In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
TRISTAN UND ISOLDE:Wagner
Original Air Date: 12/09/1950
Reiner; Vinay, Traubel, Thebom, Nilsson, Schöffler
SID.19370107
With leads like these, and Reiner in the pit, this is well worth investigating. Traubel has 40s broadcasts with both Melchior (3) and Svanholm with conductors like Leinsdorf, Beecham, and Busch. Alas none of these have been on Sirius. Enjoy this example of the original “St. Louis woman.”
TRISTAN UND ISOLDE:Wagner
Original Air Date: 12/09/1950
Reiner; Vinay, Traubel, Thebom, Nilsson, Schöffler
SID.19370317
With leads like these, and Reiner in the pit, this is well worth investigating. Traubel has 40s broadcasts with both Melchior (3) and Svanholm with conductors like Leinsdorf, Beecham, and Busch. Alas none of these have been on Sirius. Enjoy this example of the original “St. Louis woman.”
TRISTAN UND ISOLDE:Wagner
Original Air Date: 12/09/1950
Reiner; Vinay, Traubel, Thebom, Nilsson, Schöffler
SID.19370533
With leads like these, and Reiner in the pit, this is well worth investigating. Traubel has 40s broadcasts with both Melchior (3) and Svanholm with conductors like Leinsdorf, Beecham, and Busch. Alas none of these have been on Sirius. Enjoy this example of the original “St. Louis woman.”
VANESSA:Barber
Steinberg; Costa, Alexander, Elias, Thebom, Tozzi
Original Air Date: 04/03/1965
MOD Audio
SID.19520210
The Met does well by Samuel Barber, and regularly programs on Sirius the Steber world premiere season broadcast from 1958. Elias and Tozzi remain from the original cast under William Steinberg. The skating aria for Vanessa is gone by this revival, another reason to check out the Steber broadcast in MOoD.
VANESSA:Barber
Steinberg; Costa, Alexander, Elias, Thebom, Tozzi
Original Air Date: 04/03/1965
MOD Audio
SID.19520426
The Met does well by Samuel Barber, and regularly programs on Sirius the Steber world premiere season broadcast from 1958. Elias and Tozzi remain from the original cast under William Steinberg. The skating aria for Vanessa is gone by this revival, another reason to check out the Steber broadcast in MOoD.
VANESSA:Barber
Steinberg; Costa, Alexander, Elias, Thebom, Tozzi
Original Air Date: 04/03/1965
MOD Audio
SID.19520743
The Met does well by Samuel Barber, and regularly programs on Sirius the Steber world premiere season broadcast from 1958. Elias and Tozzi remain from the original cast under William Steinberg. The skating aria for Vanessa is gone by this revival, another reason to check out the Steber broadcast in MOoD.
THE RAKE’S PROGRESS:Stravinsky
Reiner; Conley, Güden, Harrell, Thebom
Original Air Date: 02/14/1953
SID.20100316
This is the American premiere with the composer in attendance. Worth noting is the director for this production is George Balanchine. It’s still a chilly work, but a distinguished afternoon, and the U.S. premiere occurs with this broadcast. Reiner is major in every way.
THE RAKE’S PROGRESS:Stravinsky
Reiner; Conley, Güden, Harrell, Thebom
Original Air Date: 02/14/1953
SID.20100533
This is the American premiere with the composer in attendance. Worth noting is the director for this production is George Balanchine. It’s still a chilly work, but a distinguished afternoon, and the U.S. premiere occurs with this broadcast. Reiner is major in every way.
DIE FLEDERMAUS:Strauss Jr.
Ormandy & Blatt; Resnik, Kullman, Munsel, Sullivan, Thebom, Brownlee
Original Air Date: 12/22/1951
SID.20150105
This is the second season of the hit Fledermaus production, and while I never cared much for Resnik’s soprano outings, she’s an improvement on Piazza. Ormandy comes back for this, but leaves the third act to a repetiteur as he had a Saturday night in Philadelphia with his Orchestra and his real bread and butter. Munsel is still the real star. Brownlee was in practically every Fledermaus until he left the Met.
DIE FLEDERMAUS:Strauss Jr.
Ormandy & Blatt; Resnik, Kullman, Munsel, Sullivan, Thebom, Brownlee
Original Air Date: 12/22/1951
SID.20150324
This is the second season of the hit Fledermaus production, and while I never cared much for Resnik’s soprano outings, she’s an improvement on Piazza. Ormandy comes back for this, but leaves the third act to a repetiteur as he had a Saturday night in Philadelphia with his Orchestra and his real bread and butter. Munsel is still the real star. Brownlee was in practically every Fledermaus until he left the Met.
DIE FLEDERMAUS:Strauss Jr.
Ormandy & Blatt; Resnik, Kullman, Munsel, Sullivan, Thebom, Brownlee
Original Air Date: 12/22/1951
SID.20150642
This is the second season of the hit Fledermaus production, and while I never cared much for Resnik’s soprano outings, she’s an improvement on Piazza. Ormandy comes back for this, but leaves the third act to a repetiteur as he had a Saturday night in Philadelphia with his Orchestra and his real bread and butter. Munsel is still the real star. Brownlee was in practically every Fledermaus until he left the Met.
DIE WALKÜRE:Wagner
Mitropoulos; Harshaw, Edelmann, Schech, Vinay, Thebom, Böhme
Original Air Date: 02/02/1957
MOD Audio
SID.20160212
Mitropoulos is not often heard in Wagner, but he is alert to the drama at all times. Unfortunately, there are a number of cuts even in parts of the Todesverkundigung (about 4.5 minutes there by my check). Still, this is a performance worth hearing. Harshaw is a stalwart Brunnhilde, and Edelmann was not yet in terminal Ochs voice. I also like Vinay very much, but he is not to everyone’s taste. One of MY highlights for the week.
DIE WALKÜRE:Wagner
Mitropoulos; Harshaw, Edelmann, Schech, Vinay, Thebom, Böhme
Original Air Date: 02/02/1957
MOD Audio
SID.20160430
Mitropoulos is not often heard in Wagner, but he is alert to the drama at all times. Unfortunately, there are a number of cuts even in parts of the Todesverkundigung (about 4.5 minutes there by my check). Still, this is a performance worth hearing. Harshaw is a stalwart Brunnhilde, and Edelmann was not yet in terminal Ochs voice. I also like Vinay very much, but he is not to everyone’s taste. One of MY highlights for the week.
DIE WALKÜRE:Wagner
Mitropoulos; Harshaw, Edelmann, Schech, Vinay, Thebom, Böhme
Original Air Date: 02/02/1957
MOD Audio
SID.20160642
Mitropoulos is not often heard in Wagner, but he is alert to the drama at all times. Unfortunately, there are a number of cuts even in parts of the Todesverkundigung (about 4.5 minutes there by my check). Still, this is a performance worth hearing. Harshaw is a stalwart Brunnhilde, and Edelmann was not yet in terminal Ochs voice. I also like Vinay very much, but he is not to everyone’s taste. One of MY highlights for the week.