met after their acclaimed performances together in the company’s new production of Donizetti’s Maria Stuarda in 2013. Emily D’Angelo and Ying Fang sing the roles of thelovers Annio and Servilia, Sesto’s friend and sister, respectively, andChristian Van Horn portrays the captain of the Praetorian Guard, Publio. Lothar Koenigs conducts all six performances of Jean-Pierre Ponnelle’s 1984 staging, which ran March 30 through April 20, 2019.
MACBETH Verdi
Armiliato; Netrebko, Pirozzi, Polenzani, Lucic, Abdrazakov
OAD 9/25/2019 Season Premiere
SID.19390319 PROGRAM
Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014. Tonight, she returns to Verdi’s gripping Shakespeare adaptation. Baritone Željko Lučić, who starred in the 2007 premiere of Adrian Noble’s evocative production, sings the title role. Marco Armiliato conducts a cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo.
Production a gift of Mr. and Mrs. Paul M. Montrone Additional funding from Mr. and Mrs. William R. Miller; Hermione Foundation, Laura Sloate, Trustee; and The Gilbert S. Kahn & John J. Noffo Kahn Endowment Fund Revival a gift of Rolex
[Note: Placido Domingo was scheduled to sing MacBeth but withdrew from his appearances in this opera and at the MET on 9-24-19]
Photos: MET OPERA
MACBETH:Verdi
Armiliato; Netrebko, Polenzani, Lucic, Abdrazakov
Original Air Date: 10/04/2019
SID.19400533
Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014 opposite baritone Željko Lučić in the title role. Now, the two stars reunite to reprise their acclaimed portrayals in Verdi’s gripping Shakespeare adaptation. Marco Armiliato conducts a cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo. Production a gift of Mr. and Mrs. Paul M. Montrone Additional funding from Mr. and Mrs. William R. Miller; Hermione Foundation, Laura Sloate, Trustee; and The Gilbert S. Kahn & John J. Noffo Kahn Endowment Fund Revival a gift of Rolex
LA BOHÈME:Puccini
Armiliato; Pérez, Kulchynska, Polenzani, Bizic, Zhilikhovsky, Park, Woodley
Original Air Date: 10/25/2019
SID.19430535
Three casts of captivating artists bring Puccini’s classic tragedy of bohemian friends and lovers to life in Franco Zeffirelli’s immortal staging. Tenors Matthew Polenzani, Roberto Alagna, and Joseph Calleja trade off as the exuberant Rodolfo, alongside sopranos Ailyn Pérez, Hei-Kyung Hong, and Maria Agresta as the fragile Mimì. Marco Armiliato and Emmanuel Villaume share conducting duties.
Puccini
Original Air Date: 11/21/2019
Armiliato; Pérez, Kulchynska, Polenzani, Bizic, Zhilikhovsky, Park, Woodley
SID.19470000
DIE ZAUBERFLÖTE:Mozart
Levine; Milne, Polenzani, Goerne, Miklósa, Moll
Original Air Date: 04/16/2005
MOD Audio
SID.19490208
This is the broadcast from the first year of the Taymor production. This is an extremely solid cast with no weak links. Goerne was originally scheduled for the premiere in the fall, but had an injury, and was replaced by Pogossov. Roschmann was the premiere Pamina (and an outstanding one) but her only appearances on Sirius so far have been non-matinee broadcasts for Sirius subscribers. The Sirius 3 x a week of contemporary performances are invaluable. This is Moll’s broadcast farewell and his final Met appearance is Sarastro one week later (not marked in the Met Database-still true 4/2015) Moll also sang Commendatore in Don Giovanni in the evening after this Zauberflote matinee.
DIE ZAUBERFLÖTE:Mozart
Levine; Milne, Polenzani, Goerne, Miklósa, Moll
Original Air Date: 04/16/2005
MOD Audio
SID.19490424
This is the broadcast from the first year of the Taymor production. This is an extremely solid cast with no weak links. Goerne was originally scheduled for the premiere in the fall, but had an injury, and was replaced by Pogossov. Roschmann was the premiere Pamina (and an outstanding one) but her only appearances on Sirius so far have been non-matinee broadcasts for Sirius subscribers. The Sirius 3 x a week of contemporary performances are invaluable. This is Moll’s broadcast farewell and his final Met appearance is Sarastro one week later (not marked in the Met Database-still true 4/2015) Moll also sang Commendatore in Don Giovanni in the evening after this Zauberflote matinee.
