In this 11th year, over ten nights performances from the Met’s Live in HD series will be shown starting with a screening of FUNNY FACE in a special co-presentation with Film at Lincoln Center. Screenings run from August 23 through September 2. There will be 3000 seats in the Plaza in front of the Opera House with an additional standing room area. Cancellations due to thunder/lighting or high wind will not be rescheduled.
FIDELIO:Beethoven
Original Air Date: 03/10/1951
Walter; Flagstad, Svanholm, Schöffler, Ernster, Conner, Klein
MOD Audio SID.19370214
This performance marks Flagstad’s return season after an absence of ten years. She also has a Fidelio broadcast under Walter from 1941 which has now also been rebroadcast and finds Flagstad on even finer form on Sirius. Walter and Flagstad are the attraction with the supporting cast variable.
FIDELIO:Beethoven
Original Air Date: 03/10/1951
Walter; Flagstad, Svanholm, Schöffler, Ernster, Conner, Klein
MOD Audio SID.19370423
This performance marks Flagstad’s return season after an absence of ten years. She also has a Fidelio broadcast under Walter from 1941 which has now also been rebroadcast and finds Flagstad on even finer form on Sirius. Walter and Flagstad are the attraction with the supporting cast variable.
FIDELIO:Beethoven
Böhm; Nilsson, King, Evans, Edelmann, Pracht, Anthony
Original Air Date: 01/22/1966
MOD Audio
SID.19420208
Even though the classic 1960 broadcast is Bohm, Nilsson, and Vickers; Nilsson and King are fine, but Geraint Evans is not meant for this kind of role vocally. Uhde has his deficiencies but is much more appropriate. It’s a bit too late for Edelmann, but there “never was” for Czerwenka in the 1960. The 1960 performance also appears on a Sony Historical CD. What has not appeared in the Sirius run is the Beethoven 1971 bicentenary broadcast of the new production with Rysanek, Vickers with an excellent effort by Berry and Tozzi also under Bohm. Serious omission!
FIDELIO:Beethoven
Böhm; Nilsson, King, Evans, Edelmann, Pracht, Anthony
Original Air Date: 01/22/1966
MOD Audio
SID.19420427
Even though the classic 1960 broadcast is Bohm, Nilsson, and Vickers; Nilsson and King are fine, but Geraint Evans is not meant for this kind of role vocally. Uhde has his deficiencies but is much more appropriate. It’s a bit too late for Edelmann, but there “never was” for Czerwenka in the 1960. The 1960 performance also appears on a Sony Historical CD. What has not appeared in the Sirius run is the Beethoven 1971 bicentenary broadcast of the new production with Rysanek, Vickers with an excellent effort by Berry and Tozzi also under Bohm. Serious omission!
FIDELIO:Beethoven
Böhm; Nilsson, King, Evans, Edelmann, Pracht, Anthony
Original Air Date: 01/22/1966
MOD Audio
SID.19420638
Even though the classic 1960 broadcast is Bohm, Nilsson, and Vickers; Nilsson and King are fine, but Geraint Evans is not meant for this kind of role vocally. Uhde has his deficiencies but is much more appropriate. It’s a bit too late for Edelmann, but there “never was” for Czerwenka in the 1960. The 1960 performance also appears on a Sony Historical CD. What has not appeared in the Sirius run is the Beethoven 1971 bicentenary broadcast of the new production with Rysanek, Vickers with an excellent effort by Berry and Tozzi also under Bohm. Serious omission!
FIDELIO:Beethoven
Perick; Connell, Lakes, Welker, Moll, Donath, Kaasch
Original Air Date: 02/16/1991
SID.20020210
This revival comes in for some harsh words from Tim Page, and this broadcast marks the late Elizabeth Connell’s farewell to the Met. She has a more considerable overall career than her appearances at the Met show, but this Fidelio does not help much. Moll and Donath are the two members of the A team, but Rocco and Marzelline are not the essential casting for Fidelio, though I certainly appreciate good singers in the canon quartet.
FIDELIO:Beethoven
Perick; Connell, Lakes, Welker, Moll, Donath, Kaasch
Original Air Date: 02/16/1991
SID.20020426
This revival comes in for some harsh words from Tim Page, and this broadcast marks the late Elizabeth Connell’s farewell to the Met. She has a more considerable overall career than her appearances at the Met show, but this Fidelio does not help much. Moll and Donath are the two members of the A team, but Rocco and Marzelline are not the essential casting for Fidelio, though I certainly appreciate good singers in the canon quartet.
FIDELIO:Beethoven
Perick; Connell, Lakes, Welker, Moll, Donath, Kaasch
Original Air Date: 02/16/1991
SID.20020743
This revival comes in for some harsh words from Tim Page, and this broadcast marks the late Elizabeth Connell’s farewell to the Met. She has a more considerable overall career than her appearances at the Met show, but this Fidelio does not help much. Moll and Donath are the two members of the A team, but Rocco and Marzelline are not the essential casting for Fidelio, though I certainly appreciate good singers in the canon quartet.
for Lindstrom, and she returned again in 2015 for more Turandots at the Met including Eyvazov (Mr. Netrebko)’s debut. Sunnegardh was a Volpe protege who didn’t quite take off– Waitress debuts at the Met. There have been worse Fidelios however, but no need for a special search for this.
