2019 Summer HD Festival

MOURNING BECOMES ELECTRA:Levy
Mehta; Lear, Reardon, Collier, Milnes, Macurdy
Original Air Date: 04/01/1967

SID.19450214
Whatever the musical limitations, Cacoyannis’ direction and the searing performances of Lear and Collier as Lavinia and Christine Mannon and maybe the best thing Reardon and Milnes ever did. Michael Cacoyannis’ staging and a cast rehearsed to a fare thee well by Mehta overcome the limitations of O’Neill and Levy. It was quite an effective evening in the theatre. Lear and Collier even in such rarefied company stood out. This is from first season in the new house. Sad that we didn’t have cameras whirring in those days – probably the performance of the 1960s most regret not being on video, because video might have caught some of the enormous electricity that was simply not in Levy’s music. Surprisingly, this piece lingers on the edge of the repertory, exceeded only by Vanessa in terms of repeat performances for recent Met world premieres.

MOURNING BECOMES ELECTRA:Levy
Mehta; Lear, Reardon, Collier, Milnes, Macurdy
Original Air Date: 04/01/1967

SID.19450533
Whatever the musical limitations, Cacoyannis’ direction and the searing performances of Lear and Collier as Lavinia and Christine Mannon and maybe the best thing Reardon and Milnes ever did. Michael Cacoyannis’ staging and a cast rehearsed to a fare thee well by Mehta overcome the limitations of O’Neill and Levy. It was quite an effective evening in the theatre. Lear and Collier even in such rarefied company stood out. This is from first season in the new house. Sad that we didn’t have cameras whirring in those days – probably the performance of the 1960s most regret not being on video, because video might have caught some of the enormous electricity that was simply not in Levy’s music. Surprisingly, this piece lingers on the edge of the repertory, exceeded only by Vanessa in terms of repeat performances for recent Met world premieres.

MOURNING BECOMES ELECTRA:Levy
Mehta; Lear, Reardon, Collier, Milnes, Macurdy
Original Air Date: 04/01/1967

SID.19450744
Whatever the musical limitations, Cacoyannis’ direction and the searing performances of Lear and Collier as Lavinia and Christine Mannon and maybe the best thing Reardon and Milnes ever did. Michael Cacoyannis’ staging and a cast rehearsed to a fare thee well by Mehta overcome the limitations of O’Neill and Levy. It was quite an effective evening in the theatre. Lear and Collier even in such rarefied company stood out. This is from first season in the new house. Sad that we didn’t have cameras whirring in those days – probably the performance of the 1960s most regret not being on video, because video might have caught some of the enormous electricity that was simply not in Levy’s music. Surprisingly, this piece lingers on the edge of the repertory, exceeded only by Vanessa in terms of repeat performances for recent Met world premieres.