DIE ZAUBERFLÖTE:Mozart
Levine; Milne, Polenzani, Goerne, Miklósa, Moll
Original Air Date: 04/16/2005
MOD Audio
SID.19490640
This is the broadcast from the first year of the Taymor production. This is an extremely solid cast with no weak links. Goerne was originally scheduled for the premiere in the fall, but had an injury, and was replaced by Pogossov. Roschmann was the premiere Pamina (and an outstanding one) but her only appearances on Sirius so far have been non-matinee broadcasts for Sirius subscribers. The Sirius 3 x a week of contemporary performances are invaluable. This is Moll’s broadcast farewell and his final Met appearance is Sarastro one week later (not marked in the Met Database-still true 4/2015) Moll also sang Commendatore in Don Giovanni in the evening after this Zauberflote matinee.
DIE ZAUBERFLÖTE:Mozart
Levine; Milne, Polenzani, Goerne, Miklósa, Moll
Original Air Date: 04/16/2005
MOD Audio
SID.19490743
This is the broadcast from the first year of the Taymor production. This is an extremely solid cast with no weak links. Goerne was originally scheduled for the premiere in the fall, but had an injury, and was replaced by Pogossov. Roschmann was the premiere Pamina (and an outstanding one) but her only appearances on Sirius so far have been non-matinee broadcasts for Sirius subscribers. The Sirius 3 x a week of contemporary performances are invaluable. This is Moll’s broadcast farewell and his final Met appearance is Sarastro one week later (not marked in the Met Database-still true 4/2015) Moll also sang Commendatore in Don Giovanni in the evening after this Zauberflote matinee.
Strauss
Original Air Date: 12/13/2019
Rattle; Nylund, Kožená, Schultz, Goeldner, Polenzani, Ebenstein, Eiche, Groissböck
SID.19500000
Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie.
Verdi
Armiliato; Netrebko, Polenzani, Domingo, Abdrazakov
Original Air Date: 12/21/2019
SID.19510639
Soprano Anna Netrebko created a sensation when she made her Met role debut as Lady Macbeth in 2014, opposite baritone Željko Lučić in the title role. Now, the two stars reunite to reprise their acclaimed portrayals in Verdi’s gripping Shakespeare adaptation. Marco Armiliato conducts a standout cast that also features tenor Matthew Polenzani as Macduff and bass Ildar Abdrazakov as Banquo, in Adrian Noble’s evocative production.
Single Intermission
Mary Jo Heath interviews Anna Netrebko
Mary Jo Heath interviews Željko Lučić
Mary Jo Heath interviews Sir Simon Rattle
L’ITALIANA IN ALGERI:Rossini
Campanella; Larmore, Polenzani, Ramey, Corbelli
Original Air Date: 02/17/2001
MOD Audio
SID.20010210
This is Ramey’s only Mustafa broadcast, and early appearances by Polenzani and Kwiecien who are Met regulars in star parts these days. My own favorite Isabella is Borodina whose performance with Florez and Furlanetto is also on MOoD.
NEW YEAR’S EVE GALA: ANNA NETREBKO:Puccini
Nézet-Séguin; Netrebko, Polenzani, Kelsey, Luciano, Van Horn, Woodley, Netrebko, Eyvazov, Nikitin, Carfizzi, Netrebko, Eyvazov
Original Air Date: 12/31/2019
SID.20010213
In an unprecedented program to celebrate the new year, Anna Netrebko pulls out all the Puccini stops, starring as Mimì, Tosca, and Turandot in one gala evening. The star soprano will sing Act I of La Bohème, opposite tenor Matthew Polenzani, and Act I of Tosca and Act II of Turandot, opposite tenor Yusif Eyvazov. Conducted by Met Music Director Yannick Nézet-Séguin and featuring an outstanding cast that also includes baritones Quinn Kelsey and Davide Luciano, and bass-baritones Evgeny Nikitin and Christian Van Horn, this will be an evening not to be missed. Each of the acts will be fully staged and costumed in the respective (and spectacular) Zeffirelli and McVicar productions.