FIDELIO:Beethoven
Nadler; Sunnegårdh, Heppner, Held, Sigmundsson, Welch-Babidge, Turay
Original Air Date: 04/01/2006
SID.20070321
This was Volpe’s attempt at A Star is Born. Though Sunnegardh is still singing, her Met career barely encompasses two seasons (but maybe there’s more cover work before and since) She has four Turandot Sirius broadcasts(none in the matinee series from Toll Brothers). As for this Fidelio, it is not special in any department, and as much as I love Fidelio, when the first adjective coming to mind is workaday, it’s best passed over. One who has played out a similar scenario who I think is getting better and better is Lise Lindstrom who after consistent Turandot successes in many major theatres, has also now had a success as Salome (her Tosca at Glimmerglass a few seasons ago didn’t impress me quite as much), she has three Sirius (not Toll Brothers matinees) Turandots– the matinee and HD went to Guleghina. Keep on the lookout for Lindstrom, and she returned again in 2015 for more Turandots at the Met including Eyvazov (Mr. Netrebko)’s debut. Sunnegardh was a Volpe protege who didn’t quite take off– Waitress debuts at the Met. There have been worse Fidelios however, but no need for a special search for this.
FIDELIO:Beethoven
Nadler; Sunnegårdh, Heppner, Held, Sigmundsson, Welch-Babidge, Turay
Original Air Date: 04/01/2006
SID.20070637
This was Volpe’s attempt at A Star is Born. Though Sunnegardh is still singing, her Met career barely encompasses two seasons (but maybe there’s more cover work before and since) She has four Turandot Sirius broadcasts(none in the matinee series from Toll Brothers). As for this Fidelio, it is not special in any department, and as much as I love Fidelio, when the first adjective coming to mind is workaday, it’s best passed over. One who has played out a similar scenario who I think is getting better and better is Lise Lindstrom who after consistent Turandot successes in many major theatres, has also now had a success as Salome (her Tosca at Glimmerglass a few seasons ago didn’t impress me quite as much), she has three Sirius (not Toll Brothers matinees) Turandots– the matinee and HD went to Guleghina. Keep on the lookout for Lindstrom, and she returned again in 2015 for more Turandots at the Met including Eyvazov (Mr. Netrebko)’s debut. Sunnegardh was a Volpe protege who didn’t quite take off– Waitress debuts at the Met. There have been worse Fidelios however, but no need for a special search for this.
FIDELIO:Beethoven
Schneider; Meier, Botha, Fink, Salminen, Hong, Clarke
Original Air Date: 12/07/2002
MOD Audio
SID.20110102
Botha sings well enough, as does Fink with Meier and Schneider. Salminen does not appear often outside the Wagner repertory at the Met and this is a particularly congenial role for him. Schneider is not famous as an inspiring conductor. It’s not a weak cast. Available in MOoD
FIDELIO:Beethoven
Schneider; Meier, Botha, Fink, Salminen, Hong, Clarke
Original Air Date: 12/07/2002
MOD Audio
SID.20110318
Botha sings well enough, as does Fink with Meier and Schneider. Salminen does not appear often outside the Wagner repertory at the Met and this is a particularly congenial role for him. Schneider is not famous as an inspiring conductor. It’s not a weak cast. Available in MOoD
FIDELIO:Beethoven
Schneider; Meier, Botha, Fink, Salminen, Hong, Clarke
Original Air Date: 12/07/2002
MOD Audio
SID.20110534
Botha sings well enough, as does Fink with Meier and Schneider. Salminen does not appear often outside the Wagner repertory at the Met and this is a particularly congenial role for him. Schneider is not famous as an inspiring conductor. It’s not a weak cast. Available in MOoD
FIDELIO:Beethoven
Haitink; Meier, Sooter, Roar, Macurdy, Blegen, Atherton
Original Air Date: 04/10/1982
SID.20150208
This is Haitink’s only Met season, and Meier is pinch-hitting for Verrett who was sick for two other performances (also sung by Johanna Meier) in the run as well. Hard to believe the original casting for Florestan was Sooter, but in any event he gets a fine review from Harriet Johnson of the NY Post. To my knowledge, Verrett’s 3 performances are her only times in the part.
FIDELIO:Beethoven
Haitink; Meier, Sooter, Roar, Macurdy, Blegen, Atherton
Original Air Date: 04/10/1982
SID.20150319
This is Haitink’s only Met season, and Meier is pinch-hitting for Verrett who was sick for two other performances (also sung by Johanna Meier) in the run as well. Hard to believe the original casting for Florestan was Sooter, but in any event he gets a fine review from Harriet Johnson of the NY Post. To my knowledge, Verrett’s 3 performances are her only times in the part.
FIDELIO:Beethoven
Haitink; Meier, Sooter, Roar, Macurdy, Blegen, Atherton
Original Air Date: 04/10/1982
SID.20150537
This is Haitink’s only Met season, and Meier is pinch-hitting for Verrett who was sick for two other performances (also sung by Johanna Meier) in the run as well. Hard to believe the original casting for Florestan was Sooter, but in any event he gets a fine review from Harriet Johnson of the NY Post. To my knowledge, Verrett’s 3 performances are her only times in the part.
FIDELIO:Beethoven
Haitink; Meier, Sooter, Roar, Macurdy, Blegen, Atherton
Original Air Date: 04/10/1982
SID.20150648
This is Haitink’s only Met season, and Meier is pinch-hitting for Verrett who was sick for two other performances (also sung by Johanna Meier) in the run as well. Hard to believe the original casting for Florestan was Sooter, but in any event he gets a fine review from Harriet Johnson of the NY Post. To my knowledge, Verrett’s 3 performances are her only times in the part.