L’ITALIANA IN ALGERI:Rossini
Campanella; Larmore, Polenzani, Ramey, Corbelli
Original Air Date: 02/17/2001
MOD Audio
SID.20010426
This is Ramey’s only Mustafa broadcast, and early appearances by Polenzani and Kwiecien who are Met regulars in star parts these days. My own favorite Isabella is Borodina whose performance with Florez and Furlanetto is also on MOoD.
DER ROSENKAVALIER:Strauss
Rattle; Nylund, Kožená, Schultz, Goeldner, Polenzani, Ebenstein, Eiche, Groissböck
Original Air Date: 01/04/2020
SID.20010639
Robert Carsen’s splendid staging returns for the first time since its blockbuster 2017 premiere, with Sir Simon Rattle on the podium to conduct Strauss’s glittering score. Star soprano Camilla Nylund is the worldly Marschallin, with the outstanding mezzo-soprano Magdalena Kožená as her exuberant young lover, Octavian. Bass Günther Groissböck reprises his definitive take on the lascivious Baron Ochs, and rising soprano Golda Schultz sings the innocent Sophie. A co-production of the Metropolitan Opera; Royal Opera House, Covent Garden, London; Teatro Colón, Buenos Aires; and Teatro Regio di Torino
L’ITALIANA IN ALGERI:Rossini
Campanella; Larmore, Polenzani, Ramey, Corbelli
Original Air Date: 02/17/2001
MOD Audio
SID.20010642
This is Ramey’s only Mustafa broadcast, and early appearances by Polenzani and Kwiecien who are Met regulars in star parts these days. My own favorite Isabella is Borodina whose performance with Florez and Furlanetto is also on MOoD.
LA BOHÈME:Puccini
Armiliato; Pérez, Kulchynska, Polenzani, Bizic, Zhilikhovsky, Park, Woodley
Original Air Date: 01/25/2020
SID.20040640
Three casts of captivating artists bring Puccini’s classic tragedy of bohemian friends and lovers to life in Franco Zeffirelli’s immortal staging. Tenors Matthew Polenzani, Roberto Alagna, and Joseph Calleja trade off as the exuberant Rodolfo, alongside sopranos Ailyn Pérez, Hei-Kyung Hong, and Maria Agresta as the fragile Mimì. Marco Armiliato and Emmanuel Villaume share conducting duties.
First Intermission
Backstage Pass #1 – Loren Toolajian interviews Ailyn Pérez and Matthew Polenzani
Mary Jo Heath interviews Maestro Edward Gardner about La Damnation de Faust
Second Intermission
Backstage Pass #2 – Loren Toolajian interviews Olga Kulchynska and David Bizic
DER FLIEGENDE HOLLÄNDER:Wagner
Gergiev; Morris, Stemme, Wagenführer, Rootering, Grove, Polenzani
Original Air Date: 12/16/2000
MOD Audio
SID.20140209
The Met for almost two decades led a charmed life with most Dutchman revivals centered on Leonie Rysanek as Senta, and for the first decade George London as the Dutchman. This performance was an early appearance by Nina Stemme at the Met, long before her acclaimed Brunnhildes around the world in the last 5 years. People were not thinking of her as a future Brunnhilde in 2000, and an important appearance in 2016 as Elektra in a new production.
DER FLIEGENDE HOLLÄNDER:Wagner
Gergiev; Morris, Stemme, Wagenführer, Rootering, Grove, Polenzani
Original Air Date: 12/16/2000
MOD Audio
SID.20140426
The Met for almost two decades led a charmed life with most Dutchman revivals centered on Leonie Rysanek as Senta, and for the first decade George London as the Dutchman. This performance was an early appearance by Nina Stemme at the Met, long before her acclaimed Brunnhildes around the world in the last 5 years. People were not thinking of her as a future Brunnhilde in 2000, and an important appearance in 2016 as Elektra in a new production.
LES PÊCHEURS DE PERLES:Bizet
Noseda; Damrau, Polenzani, Kwiecien, Teste*
Original Air Date: 01/16/2016
Live in HD
SID.20140538
Léila……………….Diana Damrau
Nadir……………….Matthew Polenzani
Zurga……………….Mariusz Kwiecien
Nourabad…………….Nicolas Testé
Conductor……………Gianandrea Noseda
Production…………..Penny Woolcock
Set Designer…………Dick Bird
Costume Designer……..Kevin Pollard
Lighting Designer…….Jen Schriever
Projection Design…….59 Productions
Movement Director…….Andrew Dawson
TV Director………….Matthew Diamond
DER FLIEGENDE HOLLÄNDER:Wagner
Gergiev; Morris, Stemme, Wagenführer, Rootering, Grove, Polenzani
Original Air Date: 12/16/2000
MOD Audio
SID.20140539
The Met for almost two decades led a charmed life with most Dutchman revivals centered on Leonie Rysanek as Senta, and for the first decade George London as the Dutchman. This performance was an early appearance by Nina Stemme at the Met, long before her acclaimed Brunnhildes around the world in the last 5 years. People were not thinking of her as a future Brunnhilde in 2000, and an important appearance in 2016 as Elektra in a new production.
DER ROSENKAVALIER:Strauss
Weigle; Garanca, Fleming, Groissböck, Morley, Brück, Polenzani
Original Air Date: 05/13/2017
MOD VideoLive in HD
SID.20160755
AT HOME GALA:Various
Featured Artists
Ildar Abdrazakov Moscow, Russia
Roberto Alagna and Aleksandra Kurzak Le Raincy, France
Marco Armiliato Lugano, Switzerland
Jamie Barton Atlanta, Georgia
Piotr Beczała Zabnica, Poland
Angel Blue Alpine, New Jersey
Lawrence Brownlee Niceville, Florida
Joseph Calleja Mellieha, Malta
Javier Camarena Zurich, Switzerland
Nicole Car and Etienne Dupuis Paris, France
David Chan Closter, New Jersey
Anthony Roth Costanzo New York, New York
Stephen Costello and Yoon Kwon Costello New York, New York
Diana Damrau and Nicolas Testé Orange, France
Michael Fabiano Bonita Springs, Florida
Renée Fleming Virginia
Elīna Garanča Riga, Latvia
Christine Goerke Teaneck, New Jersey
Gunther Groissböck Lugano, Switzerland
Jonas Kaufmann Munich, Germany
Quinn Kelsey Toronto, Canada
Isabel Leonard New York, New York
Ambrogio Maestri Lugano, Switzerland
Peter Mattei Bromma, Sweden
Erin Morley New Haven, Connecticut
Anna Netrebko and Yusif Eyvazov Vienna, Austria
Lisette Oropesa Baton Rouge, Louisiana
René Pape Dresden, Germany
Ailyn Pérez and Soloman Howard Chicago, Illinois
Matthew Polenzani Pelham, New York
Anita Rachvelishvili Tbilisi, Georgia
Golda Schultz Bavaria, Germany
Nadine Sierra Valencia, Spain
Bryn Terfel and Hannah Stone Wales
Elza van den Heever Montpellier, France
Michael Volle Berlin, Germany
Sonya Yoncheva Geneva, Switzerland
Original Air Date: 04/25/2020
SID.20170646
In its most ambitious effort yet to bring the joy and artistry of opera to audiences everywhere during the Met’s closure, the company will present an unprecedented virtual At-Home Gala, featuring more than 40 leading artists performing in a live stream from their homes all around the world. The event will take place Saturday, April 25, at 1 p.m. EDT, and will be available for free on the Met’s website. General Manager Peter Gelb and Music Director Yannick Nézet-Séguin will host from their homes in New York City and Montreal, respectively. Mr. Nézet-Séguin will also participate in the gala as a pianist, and will be featured as conductor in pre-recorded performances by the Met Orchestra and Chorus, which will be created from individual takes from the homes of each of the musicians in the days leading up to the gala. After the live showing, the gala will be made available for on demand viewing on the Met website until 6:30 p.m. EDT the following day. The At-Home Gala is part of the Met’s urgent “The Voice Must Be Heard” fundraising campaign to support the company and protect its future.”